For Orchestra (Triple Winds). Published 1998. Commissioned by South Bank Centre London. First performance: London (Takemitsu Festival) 1998 Philharmonia Orchestra Stefan Ashbury (cond). For Orchestra (Triple Winds). Published 1998. Commissioned by South Bank Centre London. First performance: London (Takemitsu Festival) 1998 Philharmonia Orchestra Stefan Ashbury (cond).

Book 1 Bwv 850- J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. Although he spent most of his life working as an organist and choirmaster he was familiar with many different Keyboard instruments. He utilised this knowledge when composing The Well-Tempered Clavier (1722) a collection of 24 Preludes and Fugues in which he explored the harmonies accessiblefrom every key. Prelude And Fugue In D Major BWV 850 is No. 5 from Book One of the Clavier . It is written in a typical Baroque form including an extended coda. This popular edition from thehighly-regarded musicologist Orlando Morgan is designed with the performer in mind and is still seen as the best edition available for students today.

Here's the classic Miles Davis tune from the landmark album Kind Of Blue carefully arranged for young groups. Written in 3/4 for ease of reading Mike has kept the feel and sound of the original in this excellent setting.

(from Summer Sun Winter Moon)-From the larger work Summer Sun Winter Moon this movement seeks to give voice to the series of words that the early American explorers had to translate: numbers seasons days. Full of musical imagery recurring motifsand a fresh textural treatment. Recorded by the Young People's Chorus of New York Francisco Nuñez Conductor. Available for SATB SAB or SSA.

A fun and easy round for secondary chorus text in both English and German

Medium Voice in B-Flat and Piano-Sheet Music Sheet Music

Grade 3. (Lowden)

Contents: Kuhlau: Sonatinas Op. 20 (No. 1 in C No. 2 in G) Sonatinas Op. 55 (No. 1 in C No. 2 in G No. 3 in C) * Clementi: Sonatinas Op. 36 (No. 1 in C No. 2 in G No. 3 in G No. 4 in F No. 5 in G No. 6 in D) * Haydn:Sonatina in C * Mozart: Sonatina in C * Beethoven: Op. 49 No. 2 in G.Sonatina Album for the piano abridged edition. Fifteen favourite sonatinas composed by Kuhlau Clementi Haydn Mozart and Beethoven edited and fingered by Ludwig Klee Louis Kohler and Adolf Ruthardt.

3-5 Octaves of Handbells Level 3-See how many American folk tunes your audience can identify in this fantasy sub-titled Melodies of Our Heritage. Tunes include: America Turkey in the Straw Carry Me Back to Old Virginny YellowRose of Texas My Old Kentucky Home I've Been Working on the Railroad Dinah Aura Lee Take Me Out to the Ball Game Taps Down By the Old Mill Stream Old MacDonald Row RowRow Your Boat When the Saints Go Marching In. A fun addition to any concert this work is 243 measures and is set in C Major and A-flat Major.

Soliloquy for a Passing Century - Score-Premiered by the University of Connecticut Wind Ensemble in the presence of President Clinton Gould's last large work for wind ensemble is a striking mood piece that conveys a melancholic feeling. A haunting marimba solo opens this work that challenges players with its spare exposed textures and wide dynamic range. President Clinton called it a treasure. (Grade 5) (9:00) 'All music be it 'abstract' or 'descriptive ' or 'popular' or 'serious ' must speak for itself. Words about it are irrelevant unless they be lyrics or narration. That being said I will attempt a few words about my piece because I was asked to do so and the very special nature of the event in which this first performance takes place. Therefore I offer a guide to the musical gestures and terrain that make up the work and hopefully helpcommunicate my music to the listener. ' Remembrance Day ' opens softly with a prologue evoking a distant nostalgic Lullaby. As it fades a sudden loud chime combines with high Clarinets in an anguishedsequence that cries out a musical pattern establishing and shaping the body of the work. The music alternates between elegiac thematic references and the pulsations and accents of chimes and tolling bells. A slight pause-thensubdued but menacing sounds from muted Trombones Tuba and Percussion. Over this is a variant of the Clarinets initial 'cry of anguish'- but this time in quiet grief-turning into a funeral cortege. The cortege proceeds to chantsand responses that grow in intensity changing to hymn-like swelling and embellishments. A sudden explosive interruption brutal and violent-the previous menacing muted trombone motif now unleashed. This leads to a full-blown andaffirmative chorale. Following this climax the work winds down diminishing in intensity. There are passing references to what was heard before. Now comes a last variation on the chant and a pianissimo echo variant in mutedTrumpets and then Woodwinds of the hymns and chorales. As this recedes comes the plaintive cry of anguish again-unresolved. Once again quiet pulsations a short silence-and the epilogue-a few fragments of the opening lullaby-somefinal pulsings-a few timpani beats-silence. I am honored to have been asked to write this work and I thank the Raymond and Beverly Sackler Foundation for making this possible. I also hope that our children's

Mark Taylor the master of samba has transformed this Chuck Mangione tune into one of the hottest charts of the year! As the rhythm section lays down a tasty vamp throughout your flugelhorn player gets the chance to cut loose.

Sheet Music Version for Medium Voice and Piano in the key of G.

Bob Dylan called Smokey Robinson America's greatest living poet and his legacy as one of the giants of Motown is clearly evident in this 1967 hit.Available separately: SATB SAB SSA Instrumental Pak (includes parts for Trumpet I and II Tenor Sax Trombone Guitar Bass and Drums) and ShowTrax CD. Performance Time: Approx. 2:40.

A lively angel chorus piece that dictates news of great joy!

(in C with Orchestra)-Available for the first time! The Lord's Prayer by Albert Hay Malotte is now available in the key of C with a recorded accompaniment available on CD and orchestra score and parts. Ideal for church and sacred concertperformance. Available for SATB SAB SSA and 2-Part. ChoirTrax CD available. Orchestral Pak also available. Performance Time: Approx. 2:30Malotte's setting of The Lord's Prayer has been lovingly adapted for SAB chorus in the key of C by Janet Klevberg Day. This heart-warming version is the perfect choice whatever the service or occasion.

This beloved melody is perfect for teaching artistry and vocal technique with its gentle phrasing and imaginative expression. Perform with piano or optional harp accompaniment. Performance Time: Approx. 3:30

String Orchestra with Piano-The rich flowing melody from this memorable film is one of John Barry's best scores. A feature moment for your pianist along with beautiful string writing from John Moss gives this arrangement great appeal for student players. Dur: 3:15

This work for piano and string ensemble was written as a homage to Maestro Luciano Berio. The harmonic field of the piece is based on a series of twenty-three notes chosen for him by the composer. Commissioned by the UltimaFestival Oslo this work was first performed in October 1991 at Den Gamle Logen Oslo by Hakon Austbo (piano) and the Norwegian Chamber Orchestra conducted by Beat Furrer. Duration c. 9mins.

Instrumental Accompaniment Set-This setting of the unchanging (ordinary) common texts of the Eucharist was composed for unison congregational singing. Various sections may be sung by choir and congregation combined by choir or congregation alone or by the choir alternating with the congregation.Included sections are: Gloria Kyrie Eleison (Greek or English) Trisagion The Creed Sanctus I And II Two Versions Of The Lord's Prayer and Agnus Dei.

Graded arrangements of well-known jazz solos suitable for beginner pianists. Ideal repertoire pieces for use alongside The Classic Piano Course books one and two. Arranged by Barrie Carson Turner.