This series contains all of the pieces from Volumes 1 and 2 of the Suzuki Violin School arranged for three violins. The pieces can be played with or without piano accompaniment which expands their performance possibilities. Another advantage is that students at different playing and reading levels can make music together. The score contains a chart that lists the level of difficulty of each piece and each part so that the teacher can easily assign parts. All of the parts were purposely kept as simple as possible and a table listing the reading skills required for each piece is found in the back of the violin 2 and violin 3 books. Suzuki Violin SchoolVolume 1 (order code IMP90021) serves as the violin 1 part.

for Baritone and Brass Band- Score and parts for Philip Sparke's Scaramouche composed for Baritone/Euphonium Concert band.

Mozart 's only Te Deum K141 was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760. It is scored for SATB chorus Trumpet (4) Kettledrum Strings Organ. Full score Vocal score (BA4885-90) and performance material (BA4885) based on the Urtext New Mozart Edition is available for sale.

Jubiloso s’inscrit dans la lignée des marches Slipstream et The Bandwagon : un style « broadwayien » des mélodies fortement syncopées un trio cantabile assez conventionnel et quelques surprenantes mesures irrégulières qui viennent troubler le rythme régulièrement cadencé de la marche. Une marche idéale pour une ouverture de concert.

With this edition the ambitious project of publishing all of the organ and piano works by Vierne is continued. The famous collection „ Pièces de Fantaisie consisting of 24 fantasy-pieces in four editions (Livres I-IV)

Zingaro is the Italian word for gypsy a word often used as a general term for a group of people that to this day still lead a nomadic lifestyle in the Balkan and Carpathian regions. One of the gypsy’s many talents has always been their musical prowess. The rich history of these people spectacularly comes together in Johan Nijs’ Zingaro.

Hawkes Pocket Scores HPS 826-Study Score - Hawkes Pocket Score 826. Britten B

For String Sextet (2 Violins 2 Violas 2 Cellos Bass) set of parts. Mozart ’s Sinfonia Concertante for Violin and Viola K. 364 (320d) is his only complete surviving work in this genre. He wrote it in 1779 after returning from Paris and Mannheim. For two decades it was known only in a few copyists’ manuscripts. The first edition did not appear until 1802. The work achieved great popularity that same year particularly the arrangements for Piano four-hands and Piano trio. This arrangement for String Sextet dating from 1808 is interesting not only for its unusual scoring but also for the way the two concertante instrumentsinteract with the other strings. This edition revives this arrangement after almost two centuries drawing primarily on the sole surviving source: the first edition in parts published by the Vienna Stamperia Chimica in 1808. The editor Christopher Hogwood recounts the history of the work and the particulars of the arrangement in a trilingual preface (Eng ./ Ger./ Cz .) and a critical report. Barenreiter's new edition takes into account both the original print and the text from the “New Mozart Edition”. New edition of a historical transcription for String Sextet (1808) Available in print again after almost two centuries Also suitable for Chamber Orchestra Detailed preface and critical report (Eng./Ger./ Cz .) Includes facsimiles

Plusieurs compositeurs tels que Jean-Sébastien Bach ou Georg Friedrich Haendel utilisaient les initiales SDG (Soli Deo Gloria - À Dieu seul la gloire) pour signer leurs œuvres. Parmi les nombreuses formations musicales qui ont également adopté cette expression latine on compte la formation dédicataire de cette œuvre. Sacred Song a une dimension spirituelle. Elle est l’écho d’un élan intérieur qui nourrit l’âme.

Lion City Festival was commissioned as one of the test pieces for the Singapore Youth Festival 2010 an annual event at which school ensembles from throughout Singapore can receive gold silver or bronze awards for their performance. The English name for Singapore comes from Malay Singapura which has Sanskrit roots meaning ‘Lion City’. Lion City Festival is in the form of a quick march in ABA form. An opening fanfare leads to a perky march tune which is taken up by the full band. A change of key heralds a legato trio section before the main theme returns in varied form. Roaring fun!

SA recorders guitar and tambourine

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists mixed choir and full orchestra dates back to 1837. The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account. This Urtext edition is rounded off by a detailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition. Psalm with a large orchestral scoring in a Urtext edition Bilingual foreword(Ger/Eng) Original German as well as English text Includes a piano reduction by the composer

The songs of George Butterworth with piano accompaniment. Introduction by Peter J. Pirie CONTENTS A Blacksmith courted me (E - F sharp) A brisk young sailor courted me (E - E) Come my own one (C - F) The Cuckoo (D - C) I fear thy kisses (B flat - E) I will make you brooches (C - F) A lawyer he went out (C - E) Requiescat (C - F) Roving in the dew (E flat - E flat) Seventeen come Sunday (D - E) Sowing the seeds of love (C - D) Tarry trousers (D - E) The true lover’s farewell (D - E flat) Yonder stands a lovely creature (C sharp - E) Set for the Guildhall School examinations.

Solo for Cornet or Vibraphone-This piece definitely gets a Thumbs Up! André Waignein has created an exciting and varied original work in which the solo part can be played depending on setting availability and occasion by a cornet or vibraphone. Thumbs Up! consists of a slow and a fast movement that are linked together which are fun to play and will delight the audience at your next concert.

Altes Weihnachtslied aus Regensburg-‘Schönstes Kindlein bestes Kindlein allerliebstes Jesulein’ is the opening line of a song that was documented in Regensburg in 1861 for the first time which is still extremely popular around the Salzburg region. With this arrangement Michael Friedmann creates an exciting arrangement your audience is sure to love.

A selection of Berstein's songs arranged for horn with piano accompaniment by David Elliott providing a wide variety of musical challenges for intermediate to advanced performers.

Features of the Barenreiter Urtext edition of Beethoven 's Mass In C Major : Score with realisation of the Organ part Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) Straight-forward Piano reduction Full score and performance material (BA9039) and Vocal score (BA9039-90) available for sale Amongst Beethoven ’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music. Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.

Johann Jacob Froberger (1617–67) enjoyed an outstanding reputation during his lifetime as his compositional style represented a synthesis of Italian French and English influences. There is now a growing awareness that Froberger ’s significance for Keyboard music of the 17th century is comparable only with that of Jan Pieterszoon Sweelinck. Each volume contains a critical commentary as well as a detailed foreword with sections on the scope and structure of the new edition the editorial method and performance practice. Information on contemporary instruments ornamentation and Froberger ’s biography is also included. Both volumes VI.1 andVI.2 contain music from anonymous copies of the 17th century undoubtedly made from autograph manuscripts which were returned to the Singakademie in Berlin from Kiev in 2001. They also include further new discoveries of manuscripts and compositions. The New Edition of the Complete Works will comprise a total of eleven volumes. - Urtext scholarly-critical edition setting new standards. - Reflects the current state of research. - Music from the newly-discovered “Kiev sources”. - Detailed explanatory notes (Ger/Eng).

Five States of Change was commissioned by Kunstfactor for the 4th section of the Dutch National Brass Band Championships (NBK) 2011. It is dedicated to Jappie Dijkstra and the Music Information Centre (MUI) Arnhem Holland in acknowledgement of their outstanding work in developing band repertoire.The composer writes: The idea for the piece came when I was reading an article about a branch of Chinese philosophy which is abbreviated as Wu Xing* which has no exact translation but can mean for example five elements five phases or five states of change . It is central to all elements of Chinese thought including science philosophy medicine andastrology and in simple terms tries to create various cyclic relationships between five elements in all walks of life.An example is: Earth - Metal - Water - Wood - Fire - (Earth) etc. where (in one cycle) earth bears metal metal changes to liquid (water) when heated water helps trees grow wood burns to create fire fire produces ash (earth) and the cycle continues.I was particularly interested in the cycle of emotions:- Meditation - Sorrow - Fear - Anger - Joy - (Meditation) etc. and thought this cyclic principle would provide an effective emotional journey for a piece of music. So Five States of Change has five equal sections which loosely characterise this emotional cycle. I have tried to make the music grow organically with minimal repetition and each movement evolves from the musical elements at the end of the previous one with the opening material appearing transformed at the end of the piece to complete the cycle. *in full Wu zhong liu xing zhi chi or the five types of chi dominating at different times

Hawkes Pocket Scores HPS 1280-Study Score - Hawkes Pocket Score. Birtwistle H