New Road To String Playing

The third book of graded pieces by Anne Marsden Thomas. This collection contains lively three-voice movements simple four-part pieces and some slow moving five-part textures. Registration presents a wider variety of challenges including more manual changes than in Book 2. Inclusion of pedals offers useful confidence-building in location of notes and co-ordination with hands. Demands on pedal technique however are very limited here and heels are not required at all. Grade 3

The third book of graded pieces by Anne Marsden Thomas. This book offers experience in combining feet and hands within relatively simple music. The music always lies comfortably under the hands and feet. Several trios are included to develop listening and to promote independence between left hand and pedals. Almost all pedal notes can be played by toes alone heels are introduced only occasionally. Grade 4-5

New Road To String Playing

The third book of graded pieces by Anne Marsden Thomas. This collection contains lively three-voice movements simple four-part pieces and some slow moving five-part textures. Registration presents a wider variety of challenges including more manual changes than in Book 2. Inclusion of pedals offers useful confidence-building in location of notes and co-ordination with hands. Demands on pedal technique however are very limited here and heels are not required at all. Grade 3

The third book of graded pieces by Anne Marsden Thomas. This book offers experience in combining feet and hands within relatively simple music. The music always lies comfortably under the hands and feet. Several trios are included to develop listening and to promote independence between left hand and pedals. Almost all pedal notes can be played by toes alone heels are introduced only occasionally. Grade 4-5

New Road To String Playing

The third book of graded pieces by Anne Marsden Thomas. This collection contains lively three-voice movements simple four-part pieces and some slow moving five-part textures. Registration presents a wider variety of challenges including more manual changes than in Book 2. Inclusion of pedals offers useful confidence-building in location of notes and co-ordination with hands. Demands on pedal technique however are very limited here and heels are not required at all. Grade 3

The third book of graded pieces by Anne Marsden Thomas. This book offers experience in combining feet and hands within relatively simple music. The music always lies comfortably under the hands and feet. Several trios are included to develop listening and to promote independence between left hand and pedals. Almost all pedal notes can be played by toes alone heels are introduced only occasionally. Grade 4-5

This complete book on Organ pedalling by Anne Marsden Thomas supports organists from their first encounter with the pedalboard through to the achievement of virtuosity. In this comprehensive guide the technique of Organ pedalling is brokendown into thirty seven chapters each of which introduces a different aspect of pedalling technique with clear explanations and colour photographs. There are hundreds of exercises mostly drawn from three centuries of organ repertoire many of whichnot only demonstrate the techniques but are also rewarding to play in their own right. Pedalling for Organists aims to be comprehensive covering absolutely every pedalling technique. The profusion of exercises is intended to give organists ofevery standard - beginner intermediate and advanced - plenty of material for study and sight-reading. Each technique is described and followed by exercise material and where required this exercise material is finely graded. This is the latest bookfrom one of the church organists’ leading educationalists. Anne Marsden Thomas is well-respected for her teaching skills and dedication in helping the student organist. She has many books published with several set on Organ exam syllabuses. This complete book on Organ pedalling by Anne Marsden Thomas supports organists from their first encounter with the pedalboard through to the achievement ofvirtuosity. In this comprehensive guide the technique of Organ pedalling is broken down into thirty seven chapters each of which introduces a different aspect of pedalling technique with clear explanations and colour photographs. There are hundreds of exercises mostly drawn from three centuries of organ repertoire many of which not only demonstrate the techniques but are also rewarding to play intheir own right. Pedalling for Organists aims to be comprehensive covering absolutelyevery pedalling technique. The profusion of exercises is intended to giveorganists of every standard - beginner intermediate and advanced - plenty of material for study and sight-reading. Each technique is described and followed by exercise material and where required this exercise material isfinely graded. This is the latest book from one of the church organists' leading educationalists. Anne Marsden Thomas is well-respected for her teaching skills and dedication in helping the student organist. She has many books published with several set on Organ exam syllabuses.

The third book of graded pieces by Anne Marsden Thomas. This book offers experience in combining feet and hands within relatively simple music. The music always lies comfortably under the hands and feet. Several trios are included to develop listening and to promote independence between left hand and pedals. Almost all pedal notes can be played by toes alone heels are introduced only occasionally. Grade 4-5

The third book of graded pieces by Anne Marsden Thomas. This collection contains lively three-voice movements simple four-part pieces and some slow moving five-part textures. Registration presents a wider variety of challenges including more manual changes than in Book 2. Inclusion of pedals offers useful confidence-building in location of notes and co-ordination with hands. Demands on pedal technique however are very limited here and heels are not required at all. Grade 3

New Road To String Playing