Cantata for the Feast of Reformation- Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God) Cantata for the Feast of Reformation There are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements. Urtext ofthe New Bach Edition Performance material (BA10080) vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale

From the first beat Sven Van Calster’s new composition gives the message - it’s time for celebrations to begin! Let’s Celebrate was composed for the youth band SJOW in Hoboken Belgium to commemorate their 10th anniversary and now bands around the world can use it to celebrate their own special occasions. This dynamic work gives every section a chance to shine. Lyrical melodies are heard in the woodwinds hip beats are laid down by the drum set and the brass plays with bravura. Perfect as an opener encore or simply to wake up the audience!

Op. 45 Nr. 2- Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period. Now the “Slavonic Rhapsodies” are being issued separately in scholarly-critical editions. The editor Robert Simon has taken Dvorák’s authorised first edition as his principal source. A work that initiated Dvorák’s so-called “Slavonic period” New Urtext edition incorporating every known source Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) bythe editor Full score & parts (BA10402) available for sale

See why Jamey’s concise and logical piano comping has set a standard for swinging accompaniment accessible to all musicians. Comping/chords to the changes of Impressions Satin Doll Maiden Voyage Footprints Doxy Summertime and many more!! See why Jamey's concise and logical Piano comping has set a standard for swinging accompaniment accessible to all musicians. Comping/chords to the changes of Impressions Satin Doll Maiden Voyage Footprints Doxy Summertime and many more!! Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what's he doing there?' Now you'll know! Here as never before is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions exactly as recorded of theexciting piano accompaniment from the World Famous Aebersold Play-A-Long series. Not just for pianists there are many ways for ALL MUSICIANS to use these wonderful musical tools. Pianists: First listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next reading from the book play along with him imitating his style. Finally TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned you'll soon be improvising your own accompaniment! Non-Pianists: Horn players arrangers and vocalists can use these books like dictionaries to look up favorite voicings they've heard on a particular Play-A-Long track. Written clearly for two hands even the most novice pianist can play many sections of these books. Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students.

20 Chorales Hymns and Folk Songs for Band-To help provide smaller bands with suitable material to improve basic skills like intonation phrasing dynamics balance sound and interplay Bert Appermont has carefully selected ten popular chorales and folk songs and composed a further ten himself. The works are organized by key and are well-suited as warm-up pieces for competitions concerts or church services.

Cinema Classics for the Piano Volume 2 includes: Calling You (Bagdad Café) - Cam Caminì (Mary Poppins) - Feelings (I Favolosi Baker) - Giù La Testa (Giù La Testa) - Goldfinger (Agente 007 Missione Goldfinger) - I Sogni Son Desideri (Cenerentola) - La Passerella Di Addio (Otto E Mezzo) - Le Danze Polinesiane (Il Principe Igor) - Moonlight Serenade (Serenata A Vallechiara) - Otchi-Tchor-Ni-Ya (La Storia Di Glenn Miller) - People (Funny Girl) - Peter Gunn Theme (The Blues Brothers) - Que Sera Sera (L'Uomo Che Sapeva Troppo) - Shadow Of Your Smile (Castelli Di Sabbia) - La Strada (La Strada) - The Pink Panther (La Pantera Rosa) - Theme From New York New York) - Three Coins InThe Fountain (Tre Soldi Nella Fontana) .

Vocal Duets- Scherzo à 2 Voix (S (or T) S (or Bar) and piano (French text)

This original Christmas Suite by Filip Ceunen combines a selection of holiday favorites in new and interesting ways. O Tannenbaum (O Christmas Tree) Joy to the World and The First Noel will enchant and delight your audiences. This suite is very accessible and contains ample voice doublings making it sound just as good when played by smaller bands.

This collection will provide fanfares for any occasion: concert opener presentation ceremony or celebrations of all kinds. The variety of styles and durations (from ten seconds to two minutes) will ensure you will always find the right fanfare for the right moment.

SAA recorders

Veni Sancte Spiritus & Sacris Solemniis-More familiar to some as the theme from the blockbuster film Shadowlands the beautiful Veni Sancte Spiritus and Sacris Solemnius are arranged here for SATB Chorus with Organ Accompaniment.

Jennifer Lopez caused a world-wide furore with this gigantic summer hit. What many people do not know is that this song was actually written by another pop diva Gloria Estefan. Easy to play and masterfully arranged by our arranger Steven Verhaert.

male chorus and chamber ensemble

This composition was commissioned by the Musique Municipale d’Ingwiller for the occasion of their 150th anniversary. The source of inspiration for this work was the municipality of Ingwiller in the French region Alsace. The title of the work refers to the many buildings there that are made of red sandstone and to the ‘Schlembe’ a train connecting Ingwiller with Bouxwiller for sixty years. It consists of 4 movements all related to the city of Ingwiller and its history. This bright and positive work offers beautiful melodic themes slow passages perfect for working on intonation and phrasing as well as pleasant parts for percussion.This composition was commissioned by the Musique Municipale d’Ingwiller for the occasion of their 150th anniversary. The source of inspiration for this work was the municipality of Ingwiller in the French region Alsace. The title of the work refers to the many buildings there that are made of red sandstone and to the ‘Schlembe’ a train connecting Ingwiller with Bouxwiller for sixty years. It consists of 4 movements all related to the city of Ingwiller and its history. This bright and positive work offers beautiful melodic themes slow passages perfect for working on intonation and phrasing as well as pleasant parts for Percussion.

March-Hermann Pallhuber’s traditional march was commissioned by the Austrian Television and was used as festive incidental music at a convention for conductors and concert bands in Innsbruck Austria. That is why it is subtitled “Wildschönauer Festmarsch” (Wildschönau festival march). A Village Festival will make an ideal opening piece but will work equally well to bring a concertto a lively close.

Op Post Av 304-Medium Voice Piano (German). Strauss R

A work published in 1954.

Studyscore - BATP779-Ludwig van Beethoven’s overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism they relate in form and style to early 19th-century French quartets and to a titan of the genre: Joseph Haydn. Saint-Saëns’ string quartets appear here for the first time in a scholarly-critical edition. It is also the first edition to contain the original version of the Finale to String Quartet No. 2 in score and parts. An informative Introduction is included in the study score to complete this volume of important Frenchchamber music based on the Urtext from “Camille Saint-Saëns – Complete Edition of the Instrumental Works”. Ludwig van Beethoven’s overpowering legacy caused many subsequent composers to avoid writing string quartets at all. saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism they relate in form and style to early 19th-century French quartets and to a titan of the genre: Joseph Haydn. Saint-Saëns’ string quartets appear here for the first time in a scholarly-critical edition. It is also the first edition To contain the original version of the Finale to String Quartet No.2 in score and parts. An informative Introduction is Included in the study score to complete this volumeof important French chamber music based on the Urtext from “Camille saint-Saëns – Complete Edition of the Instrumental Works”. First scholarly-critical edition of these French masterpieces Includes the original version of the Finale to String Quartet No.2 Based on the Urtext from “Camille Saint-Saëns – Complete Edition of the Instrumental Works

SATB chorus

Juventino Rosas composed Sobre las Olas or Over the Waves and was one of the best known Mexican composers of salon music. It remains popular as a classic waltz and has also found its way into jazz and Western music. Naoya Wada has arranged this popular song for 5-part Flexband playable by every concert band and fanfare band.