Scored in a way to make the trombone sound upbeat and sometimes pretty cool. The piano parts are reasonably easy entertaining and rhythmically useful to the trombonist.

Chamber Work Commissioned By The Fires Of London. Chamber work commissioned by The Fires of London.

Missa brevis in F in score. This was the first Mass which Mr. Haydn composed whilst still a student says an entry in the catalogue of Haydn's musical estate. Circa 1798/99 Haydn entered the work without an incipit in his working catalogue as Missa brevis in F. / a due Soprani. Around 1805/06 he added in shaky decrepit handwriting to the title Missa. on the front page of the organ part of one of the set of parts prepared by his copyist Johann ElBler: Brevis / di me Giuseppe Haydn mpria / 1749. This date the earliest yet found on a work by Haydn corresponds to the title of the Haydn catalogue whichindicates the eighteenth year of Haydn's life i. e. 1749/50 as the starting point of his work: Catalogue of all those compositions which I happen to remember writing from my 18th to my 73rd year of life. In 1805 Haydn set about adding further instruments to the original scoring for two violins and figured organ bass and by 15th February 1806 the larger instrumentation was ready as is evidenced by a letter written on this very day by the Haydn biographer Georg August Griesinger. It is however by no means certain whether the seventy-three-year-old undertook this adaptation himself. - Urtext from Joseph Haydn Werke - Full score parts (BA4644) and vocal score (BA4644-90) available for sale - Early string version and later version with wind instruments and timpani

Five Pieces Op. 75 No. 4-A fabulous work for Piano by Finnish composer Jean Sibelius one of the most influential symphonic composers of the late 19th and early 20th century. The Birch or Le Bouleau is a beautiful piece from the fourth movement of Five Pieces or Cinq Morceaux Op.75. For Solo Piano. A fabulous work for Piano by Finnish composer Jean Sibelius one of the most influential symphonic composers of the late 19th and early 20th century. The Birch or Le Bouleau is a beautiful piece from the fourth movement of Five Pieces or Cinq Morceaux Op.75. For Solo Piano.

Howard Ferguson's Sonata In F Minor Op.8 for solo Piano.

Music through the Ages in 3 Volumes-Time Pieces is an exciting series of repertoire which explores the wealth of music written from the sixteenth century to the present day. The pieces are presented chronologically within each volume and all include the year in which they were written so you can map your journey through time. Time Pieces is an exciting series of repertoire which explores the wealth of music written from the sixteenth century to the present day. The pieces are presented chronologically within each volume and all include the year in which they were written too. This series allows the pupil to get a real feel for the different styles of music through time and will prove an invaluable varied source of further study and recital repertoire.

Rodelinda Regina de' Longobardi HWV 19; Opera in three acts. After Giulio Cesare and Tamerlano Rodelinda is the third masterly opera that Handel composed between December 1723 and January 1725. The words were written by Nicola Haym the author of many other Handel librettos. The first performance took place at the King’s Theatre in the Haymarket London on 13 February 1725. Rodelinda thrives entirely on the ethical supremacy of conjugal love and thus prefigures the great operas by Gluck and Beethoven on the same subject. The plot is taken from the history of the Lombard royalty. Oskar Hagen’s revival of Rodelinda in 1920 ushered in the modern Handel operamovement. The work forms the climax to a series of dramatic masterpieces that includes Handel’s most significant operas. Handel returned to Rodelinda on two occasions in December 1725 and in May 1731. Many far-reaching changes were necessary owing to the different skills of the new singers. For example Handel wrote three new arias and a duet for the first revival. Yet the changes he made for this performance doubtless to accommodate the needs and wishes of the singers also improve the work’s dramatic substance. Our vocal score is based on the Urtext of the full score published in the Halle Handel Edition (II/16) and reproduces the various alternative readings and versions in an appendix. Urtext of the Halle Handel Edition. Full score (BA4064) & vocal score (BA4064-90) available for sale. Performance material (BA4064-72) available for hire

Symphonic Celebration-Study Score - Hawkes Pocket Score 1127. Ginastera A

Chris Malloy's Z-Tones for Viola and CD. Z-Tones was premiered by Mary Ruth Ray at the Boston CyberArts Festival in May 2003. Every sound on the CD was derived from a recording of the solo viola mostly played by Julianna Lin sometimes played by Hilary Zipper or myself. The recording was made in Slosberg Recital Hall at Brandeis University with the assistance of Chris Roppolo Carolyn Davies and Sam Nichols. - Chris Malloy Duration: 3.5 minutes

Frisch voran! 36 berühmte Märsche-Piano. Div

An arrangement of Honegger's Trois Contrepoints for Piano Duet. Three short movements that reflect the polyphonic structures and textures of the contrapuntal tradition. An arrangement of Honegger's Trois Contrepoints for Piano Duet. Three short movements that reflect the polyphonic structures and textures of the contrapuntal tradition.

Prières Cortèges et Danses pour les Dieux familiers.

Study Score - Hawkes Pocket Score 865. Durko Z

Feature anywhere from one Saxophone up to the entire Sax section in Stephen Bulla’s jazzy new arrangement titled Swingin’ at the Riverside. The quick rhythmic swing-style music is catchy to say the least! It’s the perfect opportunity to “lighten up” during the next concert performance. In addition it’s a good piece to program just before or after that large work that’s taxing for the Brass players. It’s lots of fun for Brasses to play but gives them plenty of short rests throughout so they can refresh their chops. Now’s the time to let the Saxes shine! Light-hearted and fun!

Cycle Apres Pentecote-Dom.13 Post Pentecoste-Orgue- 1.Introït; 2.Offertoire; 3.Elévation; 4.Communion; 5.Choral No.4

42 melodic studies that address a huge variety of techniques including doublestops motivic repetition glissadi and much more. Ideal and impressive competition pieces suitable for festivals auditions or as showpieces for a solo recital. 42 melodic studies that address a huge variety of techniques including doublestops motivic repetition glissadi and much more. Ideal and impressive competition pieces suitable for festivals auditions or as showpieces for a solo recital.

Song cycle for soprano and orchestra with poems by Robert Desnos. First performed at the BBC Proms in August 1991 by the BBC Symphony Orchestra conducted by the composer with Solveig Kringleborn. Duration c.16 mins.

Violin Violoncello and Orchestra- Handel's Concerto Grosso In G major Op.6/1 HWV 319 is scored for 2 solo Violins solo Cello 2 Oboes Bassoon Strings and Basso continuo. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo continuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque Concerto Grosso.

arranged by the composer-Piano 4 Hands. Strawinsky I

Cheryl Frances-Hoad's Young Persons Guide To Composition for Orchestra. Duration: 24 minutes