Method and Solos for Jump Blues Guitar 2-DVD Set-Cult figure rock & roll legend and music writer Cub Koda defined jump blues as an up-tempo jazz-tinged style of blues that first came to prominence in the mid- to late '40s. Usually featuring a vocalist in front of alarge horn-driven orchestra or medium sized combo with multiple horns the style is earmarked by a driving rhythm intensely shouted vocals and honking tenor saxophone solos - all of those very elements a precursor to rock& roll. The lyrics are almost always celebratory in nature full of braggadocio and swagger. This 2-DVD set is presented as a methodology covering theory comping accompanist riffs horn lines arranged for guitar andseveral approaches for soloing drilling down on many approaches for opening up the neck for the scales arps and riffs that are employed in swing and Jump Blues guitar. It also ices the cake with 12 tasty solos followed byin-depth analysis of several jump blues giants such as Brian Setzer T-Bone Walker Charlie Christian Gatemouth Brown and Freddie King all of whom have their own signature sound. Accompanying vocalists and soloists is a big partof the style and is as challenging and rewarding as soloing. A sizable chunk of these DVDs are dedicated to voicings pulling off various rhythms and locking up with the rhythm section. 182 minutes.Cult figure rock & roll legend and music writer Cub Koda defined jump blues as 'an up-tempo jazz-tinged style of blues that first came to prominence in the mid- to late '40s. Usually featuring a vocalist in front of a large horn-driven orchestra or medium sized combo with multiple horns the style is earmarked by a driving rhythm intensely shouted vocals and honking tenor saxophone solos - all of those very elements a precursor to rock & roll. The lyrics are almost always celebratory in nature full of braggadocio and swagger.' Dutch recording artist and top European Guitar educator Matthieu Brandt spent a decade interviewing and studying with many of the originatorsof Jump Blues to document the style and create this essential Jump Blues course for Guitar. This 2-DVD set is presented as a methodology covering theory comping accompanist riffs horn lines arranged for Guitar and several approaches for soloing drilling down on many approaches for opening up the neck for the scales arps and riffs that are employed in swing and Jump Blues Guitar. It also ices the cake with 12 tasty solos followed by in-depth analysis of several jump blues giants such as Brian Setzer T-Bone Walker Charlie Christian Gatemouth Brown and Freddie King all of whom have their own signature sound. Accompanying vocalists and soloists is a big part of the style and is as challenging and rewarding as soloing. A sizable chunk of these DVDs is dedicated to voicings pulling off various rhythms and locking up with the rhythm section.

Method and Solos for Jump Blues Guitar 2-DVD Set-Cult figure rock & roll legend and music writer Cub Koda defined jump blues as an up-tempo jazz-tinged style of blues that first came to prominence in the mid- to late '40s. Usually featuring a vocalist in front of alarge horn-driven orchestra or medium sized combo with multiple horns the style is earmarked by a driving rhythm intensely shouted vocals and honking tenor saxophone solos - all of those very elements a precursor to rock& roll. The lyrics are almost always celebratory in nature full of braggadocio and swagger. This 2-DVD set is presented as a methodology covering theory comping accompanist riffs horn lines arranged for guitar andseveral approaches for soloing drilling down on many approaches for opening up the neck for the scales arps and riffs that are employed in swing and Jump Blues guitar. It also ices the cake with 12 tasty solos followed byin-depth analysis of several jump blues giants such as Brian Setzer T-Bone Walker Charlie Christian Gatemouth Brown and Freddie King all of whom have their own signature sound. Accompanying vocalists and soloists is a big partof the style and is as challenging and rewarding as soloing. A sizable chunk of these DVDs are dedicated to voicings pulling off various rhythms and locking up with the rhythm section. 182 minutes.Cult figure rock & roll legend and music writer Cub Koda defined jump blues as 'an up-tempo jazz-tinged style of blues that first came to prominence in the mid- to late '40s. Usually featuring a vocalist in front of a large horn-driven orchestra or medium sized combo with multiple horns the style is earmarked by a driving rhythm intensely shouted vocals and honking tenor saxophone solos - all of those very elements a precursor to rock & roll. The lyrics are almost always celebratory in nature full of braggadocio and swagger.' Dutch recording artist and top European Guitar educator Matthieu Brandt spent a decade interviewing and studying with many of the originatorsof Jump Blues to document the style and create this essential Jump Blues course for Guitar. This 2-DVD set is presented as a methodology covering theory comping accompanist riffs horn lines arranged for Guitar and several approaches for soloing drilling down on many approaches for opening up the neck for the scales arps and riffs that are employed in swing and Jump Blues Guitar. It also ices the cake with 12 tasty solos followed by in-depth analysis of several jump blues giants such as Brian Setzer T-Bone Walker Charlie Christian Gatemouth Brown and Freddie King all of whom have their own signature sound. Accompanying vocalists and soloists is a big part of the style and is as challenging and rewarding as soloing. A sizable chunk of these DVDs is dedicated to voicings pulling off various rhythms and locking up with the rhythm section.

