In this dynamic composition Bert Appermont paints the history of the city of Copenhagen which was founded by Bishop Absalon in the 12th century. The rich thematic arrangement the colourful orchestration and the daring change of size give the work an original and compelling character. Particularly suitable for competitions or concerts.

4 Cors En Fa- Suite by Eugène Bozza (1905-1991) is a set of 5 pieces for a quartet of F Horns. This volume includes all parts as well as the conductor's score. These five pieces are: - Prélude / Prelude - La Chasse / The hunt - Chanson ancienne / Old Songs - Danse / Dance - Choral / Choir - Fanfare / Fanfare Written for advanced players this set of pieces can be played one after the other or separately and is ideal for recitals. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting andcomposition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

This series of five graded albums has originated on the basis of a need for a wide range of study material that would comply with all requirements of modern Piano teaching. The material is designed also to help master problems in technique and expression. Book 5 rounds off this series of studies which is primarily intended for students. Triads arpeggios and octaves now extend the range of technical problems to be practised. Early music pieces have been selected and appear between the first and second parts of the album. They should provide for a thorough practice of polyphonic music. Contents: Vivo [Zak G.] Allegro moderato [Slavicky Klement] Allegromoderato [Bach Carl Philipp Emanuel] Allegro [Bach Carl Philipp Emanuel] Moderato [Doring Carl H.] Moderato [Czerny Carl] Allegro [Berens Hermann] Andante [Heller Stephen] Andante con espressione [Doring Carl H.] Andante grazioso [Heller Stephen] Vivo [Czerny Carl] Moderato molto ritmico [Slavicky Klement] Allegro non troppo [Heller Stephen] Allegro [Czerny Carl] Allegro moderato [Doring Carl H.] Vivace [Doring Carl H.] Vivo [Berens Hermann] Fugato [Zipoli Domenico] Risoluto [Kirchner Theodor] Andante [Bach Carl Philipp Emanuel] Allegretto [Kirnberger Johann] Vivo [Burgmuller Friedrich] Allegretto [Gnesina Elena] Allegretto ben ritmico [Czerny Carl] Andante [Lebert Siegmund] [Stark Ludwig] Moderato [Gnesina Elena] Allegro vivo [Slavicky Klement] Allegretto [Heller Stephen] Moderato [Schmitt Aloys] Lento [Schmitt Aloys] Allegretto [Majkapar Samuil] Scherzando [Berens Hermann] Allegro [Berens Hermann] Allegro [Kabalevskij Dmitrij] Also published: Album of Studies for Piano. - Book 1 H 2348. - Book 2 H 2349. - Book 3 H 3511. - Book 4 H 4041.

three songs from This Way to the Tomb-Medium Voice Piano. Britten B

The Camelot Chronicles is a series of contrasting musical tableaux each describing the famous characters from the Arthurian legend. Noone knows exactly where Camelot was situated (favourite choices areTintagel and Glastonbury) but the story has passed into legend and isthe subject of many poems and novels each of which have cloudedthe truth and added to the mystery. Let Philip Sparke?s music inspireyour band with this magical tale.

André Jolivet (1905-1974) composed this Concerto for Flute and Strings in 1949. Initially written for Flute and String Orchestra this version contains the scores for the Flute and the Piano and lasts 12 minutes. This strong>Concerto for Flute and Strings is quite unusual as it was only created in two movements each divided into a slow introduction and a fast main part. Used as one of the main pieces of the Geneva music contest Concours de Genève in 2014 this concerto requires advanced skills. André Jolivet is a French composer who was really inspired by theAntiquity and had a strong interest for atonality. He also wrote many chamber music pieces eleven concertos some orchestral and some vocal music.

Bentzon's Sonata For Cor Anglais And Piano from Opus 71. Bentzon's Sonata For Cor Anglais And Piano from Opus 71.

Cantata for Whit Tuesday- Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175 Cantata for Whit Tuesday The text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725. Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else. - Urtext of the New Bach Edition - Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale

SATB chorus

For Two Soprano Soli Bass and Organ. For Two Soprano Soli Bass and Organ.

