Work for Solo Piano dating from 1917.

Volume 1: Free Chorale Based Compositions Preludes Fugues Fantasies and Miscellaneous Works; Appendix and Critical Report. Contents: Präludium d-Moll Andante D-Dur Ostinato c-Moll Fantasie und Fuge g-Moll Choral mit Variationen 'Wie groß ist des Allmächt'gen Güte' Nachspiel D-Dur Präludien und Fugen c-Moll-G-Dur-d-Moll op.37 Fuge e-Moll Fuge f-Moll Choral und Variation 'Herzlich tut mich verlangen' Präludium c-Moll Trio F-Dur Choral As-Dur Choral D-Dur Thema mit Variationen D-Dur Allegro d-Moll Allegro B-Dur Andante alla Marcia B-Dur Fuge B-Dur Allegro moderato maestosoC-Dur Anhang/ Appendix: Präludium d-Moll (Fragment) Ergänzung zum Präludium d-Moll Andante D-Dur und eine Variation (Fragment) Fuge f-Moll (überarbeitete Fassung) Volume 2: Six Sonatas Op.65; Appendix and Critical Report BA 8197 Special price for Volumes 1 and 2 BA 8198

Ode for St. Cecilia's Day- Alexander's Feast or The Power of Musick HWV 75 Ode for St. Cecilia's Day In 1736 Handel composed “ Alexander’s Feast ” or “ The Power of Musick ” a two-part cantata based on John Dryden’s poem of the same name. Now in a revised edition. For the new edition of Handel’s “ Alexander’s Feast ” the dynamic markings have been thoroughly revised. The three movements which Handel had added are published for the first time in the Vocal score. The readability of the edition has been much improved and the writing of the Piano part has become more idiomatic. - Clear straightforward Piano reduction in the Vocal score - Urtext of the Halle Handel Edition - Full score (BA4001) & Vocal score (BA400192) available for sale - Performance material available for hire

Anthems for the Chapel Royal O sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263 I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264 As Pants The Hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265 Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266 Handel ’s four anthems were all composed during his London period in the Chapel Royal. “ As Pants The Hart ” his fifth setting of this Psalm text was writtenin March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket. Until just before Handel ’s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music. The four anthems are presented in clearly laid out vocal scores with straightforward Piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever! The full scores and vocal scores also contain a German translation along with the original English text.

from Le Nozze di Figaro-From Le Nozze Di Figaro . A version for unison treble voice.

1.Sous ces Pavots; 2.Ah! si mon Sort vous intéresse; 3.De nos Vergers de nos Prairies; 4.Exilée au Sein de Paris

15 contemporary rounds-2 to 4 Violins Cello. Go Canon Go!

Fairest Lord Jesus-Eatnemen Vuelie is the opening musical number for the 2013 Disney animated feature Frozen. The song is inspired by indigenous Saami and Norwegian culture and was written and composed by Norwegian composer Frode Fjellheim. The song is a combination of Saami yoiking and the Danish Christmas hymn Dejlig er jorden/Fairest Lord Jesus. Composed by Frode Fjellheim. The original hymn is composed by the Danish composer B.S. Ingemann. Eatnemen Vuelie is inspired by the traditional Sami Yoik. York is a very old vocal tradition among the Sami people of Scandinavia and Russia. Typical of this tradition is the use of short melodic phrases that repeat endlessly with small variations. Forchildren's choir or women's choir (SSAA) sythesizer percussion and solo medium voice. German English and Norwegian versions of the text. Eatnemen Vuelie is the opening musical number for the 2013 Disney animated feature Frozen. The song is inspired by indigenous Saami and Norwegian culture and was written and composed by Norwegian composer Frode Fjellheim . The song is a combination of Saami yoiking and the Danish Christmas hymn 'Dejlig erjorden'/'Fairest Lord Jesus'. 'Yoik' is a very old vocal tradition among the Sami people of Scandinavia and Russia. Typical of this tradition is the use of short melodic phrases that repeat endlessly with small variations. Arranged for children's choir or women's choir (SSAA Voices) Synthesizer Percussion and solo medium Voice.

SATB chorus

Messiah occupies a unique position in Handel ’s work. Even if it does not represent the absolute zenith – several other oratorios could challenge it in this respect – its strongly universal character and directness of expression which appeal to men of all creeds make it the most renowned work in the whole of the composer’s monumental output. That this oratorio is unquestionably a work of individual character is shown by all its features: its material which presents liturgical traditions alongside popular elements; its structure which combines an ever-changing variety of elements from opera cantata concerto and anthem; its musicalorganization which at once unifies and dramatically juxtaposes the various styles. All are united in an extraordinary manner with great artistry most accomplished technique and superb invention. Urtext of the Halle Handel Edition Full score and performance material (BA4012) vocal score (BA4012-73 English; BA4012-90 English-German) and study score format 22.5 x 16.5cm (TP175) available for sale.

