Rachmaninov wrote Vocalise for Voice and Piano but did not set a text to it unlike the other songs in the Op. 34 set. It immediately became popular and the composer fashioned several transcriptions of the work including one for Piano and another for Orchestra. This edition is arranged for Flute and Piano.

Funeral Cantata- Telemann's Funeral Cantata “Du aber Daniel gehe hin” appears here for the first time in print. A score of the work until Second World War was held in the Berliner Sing-Akademie. It was written by J. Dirmar the former cantor at St Nikolai in Berlin and consisted of a four-page printed text. Full score parts (BA3583) and choral score (BA3583-91) available for sale Scored for Soprano solo Bass solo Mixed choir (SATB) Flute Oboe Strings Organ

Suite for Orchestra- In 1918 Gabriel Fauré then 73 years old received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell’arte. The four-movement orchestral suite Op.112 consisting of Ouverture Menuet Gavotte and Pastorale combines previously unpublished parts of this stage music. The Pastorale of 1919 was Fauré’s last composition for orchestra the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The Op.112 orchestral suite demonstrates how the composer now older and more experienced reworked and improved his earliermusic. This scholarly-critical edition of the four-movement Masques et Bergamasques Op.112 is based on Gabriel Fauré The Complete Works Volume IV/2. First Urtext edition Based on Gabriel Fauré The Complete Works Score and orchestral parts in a large format (25.5 x 32.5 cm) available for sale

Opera in three acts- Almira Handel's first opera was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser who remarkably had himself already set Friedrich Christian Feustking's text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language resulting in a delightful mixture of German and Italian. The opera which after sundry entangled romances ends in the wedding of three couples is characterised by exuberant scenes: the procession at Almira's crowning ceremony a duel a prison scene and a masked-ball involving the three continents Europe Africa and Asia. The vocal score to Almira by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732 Georg Philipp Telemann removed the Aria no. 28 Ingrato spietato from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the Halle Handel Edition. Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the Gottinger Händel -Beiträge. Now the aria can be performed again. Furthermore with the help of this new source missing measures in the basso continuo which had initially been completed by the editor of the Halle Handel Edition volume could be reconstructed from the basso continuo part of the Bellante aria Ich brenne zwar (no. 71). - Urtext edition based on the Halle Handel Edition - Original German and Italian text with a German translation of the Italian arias

Hawkes Pocket Scores HPS 712-In 1941 Argentine composer Alberto Ginastera was commissioned to write a Ballet comprising One Act and Five scenes that was based on and would depict pastoral life in Argentina. He closely based his score on the great epic poem Martín Fierro by Jose Hernandez which tells the story of the Argentinean cowboys or Gaucho — nomadic and heroic figures who are the subject of much of the country's folklore. The story tells of a city boy who watches and falls in love with a country maiden. Despite initial contempt for him her feelings turn to admiration as he demonstrates he can perform the rough and difficult work and proves his skill in taming wild horses. Estancia is set over the passage of a single day: dawn morning afternoon night and dawn. Ginastera has not only captured the rhythms of life on a Estancia or ranch but also provided an insight into the gaucho's now diminished way of life. This volume is the Hawks Pocket score containing all the dances from the ballet in Study Score Format.

Cheryl Frances-Hoad's Psalm No. 6 for SATB. Commissioned by Help Musicians UK for the 2014 Festival of Saint Cecilia with funds provided by the RVW Trust and first performed by the combined choirs of Westminster Cathedral Westminster Abbey and St. Paul's Cathedral directed by Martin Baker Director of Music Westminster Cathedral on 19th November 2014.

Solo Cello Part from the work for Solo Cello and String Ensemble.

Piano. Dvorak A

1.Pavane Op.50 (transc. H.Busser); 2.Les Joueuses de Flûte (1ère Air de Danse from 'Pénélope'); 3.Sicilienne Op.78 (tr. H.Busser)

Die 20 schönsten Weihnachtslieder zum Mitsingen und Mitspielen-Twenty of the finest Christmas carols for singing and playing along.Christmas time is the season for singing and music making above all others. And now nobody need sing alone any longer. This book contains the best-loved Christmas carols with recordings on the CD in two versions: once with voices and once just with the accompaniment for you to sing along to. There are also chord symbols above the music so that you can play along to the songs too.

Published in 1648 Heinrich Schutz's Geistliche Chor-Music is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig's revised new text is available (BA 5901/BA 5902). Now selected motets are being issued in separate volumes. They offer a modern notation and layout retain the original keys and include an integrated figured bass realisation. In keeping with contemporary performance practice the choral' parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments (seeperformance material for BA 5901 and BA 5902). - So fahr ich hin zu Jesu Christ SWV 379 No.11 from Geistliche Chor-Music - Cantus Quintus Countertenor Tenor Bassus Basso continuo ad lib.

Patrick Doyle's original score blends the magic and wonder of Harry Potter with classic musical forms including a waltz a foxtrot a beautiful hymn and more. Titles: Death of Cedric * Foxtrot Fleur * Harry in Winter * Hedwig's Theme * Hogwarts' Hymn * Hogwarts' March * Neville's Waltz * Potter Waltz * The Quidditch World Cup (The Irish). Put the magic into your playing with this fantastic selection of pieces from Harry Potter and the Goblet of Fire as arranged for the late-elementary player by Carol Matz. This superb collection includes pictures offering you more than just the music from the film. From the Quidditch World Cup to the Death of Cedric this collection includes the music from some of the most emotive intense and exciting scenes in the film.

Quarter Military Band QMB 358-Band (full score only). Nelson R

Seven easy pieces for horn in F with piano accompaniment written in a colourful and imaginative style designed to appeal to young horn players and their teachers. The pieces are all written in different time signatures and explore some interesting and occasionally challenging rhythms. Written in a colourful and imaginative style designed to appeal to young horn players and their teachers the pieces are all written in different time signatures and explore some interesting and occasionally challenging rhythms ‘They come with piano accompaniment and are all written with different time-signatures and explore some interesting and occasionally challenging rhythms for the young player.’ Music Business ‘Paul Harris takes the funfare for his characteristic descriptive pieces for learners just in or below the stave... learning material of true worth.’ Music Teacher

The edition is part of the ABRSM syllabus (grade 4). Originally composed for Oboe and Strings this Piano reduction by John Barbirolli for Oboe and Piano accompaniment strings is based on themes by Arcangelo Corelli. Consisting of five movements this piece is suitable for performers of intermediate or higher levels and also includes brief guidance notes for a full instrumentation recital.

Libretto for the Opera in Two Acts. Scored for SATB Soli SATB Chorus and Orchestra. Commissioned by English national Opera with funds from the Arts Council. Text: Judith Weir after Ludwig Tieck.

A new revised edition of 200 Petits Canons by Konrad Kuntz for Solo Piano. These 200 short exercises have been used for a long time by teachers and students of the Piano for honing and reinforcing a variety of techniques and skills.

Linz Symphony- Mozart composed the Symphony In C Major K.425 known as the “Linz Symphony” within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711–1798) in Linz where together with Constanze he stayed for three weeks on the way back from a trip to Salzburg. “On Tuesday the fourth of November” wrote Mozart to his father on 31 October (the day after his arrival in Linz) “I will be giving a concert in the theatre – and since I have no symphony with me I am writing one as fast as I can for it must be ready by then”. Accordingly this work was performed for the first time in the theater inLinz on 4 November 1783. Urtext of the New Mozart Edition Full score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale

SATBB and organ continuo. String parts available for rental (Ref. HL11). Edited by Watkins Shaw

SATB and organ