Version for 2-Part Upper Voices.

Score for Lost Forever by Joby Talbot.

Written for male voice choir handbells Tibetian temple bowl and string quintet.

The spiritual Fix Me Jesus arranged by Hall Johnson for SATTBB choir a cappella.

A pastoral miniature in the best tradition of the English landscapists…' Fanfare magazine USA

For Voice and Piano For Voice and Piano

SAATB Edited by E H Fellowes. Revised by Thurston Dart

These four volumes contain all of Purcell's secular solo songs not associated with stage productions. Taken from the authoritative Purcell Society Editions the songs appear in their original keys and are most suitable for high voice.

This is the Schirmer Edition of The Lord Is My Shepherd for Upper Voices and Piano or Organ accompaniment.

Eb Alto Saxophone 1-Twelve outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing ballads rock pop holiday Latin and a great warm-up chart titled 'Loosen Up.' This collection of charts is written for full instrumentation of 5 saxophones 3 trumpets 3 trombones and 4 rhythm but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes Tenor Sax 2 Trumpets Trombone Piano Bass and Drums. Optional parts are available for C Flute Tuba (doubles Bass part) Horn in F (doubles 1st Trombone) and Baritone Horn T.C. (doubles 1st Trombone).Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording.

A variety of styles are presented ranging from Swing (We Wish You a Jazzy Christmas Good Swing Wenceslas Chill Out Ye Merry Gents) Boogie (Not so Silent Night) and Ragtime (Clearly a Midnight Rag) to Reggae (Bells a Jinglin') Latin (O Rumb' all Ye Faithful Tannenbaum Tango) Smooth lyrical (Boogie on Down to that Manger Chanson pour l'Enfant de Noël) and a mixture of Disco and Boogie (Three Cool Orient Dudes). These pieces are fun to play and provide plenty of surprises!

Text by A.E. Housman. Text by A.E. Housman.

An advanced-level violin method supplement for both professional and amateur violinists. The studies in this book are more intensive and powerful than most traditional violin studies. Double-stop trills are introduced here for technical training and the finger stretching exercises for the left hand are pushed to the limit. The mixed single-stops double-stops and chords are also highly effective bowing exercises. All these innovative studies offer a great opportunity for students to build up their technique more efficiently. In some studies a new synthesis of Eastern and Western music is shown unveiling a new type of music to Western audience.An advanced-level violin method supplement for both professional and amateur violinists. The studies in this book are more intensive and powerful than most traditional violin studies. Double-stop trills are introduced here fortechnical training and the finger stretching exercises for the left hand are pushed to the limit. The mixed single-stops double-stops and chords are also highly effective bowing exercises. All these innovative studies offer agreat opportunity for students to build up their technique more efficiently. In some studies a new synthesis of Eastern and Western music is shown unveiling a new type of music to Western audience.

Easier Piano Pieces No. 39-The pieces in this collection provide an excellent introduction to the music of one of the greatest composers for the piano. Chosen for their comparative lack of technical difficulty these pieces range across Chopin's output with five Preludes five Mazurkas three Waltzes one Nocturne and five miscellaneous works included. Easier Piano Pieces Vol.39. Includes Preludes Mazurkas and Waltzes.

With lute tablature and keyboard realisation

This collection of eleven flatpicking solos by National Flatpicking Guitar Champion Mark Cosgrove includes three which were winners at the National Flatpicking Championship in Winfield Kansas. These songs are challenging and enjoyable for the intermediate to advanced guitarist. More importantly for the potential flatpicking championship contender these tunes contain some of the required ingredients for a national competition: crosspicking open-string or floating passages and sections which require a certain amount of stamina when played at speed. However a good time can be had by all by just taking them apart and playing around with them slowly and easily. Thesolos are written in standard notation and tablature with Guitar accompaniment chords provided. Most but not all of the tunes found in this book were previously published in the book Good Medicine . This book has been revised and updated and the former book Good Medicine is out of print. Audio download available online. This collection of eleven flatpicking solos by National Flatpicking Guitar Champion Mark Cosgrove includes three which were winners at the National Flatpicking Championship in Winfield Kansas. These songs are challenging andenjoyable for the intermediate to advanced guitarist. More importantly for the potential flatpicking championship contender these tunes contain some of the required ingredients for a national competition: crosspicking open-string or floating passages and sections which require a certain amount of stamina when played at speed. However a good time can be had by all by just taking them apart and playing around with them slowly and easily. Thesolos are written in standard notation and tablature with Guitar accompaniment chords provided. Most but not all of the tunes found in this book were previously published in the book Good Medicine . This book has beenrevised and updated and the former book Good Medicine is out of print. Audio download available online.

Tango: A ballroom dance of Latin-American origin characterized by long pauses and stylized body positions. This musical form was subsequently adopted by other countries primarily France Spain and Italy. Many prominent composers have applied it to a wide variety of compositions. Using piano scores in both the Latin-American and Spanish rhythmic traditions Gary Dahl has skillfully compiled and arranged French Tangos for Accordion. The music in this anthology was originally published from the late 1930's to 60's and is characterized by its romanticism rich harmonies and emotive melodies. These arrangements are orchestral in nature befitting the accordion's various timbresand capabilities. In standard notation. Includes access to audio online. The Tango is a ballroom dance of Latin-American origin characterised by long pauses and stylised body positions. This musical form was subsequently adopted by other countries primarily France Spain and Italy. Many prominentcomposers have applied it to a wide variety of compositions. Using Piano scores in both the Latin-American and Spanish rhythmic traditions Gary Dahl has skillfully compiled and arranged French Tangos forAccordion. The music in this anthology was originally published from the late 1930's to 60's and is characterized by its romanticism rich harmonies and emotive melodies. These arrangements are orchestral in nature befitting the Accordion's various timbres and capabilities. In standard notation. Includes access to audio online.

The “Missa brevis in E flat minor” for mixed choir a cappella has been composed in the tradition of the short Mass (without Credo) and can be easily managed by most choirs. Thanks to its conciseness it is suitable for use in church services whileits delightful harmonic layout and consciously simple melodies (with clear allusions to folk music) also make it perfect for concert performance. The Missa Brevis In E-Flat Minor for mixed choir a cappella has been composed in the tradition of the short Mass (without Credo) and can be easily managed by most choirs. Thanks to its conciseness it is suitable for use in church services while its delightful harmonic layout and consciously simple melodies (with clear allusions to folk music) also make it perfect for concert performance.

SATB unaccompanied No. 2 of Three Elizabethan Part Songs . Text from Shakespeare's Othello.

Facsimile: British Library Add. MS 15318 Introduction by Curtis Price and Robert D. Hume