Sinfonia dall' opera- Tancredi composed in 1813 is rarely performed in today’s opera houses however its overture or Sinfonia as it was called at the time is well-liked and has received regular performances over the years. This arrangement for concert band has been written so as to retain the original spirit of this immortal short composition one of Rossini’s favourites.

Written in memory of a close friend of the composer's Mariel captures that short instant before grief in which one learns of the sudden death of a friend. Written in memory of a close friend of the composer's Mariel captures that short instant before grief in which one learns of the sudden death of a friend.

Set of Orchestra parts and conductor's Piano score for chamber orchestra. Parts included: Piano/conductor Flute Clarinet in A Trumpets 1 & 2 in A Trombone Tambours Violin obligato x 1 Violin 1 x 3 Violin 2 x 3 Viola x 3 Cello x 3 Double Bass x 2 Set of Orchestra parts and conductor's Piano score for chamber orchestra. Parts included: Piano/conductor Flute Clarinet in A Trumpets 1 & 2 in A Trombone Tambours Violin obligato x 1 Violin 1 x 3 Violin 2 x 3 Viola x 3 Cello x 3 Double Bass x 2

for one or two Accordions-Trois valses originales ( Autumn Leaves Nocturne et Fireworks ) pour un ou deux accordéons. La version intégrale de chaque valse est disponible sur le disque compact inclus.

Concerto For Flute And Orchestra D major K. 314 (285d). Flute Solo Oboe (2) Horn (2) Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

for Solo Euphonium and Fanfare Band-On pense surtout au ragtime comme à de la musique pour piano mais il a aussi existé sous forme orchestrale. Le ragtime est étroitement apparenté à une forme de jazz qui est devenue le dixieland. Euphonium Ragtime est un authentique ragtime pour Euphonium et Orchestre de Fanfare gracieux dynamique et au charme d’antan. Très original !

New Tunes For Strings is an excellent series of books by Stanley Fletcher which present a wide variety of new pieces for Strings. Each piece is fun to play and teaches a range of technical skills.

Cyprise- In 1865 Dvorák firmly convinced of his love for one of the daughters of the ermáková family probably the older Josefina wrote his first song cycle Cypresses . Despite the popularity of Dvorák 's arrangements for String Quartet the original version of this work has remained in manuscript form until now. This first ever Urtext edition is based on the original autograph as well as later versions. A printed collection of poems by Pfleger from 1862 were also drawn upon as sources. The musical text is accompanied by a detailed introduction in English German and Czech written by the Dvorák scholar DavidBeveridge. A critical commentary in English only is also included as are translations of the song texts in English and German.

Cet hommage musical au pianiste de jazz Count Basie qui fut et restera l’un des chefs d’orchestre de jazz (big bands) les plus connus au monde comprend quatre morceaux choisis parmi ses nombreux succès : Jumpin' at the Woodside The Wind Machine Li'l Darlin' et April in Paris .

Vocal selections of the famous Gilbert and Sullivan Operas Volume 2. Including Story. The Pirates of Penzance was the fourth of the series of Gilbert and Sullivan Operas. It was performed for the first time in London at the Opera Comique on April 3rd 1880; though previously in 1879 it had been produced practically simultaneously at Paignton and New York on December 30th and 31st respectively.

Violin Concerto No. 2-Study Score - Hawkes Pocket Score 1172. Gruber Hk

Hawkes Pocket Scores HPS 12-Study Score - Hawkes Pocket Score 12. Bush A

The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion it was a work Bach revised during the rest of his life in fact he did not leave us a definitive version either in print or fair copy. The sources give evidence of four different versions used at four performances - 1724 1725 around 1730 and during the last years of Bach 's life. They often contain two or more readings for the same passage or even different movements that on different occasions occupied the same place in the work. Barenreiter's edition uses the final version IV as its basis with alternativemovements and readings contained in the appendices. A comprehensive preface in the study score (German/English) TP197 gives full information. - Full score performance material (BA5037) vocal score (BA5037-90) and study score (TP197) available for sale.

A suite of seven Organ performance pieces in a very traditional style by Gordon Young.

Selected Themes From 'Harry Potter And The Sorcerer's Stone' arranged for solo Tenor Saxophone duet or trio by Victor Lopez. Music by John Williams. Suitable for players grades 1-3. Also includes fingering chart.

In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as thesurviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye. This is the Organ part for J. S. Bach 's Mass In B Minor .

Hawkes Pocket Scores HPS 682-Study Score - Hawkes Pocket Score 682. Strawinsky I

The hit song as performed by Nanci Griffith and Bette Midler arranged her for SATB Choir and Piano with optional Guitar Bass and Drums by Teena Chinn.

8 original pieces for beginning pianists. Piano students of all ages will enjoy playing these fanstastic pieces in Boogie and Blues style. This collection was written especially for students in their first years of piano study. Each piece uses easy five finger hand positions. To aid students who are developing reading skills letter notes are used at the beginning of each piece and for hand position changes.

for Pianoforte and Orchestra op. 37- Urtext edition reflecting the latest musicological research. With many corrections in the solo part and orchestral parts. Piano reduction with a separate solo Piano part. A must for pianists orchestras and Beethoven scholars. Beethoven ’s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation dynamics and pedal markings are for the most part absent. However Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care withwhich Beethoven placed slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation dynamics and notes. In particular the orchestral parts have been corrected for the first time since Beethoven ’s lifetime.