Funeral Cantata- Telemann's Funeral Cantata “Du aber Daniel gehe hin” appears here for the first time in print. A score of the work until Second World War was held in the Berliner Sing-Akademie. It was written by J. Dirmar the former cantor at St Nikolai in Berlin and consisted of a four-page printed text. Full score parts (BA3583) and choral score (BA3583-91) available for sale Scored for Soprano solo Bass solo Mixed choir (SATB) Flute Oboe Strings Organ

The third part of Honegger's Trois Contrepoints is entitled Canon Sur Bass Obstinee A Quatre Voix and is written for Piccolo (Flute) Cor Anglais Violin and Cello. The third part of Honegger's Trois Contrepoints is entitled Canon Sur Bass Obstinee A Quatre Voix and is written for Piccolo (Flute) Cor Anglais Violin and Cello.

Edited by Howard Ferguson.

This splendid colourful concert work lets your band shine in every respect. The dreamlike beginning is followed by a dancing passage that grows increasingly impassioned and in which all groups have their turn in the spotlight. Afterwards the dramatic theme from the start returns to the fore with a splendid antiphon in the horns/euphoniums bringing the work to a grandiose close.

Guy-Claude Luypaerts 's first volume in the series De La Flûte which provides exciting pieces for Flute and Piano or accompanying CD. Ensuring that teachers and students are able to find adequate melodic and technical pieces the De La Flûte series covers all styles necessary for auditions or competitions. Parisian composer and flautist Luypaerts (b. 1949) has written notable concertos and works for the instrument some of which have been commissioned by the French Culture Ministry and by Radio France. Luypaerts is also a sought after teacher and all his experiences andexpertise combined have lead to the popular De La Flûte series. The first volume contains a variety of inspiring pieces suitable for beginner to intermediate level.

QMB 248-Symphonic Band (score & parts). Grundman C

March of the Three Kings-A brilliant opener or a rousing finale! Either way this is the piece that will make memories and stir your audience’s comments at your winter concert. A bravura exploration of the well-known 13th century melody March of the Three Kings (also arranged by Bizet as Farandole in L’Arlésienne ) the Fantasia On A 13th Century Carol will catch and hold everyone’s attention from first note to last. As you may know James L. Hosay is a master of concert band composition and many facets of his remarkable talent are clearly evident in this powerful new composition. Magnificent!

This book of progressive studies has been transcribed for viola by Margaret Banwell from the violin originals. It explores in detail the fingering patterns of first position as well as offering exercises for arpeggio and scale patterns legato string-crossing and the lifting of the bow and exercises for trills and grace-notes. Transcribed for Viola by Margaret Banwell from the Violin originals explores in detail the fingering patterns of first position offers exercises for arpeggios and scale patterns legato string-crossing and the lifting of the bow and exercises for trills and grace-notes.

Movement That Fits-Comprised of singing and body movement activities which incorporate the principles of music educator Jaques Dalcroze and using the repertoire of the Suzuki Method Movement That Fits was written by Dalcroze educator Joy Yelin who is also knowledgeable about the Suzuki Method. There is an introduction by the editor Ken Guilmartin director of the Center for Music and Young Children and himself a certified Dalcroze instructor. Movement That Fits consists of sequentially structured singing and movement activities presented in easy-to-read outline form. Lifelike drawings and other visual aids accompany each activity along with information about the Dalcroze approach torhythm movement and music reading. Suzuki Method favorites such as Twinkle and Go Tell Aunt Rhody serve as the basis for the various activities. With fantastic artwork and stills from the film this is a fantastic souvenir from the third Harry Potter movie. The Piano arrangements are suitable for players of grades 1-3 standard.

Nelson Mass- The so-called “Nelson Mass” is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation. Urtext of the Joseph Haydn Complete Edition Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Flute Oboe (2) Clarinet (in B-flat) (2) Bassoon Horn (2) Trumpet (3) Kettledrum Strings Basso continuo Full score together withMissa in B major (Theresa Mass) Hob.XXII:12 (BA4660-01) Performance material (BA4660) vocal score (BA4660-90) and study score format 22.5 x 16.5cm (TP98) available for sale