Ceremonial Hymn composed by Dutch composer Menno Bosgra is marked by its festive yet regal character. Beautiful majestic melodies float above static rhythmic patterns to create an interesting texture that is suited equally well for festive occasions or for creating a calm and reflective moment during a concert. It can also be used to demonstrate the bands sense of tone and intonation at a festival or competition.

Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony melodies and his passion for ornithology Les Corps Glorieux is no exception to the composer's popular distinctive style. Composed in the summer of 1939 the work was completed one week before the breakout of WWII therefore the first performance did not come until 1945. Being one of Messiaen 's earlier works Les Corps Glorieux for Organ represents the evolution of the composer's musical language. Part 2 contains the fourth movement Battle between death and life whichincorporates the influence of Indian music and Gregorian chant as heard throughout the work. Les Corps Glorieux is essential to advanced organists and seeking to address a modern and varied performance work.

Moon River the timeless signature song from Breakfast at Tiffany's has here been arranged for SATB choir with Piano accompaniment by Clay Warnick.

30 All Time Favorites-Arranged and adapted by Andrea Cappellari. Include Backing Tracks CD.

Easy Piano-A further selection of easy-to-play arrangements for piano of themes from some of the world's most popular classics as featured in the hugely successful recording compilations.

Japanese composer Kohei Mikuni’s colourful concert march captures all the energy of a march and all the wonder of the sky. The beautiful melodies jump from section to section as they modulate to new and exciting keys accompanied by fun sounds and exciting rhythms from the drum set. Stardust in the Sky is an energetic piece that will make a perfect item for any occasion and will also wow the judges at music competitions.

for Piano- Early evidence of Schubert ’s interest in music of the past can be found in his Fantasy in C minor of 1811 (D 2 E) with its echoes of Mozart’s fantasy in the same key. A recurring motivic snippet in the virtuosic Graz Fantasy in C major (D 605 A) probably composed between 1818 and 1821 already foreshadows the monumental Wanderer Fantasy of 1822 (op. 15 - D 760). Printed with spacious new engraving Franz Schubert 's Fantasies For Piano unites the composer's great fantasies for solo Piano in a single volume and presents the early work Fantasy in C minor for the first time in ascholarly-critical Urtext edition. It offers advanced pupils students and professional pianists a richly varied musically and technically thrilling addition to their repertoire. The edition features notes on performance practice an informative preface practical page turns and an elegant engraving. The most famous of the fantasies the Wanderer Fantasy now appears in a separate edition (BA 10870). Based on the Urtext of the New Schubert Edition. First scholarly-critical performing edition of the Fantasy in C minor (D 2 E). Notes on performance practice (Ger/Eng). Includes an informative foreword (Ger/Eng) and a Critical Commentary (Eng).

Arrangement and Orchestration by Andrea Cappellari. Full score and 26 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin Viola) / 3) Bb Instr. (Clarinet Soprano Sax.) / 4) C Instr. (VViola) / 4) Bb Instr. (Clarinet Soprano Sax.) / 5) C Instr. (Violin Viola) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin Viola) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin Viola Oboe) / 7) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 7nstr. (Alto Sax.) / 8) C Instruments(Violin Viola) / 8) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 8) Eb Instr. (Alto Sax.) / Guitar/ Piano 1 / Piano 2 / Bass Cello Bassoon / Timpani / Maracas / Cymbals Bass drum / Snare drum / Four Hands Pialibitum. Performance possibile also without Piano.

Part of the collection Concert Solo Neuvième Solo is a contemporary and modern piece by Raymond Gallois Montbrun for Violin and Piano. Quite difficult this piece should prepare upper-intermediate players to play classical concertos. This really nice piece is composed of a main theme four variations and a final. The theme is quite lyrical and has an Allegretto tempo. The fourth theme stands out by its extensive use of harmonies. The Piano accompaniment also evolves based on the variations. The piece finishes on a really harmonious final. Raymond Gallois Montbrun (1918-1994)was a French violinist and composer who won the Premier Grand Prix de Rome and the Grand Prix de Paris. He later became the director of the Paris Conservatoire. He composed many symphonic pieces an opera a quartet and many pieces for Solo Piano Violin and Piano and other instruments.

