For SATB Choir (Mixed Voices) with Piano accompaniment and Guitar chords. Arranged by Hywel Davies.

TTBB unaccompanied but includes Piano accompaniment for rehearsal.

Edited by Robin Langley Amongst the most widely-disseminated and influential piano music of the early 19th century the sixteen Nocturnes of John Field are here published together for the first time in an edition that through careful consideration of publishers' plate numbers Russian first editions and the composer's habits of revision reveals the number and chronology of the little-known Nocturne No. 10 and its relation to the unnumbered 'Troubadour' Nocturne H.55. First published in 1997.

Job (Vocal Score)-A substantial work for four soli SATB chorus and orchestra using text from the translation of Stephen Mitchell's The Book Of Job . Like Vaughan Williams in his Job: A Masque for Dancing Davies was inspired inpart by William Blake's 21 engravings for the Book of Job. His oratorio however is less dependent on find parallels for Blake's visual details given the direct poetry in David Lemon's adaptation of the Stephen Mitchelltranslation from the biblical original it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting though the other soloists occasionally reinforce hisplea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages; there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestralwriting for the smarmy Comforters the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job. Commissioned by theUniversity of British Colombia it was first performed in May 1997 by Valdine Anderson (soprano) Linda Maguire (mezzo soprano) Paul Moore (tenor) and Kevin McMillan (baritone) with the Vancouver Bach Choir and the CBC VancouverOrchestra conducted by the composer. Vocal score with piano reduction of the orchestral score. Duration c. 70mins.

This version is arranged for bass voice alto flute harpsichord and cello. Score edition only. Separate parts are also available on sale.

Beyond Dark consists of one movement which is in three sections fast-slow-fast. Influences from the modern jazz harmony of Herbie Hancock and Chick Corea and also traditional Japanese instruments such as the koto and shakahachi.The piece lends itself to alternative fingerings which helps to give the piece an exotic flavour - some of which are included in the score included some of these optional fingerings in the score.

Sonate für Orgel und Kammerorchester (Streicher ohne Viola)- The 17 Church or 'Epistle' Sonatas were composed between 1772 and 1780. They are short single-movement pieces intended to be played during a celebration of the Mass. Three of the sonatas are scored for small Orchestra including Oboes Horns Trumpets and Timpani and the rest are scored for Organ and strings without Violas. The Sonata in this Volume 5 is the Sonata in C major K.263 (Organ Solo Trumpet (2) Strings). Also available: Volume 1: BA4731. Volume 2: BA4732. Volume 3/4: BA4733.

Book 2-Pack (Score and one of each part (excluding Supplementary parts)) Edited by Scott Stroman Rockin’ Daddy (Myhill); Ballad for One (Myhill); Granite City Blues (Michael); Ultima Bossa (Myhill)

Alto Piano. Brahms J.

Grades 1-5-A collection of progressive studies in two volumes for unaccompanied flute. Carefully written to explore different aspects of flautist's technique these attractive and well-crafted studies also contain a mix of articulations speeds time signatures and rhythms to provide original and varied study repertoire for teacher and pupil. Fifty progressive studies for unaccompanied flute. The fifty short unaccompanied pieces in these two books explore the versatility of the flute and the many moods and styles it can portray. These pieces have been designed primarily as studies but may be grouped as desired into suites for solo performance. The material has been arranged in progressive order of difficulty with Book 1 covering a level of Grades 1-5 and Book 2 covering Grades 6-8.

Vocal Score for the Opera in Two Acts.Caritas’ is in two acts the first consisting of 12 short scenes the second being a continuous scena. The overall form of the opera retains the architecture of Wesker’s stage play butalters the proportions in order to create a musically dynamic form. While each scene of the first act is centred around a specific pitch the second act is a Passacaglia whose ‘ground’ is a Cantus Firmus each repetition ofwhich begins on a different note from those of its previous statements. These large-scale architectural features are both reflected in and derived from the musical material itself.

13 Pieces-Piano. Dvorak A

SATBB unaccompanied Latin and English texts. Edited by E H Fellowes.

An effective piece by Paul Lewis ranging between romantic and jazz which in places is reminiscent of circus music! Originally composed for mouth Organ this popular little work has now been arranged for Flute with Piano accompaniment.

Nos 1-13-Nos 1-13. For unaccompanied cello. The modern method of 'cello playing dates only from about the last third of the eighteenth century. While the great Italian masters had developed the art of the violin before the end of the seventeenth it remained for the Frenchman Jean-Louis Duport to bring order and system into the method of the 'cello. These etudes are written to improve finger agility and bowing technique for the intermediate to advanced cellist. This edition of Duport’s Etudes has been edited and fingered by Leo Schulz.

For SATB chorus and Piano or Organ. Commissioned by the Genesis Foundation for The Sixteen and Harry Christophers. For SATB chorus and Piano or Organ. Commissioned by the Genesis Foundation for The Sixteen and Harry Christophers.

Clarinet Double Bass 3 Percussion instruments. Fink S

Voluntary in A (No. 4 in Vol.) Voluntary in A (No. 5 in Vol.) Voluntary in D Voluntary in E Voluntary in F Voluntary in G Voluntary for a double Organ

Violin Piano. Seybold A

At every turn Nyman has proved eminently practical. Not for him the ivory tower anguish of a tormented composer grappling with abstract systems. Rather he has consistently displayed an openness to collaboration a spry sense ofhumour a literate imagination and an instinctive ability to engage a highly diverse audience.