A refreshing collection of intermediate original pieces for violin duet. Selections include: Al See Ya Later: Today's Special: After You: Beagle Mania: Blues for Two Rush Hour: Hot Tamale: Around the Clock: Good Morning Sunset: New York Blues: Let Us Play for Awhile: Close Shave: and Al B's Dream. A refreshing collection of intermediate original pieces for violin duet. Selections include: Al See Ya Later; Today’s Special; After You; Beagle Mania; Blues for Two Rush Hour; Hot Tamale; Around the Clock; Good Morning Sunset;New York Blues; Let Us Play for Awhile; Close Shave; and Al B’s Dream.

Two Pianos Four Hands-Two Pianos Four Hands. 2 Copies needed to perform. To see other NFMC selections click here . With orchestral accompaniment for second piano. Arranged by Isidor Philipp. Please note: two scores needed to perform.

Work for Solo Piano commissioned for the City of London Festival in 1999. Quoting John Tavener: Ypaköe in Greek refers to the Yapöe of Easter 'Why seek ye among the dead as though He were mortal man?'. Ypaköe for solopiano is a meditation on both the Passion and Resurrection of Christ. Ypakoë is a totally spiritual concept - to attone the individual's (performer's or listener's) will to the divine will. Ypakoë is personaland its violation may permit sanctions the purpose of which is to heal the listeners.

Eleven classic Gershwin songs arranged in Jazz-Style including; 'S wonderful and I Got Rhythm .

Violin/Piano reduction of this work for Violin and Orchestra composed for Pablo de Sarasate in 1880. Edited by Efrem Zimbalist.

Contents: Du Ring an Meinem Finger * He the Best of All the Noblest * Help Me Oh Sisters * Here on My Bosom Here on My Heart * I Can Not Dare Not Believe It * Now for the First Time Thou Hast * Since Mine Eyes Have Seen Him * Sweet My Friend Thou Viewest. For High Voice and Piano with choice of German or English text.

Scarlatti's Selected Keyboard Sonatas have been published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Includes informative introductions and performance notes. Domenico Scarlatti was the most gifted son of Alessandro Scarlatti the great master of Neopolitan opera and of the Italian solo cantata.

A collection of pieces ideal as supplementary material for the Next Step series. Pieces include 'Minuet' (Mozart) 'Mazurka' (Chopin) and 'Gavotte' (Chopin).

For Piano and Percussion. Published 1990. Commissioned by Kit Young and Tom Goldstein. First performance: New York 1993 Tom Goldstein et al. For Piano and Percussion. Published 1990. Commissioned by Kit Young and Tom Goldstein. First performance: New York 1993 Tom Goldstein et al.

This is the second of two books containing 15 Songs by Yrjo Kilpinen. This second book contains songs numbered 10 - 15. German and Danish text. This is the second of two books containing 15 Songs by Yrjo Kilpinen. This second book contains songs numbered 10 - 15. German and Danish text.

Four volumes of music selected from 60 years of ABRSM's Piano exams featuring music from the 20th century. 23 pieces selected from 60 years of Pianoforte examinations of the ABRSM. Includes works by George Dyson Thomas Dunhill and William Alwyn.

For Clarinet quartet (3 cl bcl). Published 1985. Commissioned by Tadaaki Takeda Clarinet Quartet. First performance: Tokyo 1985 Tadaaki Takeda Clarinet Quartet. For Clarinet quartet (3 cl bcl). Published 1985. Commissioned by Tadaaki Takeda Clarinet Quartet. First performance: Tokyo 1985 Tadaaki Takeda Clarinet Quartet.

This work was commissioned for the choir of St. Paul's Old Church Edinburgh who gave the first performance on the 11th of June 1989 at St. Giles' Church Edinburgh conducted by Leslie Shankland. This is a setting in Scots ofthe passage in the Apocalypse where St. John hears a voice from the throne that voice appearing here as soprano-alto duets from a distance building as Davies has said ' fine bridge' from the time of the Edinburgh church to thepresent. Both vocal groups sing in translucent modal harmony with organ support.

Easy popular Christmas pieces for young Flautists carefully arranged and graded to provide attractive teaching repertoire by Jerry Lanning. New concepts and techniques are introduced progressively and the familiarity with thematerial will stimulate pupils' enthusiasms and encourage their practice. Suitable for players grades 1-2 standard. This edition includes demonstration and backing tracks on CD.

For solo Cello. Published in 2001. For solo Cello. Published in 2001.

ShowTrax CD-Singers and audiences of all ages continue to be moved by this classic Beatles' song from the 1966 album Revolver. Vocal accompaniment doubled by the recorded string quartet makes this a great educational choice as well.Available: SATB SAB SSA and ShowTrax CD. Performance Time: Approx. 3:00.

SATB vocal arrangement with optional Trumpet and Piano accompaniment part on the score.

Along with many other great American composers drawn from all musical genres Philip Glass was commissioned by the 1984 Olympic Committee to write a work for performance at the spectacular opening ceremony of the Games in LosAngeles that summer. Originally scored for orchestra and voices The Olympian - Lighting of the Torch was among the more memorable and original contributions. It is nowavailable for the first time in the composer’s own arrangement for Piano or Keyboard.

Co-writers Babbie Mason and Eulalia King teamed together to write this joyous Christmas piece. Featuring a soloist ensemble and choir this holiday creation will serve well as a pageant or concert opener or simply as a festivecall to worship in a more contemporary worship setting. Available separately: SATB Full Orchestra score and parts (sc fl ob cl tpt 1 2 3 hn 1 2 tbn 1 2 tbn 3/tba perc dm set rhythm hp str:88421) ChoirTrax CD.Duration: ca. 2:30.

This outstanding arrangement of a chorus from Haydn's Creation features a simplified accompaniment and is in a lower key (one step lower than original). Attention has been given to creating voice leading that avoidsexcessively large intervals but retains the integrity of the work. Students will have great success learning this challenging composition of Awake the Harp.