Waldstein-Beethoven’s Grande Sonate in C major op. 53 (1803-04) marks his turn towards large-scale symphonic influenced piano works. Since its first publication this highly virtuosic piece dedicated to Beethoven’s friend and patron Ferdinand Count Waldstein has lost none of its magnetism. To this day it remains a pianistic challenge and a musical touchstone for every performer. Jonathan Del Mar currently one of the most renowned Beethoven scholars stands for a meticulously edited Urtext edition on the basis of an intensive study of all sources. Performers can look forward to a musical text which is based on the latest research findings and where the fine engraving as well aspractical page turns will facilitate the study of this demanding work. This Urtext edition includes an informative Introduction and valuable notes on historical performance practice. Information regarding source discrepancies and editorial principles are presented in the detailed Critical Commentary which contains facsimile pages. Edited by Jonathan Del Mar with an Introduction by Misha Donat and notes on performance practice by Jonathan Del Mar and Misha Donat. Scholarly-critical Urtext edition based on the latest research findings. Enlightening Introduction and notes on period performance practice (Eng/Ger). Well-presented engraving and practical page turns. Detailed Critical Commentary (Eng) with facsimiles. Beethoven 's Grande Sonate In C Major Op. 53 (1803-04) marks his turn towards large-scale symphonic influenced Piano works. Since its first publication this highly virtuosic piece dedicated to Beethoven 's friend and patron Ferdinand Count Waldstein has lost none of its magnetism. To this day it remains a pianistic challenge and a musical touchstone for every performer. Jonathan Del Mar currently one of the most renowned Beethoven scholars stands for a meticulously edited Urtext edition on the basis of an intensive study of all sources. Performers can look forward to a musical text which is based on the latest research findings and where the fine engraving as well as practical page turns will facilitate the study of this demanding work. This Urtext edition includes an informative Introduction and valuable notes on historical performance practice. Information regarding source discrepancies and editorial principles are presented in the detailed Critical Commentary which contains facsimile pages.

Sadly Solomon Burke King of Soul and outstanding rhythm-and-blues singer passed away in 2010 leaving behind many unforgettable hits. One of his most well-known songs is Everybody Needs Somebody. Thijs Oud’s arrangement captures all the swing and funk that was the spirit of Burke!

Jazz Play-Along Vol.107-24 beautiful well-known standards in keys comfortable for most FEMALE singers. The first class rhythm section plays each song with special sensitivity and with the singer in mind including intros that help orient the singer to the first melody note. Special stereo separation allows piano playing vocalists to eliminate the piano track and play/sing along with just bass and drums. Book includes lyrics written over the melody notes piano cues and chord changes in C (Note: this book does not contain transposed parts for Bb Eb or bass clef instruments like our other play-a-longs.).Twenty four standard in Singer's keys. With two CD's.

Incantatoire (Largamente); Linéaire (Lento moderato); Obsessionel (Scherzando); Torpide (Andantino); Flamboyante (Presto)

As Dew in Aprille-SSS. Britten B.

For trumpet in C and piano

Variations on an old slave song-(Vocal Score). Delius F

Make home practice more enjoyable and develop skills more quickly with the motivational Accent On Achievement . This is a comprehensive band method that develops creativity and musicianship. This expertly written book includes exciting original works as well as extended arrangements of classic and folk tunes. The accompanying CD allows you to play along with skilled musicians and hear full recordings of all five performance pieces from the book.

With English and Danish text. With English and Danish text.

A feature for flugel and tenor horns based on the Passion Chorale-This timeless melody by Hans Leo Hassler (1564-1612) is now chiefly remembered because of its inclusion in J S Bach’s St. Matthew Passion (hence its title) where it is treated to a variety of rich harmonisations. It is mostly sung to Paulus Gerhardt’s words O Sacred head! sore wounded .This setting features the flugel and horns who first play a lyrical descant to the famous hymn tune and then the melody itself against a Bach-like obbligato in the accompaniment.

Cantata for Whitsunday- Erschallet ihr Lieder BWV 172 Cantata for Whitsunday (C major version) Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work. - Urtext of the New Bach Edition -Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale