Arranged and adapted by Andrea Cappellari. Easy duets. Each book included complet scores and solo part.

Op. 119 and Op.126-24 Bagatelles by Beethoven for Piano solo comprising Op.33 Op.119 and OP.126 edited by Eric Kuhlstrom. 24 Bagatelles by Beethoven for Piano solo comprising Op.33 Op.119 and OP.126 edited by Eric Kuhlstrom.

for ondes martenot and percussion

Psalm No.2 Why rage fiercely the Heathen Op.78 (1st & 2nd versions) Mendelssohn's Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research. We also offer a separate edition of Psalm 91 For He shall give His angels charge in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into Elijah with an orchestral accompaniment). Eachedition contains the original German text and the English translation authorized by the composer himself. A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English. - Urtext at the forefront of musical scholarship - Complete editions with critical reports and introductions in German and English - With piano reductions for rehearsal purposes

Popular work for full organ by Henry Smart (1813-1879).

Following his early departure from the opera stage in 1829 besides chamber music Gioachino Rossini composed only larger scored works of church music. The Stabat Mater is among these. It was composed in two different phases between 1831 and 1841 and received its premiere in Paris in 1842. The text is fashioned as a prayer describing Mary’s pain in the face of the crucified Christ. Time and again the vivid language of this text a Latin poem probably from the 13th century has inspired settings by composers including illustrious names such as Pergolesi Joseph Haydn and Verdi. In 10 movements Rossini unites different forms such as aria duet quartet and chorus an operaticaria-like style of writing as well as a strict a cappella style resulting in one of the highpoints of this genre. Rossini's Stabat Mater for SSTB. Following his early departure from the opera stage in 1829 besides chamber music Gioachino Rossini composed only larger scored works of church music. The Stabat Mater is among these. It was composed in two different phases between 1831 and 1841 and received its premiere in Paris in 1842. The text is fashioned as a prayer describing Mary’s pain in the face of the crucified Christ. Time and again the vivid language of this text a Latin poem probably from the 13th century has inspired settings by composers including illustrious names such as Pergolesi Joseph Haydn and Verdi. In 10 movements Rossini unites different formssuch as aria duet quartet and chorus an operaticaria-like style of writing as well as a strict a cappella style resulting in one of the highpoints of this genre.

700 Exercices: Gammes Et Arpèges is a guide for Alto Recorder by Roger Bernolin . Conceived to help players who have already gained instrumental technique this book offers different possibilities of studying from easy to very hard. It will benefit players if an exercise is played every day in different keys. A recommendation on how to exactly use this book is provided at the beginning in French English and German. If well-used 700 Exercices: Gammes Et Arpèges should really help progress on speed dexterity and sonority.

Cycle 1-SSS. Locklair D

Bärenreiter's Easy Concertos is a new series of the most popular short concertos for violinists who want to begin performing in public. The series begins with works by the composers Rieding Seitz and Vivaldi which are clear favourites amongst the first solo concertos played. The editions include a solo Violin part and a Piano reduction for the accompanist. The series is edited by Kurt Sassmannshaus the internationally renowned Violin teacher and co-author of the Sassmannshaus Violin school tradition. His forewords introduce these little gems and include tips to ensure successful first concerts. These volumes form an ideal continuation of theSassmannshaus school editions and can be used in parallel from volume three onwards: They can also be used to supplement any Violin method. This series will be continued and will introduce students to more demanding repertoire with an increasing level of difficulty.

'Blue Flute' is a collection of pieces in which various styles of 'twelve-bar-blues' are explored. The pieces are of moderate length and can be played by flautists of very modest ability. Chord symbols have been included in the middle section of each piece allowing freedom for improvisation.

Yellowstone Choral was inspired by the marvellous landscapes of the Yellowstone National Park in the United States. The choral comprises three choral phrases that alternate throughout the work. The beginning is lightly orchestrated with an oboe solo but more instruments gradually join in before the second phrase of the choral is introduced. The third phrase does not appear so quickly and when it does it is introduced by horns and trombones before building up to the climax of the choral where the trumpet takes the upper hand. After this the choral gradually fades away with the first and second phrases appearing just a few more times. The choral ends as it began with a slowly ebbing orchestration.

Création dans le cadre du concours du Conservatoire National Supérieur de Musique de Paris en juin 1974. Version orchestrale établie simultanément (ACF020629) Adagio ma non troppo Allegro quasi una cadenza Lento 5min15

Vegelin est le nom d’un des quartiers de la ville de Leeuwarden aux Pays-Bas. C’est au sein du Conservatoire de cette même ville que Jacob de Haan a effectué un brillant parcours musical. Les quatre mouvements de cette suite combinent des éléments caractéristiques de l’écriture classique à de charmants airs aux inflexions de la musique pop.

As with his march Fresena Jacob de Haan assimilated a well-known folksong from his province of birth (Friesland) into this swinging composition. Both works originate from a festival suite that he once wrote by order of this province.

Soul Mates (“Frères d’âme”) témoigne des liens d’amitié et de solidarité qui unissent des hommes et des femmes dans la réalisation d’un projet commun. Cette ballade harmonieuse chemine comme un long fleuve tranquille dans les méandres de la fraternité.

pour cor & piano-Paul Dukas' Villanelle for Horn and Piano is a demanding but enjoyable piece for advanced Horn players. It is something of a technique tour-de-force and incorporates most of the Horn's charateristic sound features. Originally for French Horn and Orchestra this is a reduction for French Horn and Piano accompaniment.

Madeleine Dring'S Italian Dance for Oboe and Piano.

Dies Infernus means 'Day of Hell'. The reason for this title is the dreadful disaster that befell the Dutch village of Kolhorn in 1788 when the whole village went up in flames. Afterwards a huge appeal was launched to rebuild the unfortunate village. Many people were willing to contribute resulting in the collection of the enormous sum at the time of eighteen thousand guilders with which the village could be rebuilt. This work was commissioned by Harmonie De Eendracht in Kolhorn to mark its 110th Anniversary.

This dynamic overture makes a good beginning of your concert and can be played by every orchestra thanks to the well-considered instrumentation. The colorful themes constantly alternate which results in a movement that characterizes this energetic composition. With Aperitivo Energico we proudly introduce you to Philip Gorts.

New findings in Beethoven’s first Piano concerto. The Bärenreiter editor and Beethoven expert Jonathan Del Mar who has received international acclaim for his highly successful editions of Beethoven’s works now turns his focus on the piano concertos. In the Piano Concerto No.1 in C major Op.15 Del Mar has found no fewer than 17 corrections in Beethoven’s autograph which were made after the work was published. These have been brought to light in this new Bärenreiter edition. A detailed critical commentary documents all the sources and findings made by the editor. This new critical edition sets the highestscholarly standards without losing sight of the needs of modern performers. - Urtext edition reflecting the latest musicological research - Includes Beethoven’s cadenzas - Piano reduction with a separate solo Piano part - Performance material and piano reduction available for sale