for drum kit and piano

This set of three motets for unaccompanied male choir sets the Latin words for the De Profundis Ave Maria and Laudate and manifests Lewkovitch's fascination both with chant and with modality.Contemporary Danish composer conductor and Organist Bernhard Lewkovitch has followed a rare path among modern composers. From 1947 he was Organist at St Ansgars Kirches and later remained connected with the Catholic Church by working as an Organist. Clearly he is inspired by the Catholic liturgy and sees his great output of ecclesiastical music as a vocation and a great responsibility. For many years his work by inspired by Gregorian chant and was composed in church modes then inthe mid 1950’s he began to expand into modern bitonality and polytonality culminating in Il cantico delle creature in 1962/3 in which there was no conventional notation and no fixed pitch. After that Lewkovitch had somewhat of a hiatus later returning again to the inspirations of the mid1950’s. This set of three motets for unaccompanied male choir sets the Latin words for the De Profundis Ave Maria and Laudate and manifests Lewkovitch's fascination both with chant and with modality.Contemporary Danish composer conductor and Organist Bernhard Lewkovitch has followed a rare path among modern composers. From 1947 he was Organist at St Ansgars Kirches and later remained connected with the Catholic Church by working as an Organist. Clearly he is inspired by the Catholic liturgy and sees his great output of ecclesiastical music as a vocation and a great responsibility. For many years his work by inspired by Gregorian chant and was composed in church modes then inthe mid 1950’s he began to expand into modern bitonality and polytonality culminating in Il cantico delle creature in 1962/3 in which there was no conventional notation and no fixed pitch. After that Lewkovitch had somewhat of a hiatus later returning again to the inspirations of the mid1950’s.

By Georg Philipp Telemann (1681-1767) edited by Gunter Hausswald. Flute duet score (2 copies necessary for performance) for two flutes (or two violins). Urtext of the Telemann Edition. 31 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA2980) ISBN M006428328. With duet notation and introductory text. Baroque. 9x12 inches. Six sonatas in two volumes. Volume 1 (sonatas #1-3) available BA2979.

aus 'Der getreue Musikmeister' für Altblockflöte und Basso continuo- Score lightly realised with figured Bass: 2 playing scores (Recorder and Basso Continuo). 'Der getreue Musikmeister' (The faithful Music Master) occupies a special place in the history of musical publications since as far as we know it was the first regularly appearing musical periodical. A 'Lection' or lesson was published every two weeks in the form of a four-page leaflet presenting Vocal and Instrumental music in various scorings. Twenty-five of these leaflets are still extant today bound as a volume with a preface and index. The Recorder part of the Sonata in F major is notated throughout in the French Violin clef (g' on the first line). Thismethod of notation had become customary towards the end of the 17th century. It reduced the number of ledger lines necessary for the upper octave of the recorder which was frequently used at that time. The present edition omits arbitrary alterations of the musical text; the notation of this edition has only been altered to conform to modern conventions.

Three Salon Polkas Op.7 (F sharp major F minor E major). Smetana was a great lover of polka; a dance he had composed from his youth and had made it famous through his operas chamber and symphonic works. Three polkas for Piano in F sharp major F minor and E flat major grouped together in a cycle Op.7 are a demonstration of Smetana 's supreme compositional mastery.

Whether you want to play thundering bass grooves classic Rock 'n' Roll slap-tastic funk lines or a simple backing the Basix Bass Method is the perfect place to start. A fabulous complete tutorial for the Bass Guitar this is an indispensable book which includes sections on playing rock blues heavy metal country and jazz styles. There is also essential licks sample bass lines rhythm and timings all in TAB and standard music notation. The brilliant CD includes accompaniments for songs and examples of all the exercises found within the pages. With a detailed look at styles from different eras from the 1940's to the modern day this is an interesting educationaland proven guide to learning the bass guitar.

Landi Ljomandi - A collection of Choral Works in Faroese by Vagn Holmboe. Texts by J.H.O. Djurhuus William Heinesen Chr. Matras og Karsten Hoydal.

Overture for a Celebration- Jubilance was written to celebrate the 150th anniversary of the founding of the Xinmin Senior School in Singapore. Appropriately for the occasion the composition is a festive virtuoso and dynamic opening work. The music of Benjamin Yeo is characterised by up-tempo melodies and widely scored dynamic contrasts. The ideal opener for your concert!

Brass parts for Ouverture for Percussion Quartet and Brass Quintet by Anders Koppel . Commissioned as set piece for the finals of 'The International Percussion Competition Luxembourg 2015' for Percussion Quartet. Brass parts for Ouverture for Percussion Quartet and Brass Quintet by Anders Koppel . Commissioned as set piece for the finals of 'The International Percussion Competition Luxembourg 2015' for Percussion Quartet.

Love Songs II for Solo Voices and Sinfonietta was composed by Henrik Hellstenius in 2013.Texts by William Shakespeare (Fragments from Sonette 18 and 40) and Henrik Hellstenius.Commissioned by Norland Music Festival and premiered by NMH Sinfonietta 11.01.2013. Love Songs II for Solo Voices and Sinfonietta was composed by Henrik Hellstenius in 2013. Texts by William Shakespeare (Fragments from Sonette 18 and 40) and Henrik Hellstenius. Commissioned by Norland Music Festival and premiered by NMH Sinfonietta 11.01.2013.