Method and Solos for Jump Blues Guitar 2-DVD Set-Cult figure rock & roll legend and music writer Cub Koda defined jump blues as an up-tempo jazz-tinged style of blues that first came to prominence in the mid- to late '40s. Usually featuring a vocalist in front of alarge horn-driven orchestra or medium sized combo with multiple horns the style is earmarked by a driving rhythm intensely shouted vocals and honking tenor saxophone solos - all of those very elements a precursor to rock& roll. The lyrics are almost always celebratory in nature full of braggadocio and swagger. This 2-DVD set is presented as a methodology covering theory comping accompanist riffs horn lines arranged for guitar andseveral approaches for soloing drilling down on many approaches for opening up the neck for the scales arps and riffs that are employed in swing and Jump Blues guitar. It also ices the cake with 12 tasty solos followed byin-depth analysis of several jump blues giants such as Brian Setzer T-Bone Walker Charlie Christian Gatemouth Brown and Freddie King all of whom have their own signature sound. Accompanying vocalists and soloists is a big partof the style and is as challenging and rewarding as soloing. A sizable chunk of these DVDs are dedicated to voicings pulling off various rhythms and locking up with the rhythm section. 182 minutes.Cult figure rock & roll legend and music writer Cub Koda defined jump blues as 'an up-tempo jazz-tinged style of blues that first came to prominence in the mid- to late '40s. Usually featuring a vocalist in front of a large horn-driven orchestra or medium sized combo with multiple horns the style is earmarked by a driving rhythm intensely shouted vocals and honking tenor saxophone solos - all of those very elements a precursor to rock & roll. The lyrics are almost always celebratory in nature full of braggadocio and swagger.' Dutch recording artist and top European Guitar educator Matthieu Brandt spent a decade interviewing and studying with many of the originatorsof Jump Blues to document the style and create this essential Jump Blues course for Guitar. This 2-DVD set is presented as a methodology covering theory comping accompanist riffs horn lines arranged for Guitar and several approaches for soloing drilling down on many approaches for opening up the neck for the scales arps and riffs that are employed in swing and Jump Blues Guitar. It also ices the cake with 12 tasty solos followed by in-depth analysis of several jump blues giants such as Brian Setzer T-Bone Walker Charlie Christian Gatemouth Brown and Freddie King all of whom have their own signature sound. Accompanying vocalists and soloists is a big part of the style and is as challenging and rewarding as soloing. A sizable chunk of these DVDs is dedicated to voicings pulling off various rhythms and locking up with the rhythm section.

Authentic Country Blues Guitar Techniques and Repertoire 2-DVD Set-Playing and singing country blues guitar is no easy task. It's just you and the box summoning up the requisite guitar parts singing the melody and maintaining a solid groove. No drummer. No bass player - just you and yourguitar. Independence repertoire technique timing and endurance comprise the essential skill set for authentic fingerstyle country blues guitar. Playing and singing the material in this 2-DVD set hones these skills like nobody'sbusiness. Paul Rishell diligently guides you through 16 handpicked tunes to cover a wide variety of the feels rhythms and techniques that are characteristic to country blues guitar. You'll learn all of the parts rhythms andrequisite techniques for Down the Dirt Road Blues by Charley Patton Shake 'Em on Down by Tommy McClennan Low Down Rounder by Peg Leg Howell Sweet Jivin' Mama by BlindBlake One Dime Blues by Blind Lemon Jefferson Rag Mama Rag by Blind Boy Fuller Trouble Blues by Scrapper Blackwell Black Horse Blues by Blind Lemon Jefferson Custard Pie by Blind Boy Fuller Hunkie Tunkie and Keep it Clean by Charley Jordan Step It up & Go by Blind Boy Fuller and four Rishell originals; Vanessa Louise I'm Gonna Jump & Shout and Blues on a Holiday. Get a solid grip on this Delta Piedmont and Texas blues guitar repertoire and you'll be able to handle anything (including your owncompositions) with authenticity stellar technique and maximum groove. Head out to the porch now with Dirt Road Blues . 146 minutes.Playing and singing country blues guitar is no easy task. It's just you and the box summoning up the requisite Guitar parts singing the melody and maintaining a solid groove. No drummer. No bass player - just you and your Guitar. Independence repertoire technique timing and endurance comprise the essential skill set for authentic fingerstyle country blues Guitar. Playing and singing the material in this 2-DVD set hones these skills like nobody's business. Paul Rishell diligently guides you through 16 handpicked tunes to cover a wide variety of the feels rhythms and techniques that are characteristic to country blues Guitar. You'll learn allof the parts rhythms and requisite techniques for songs such as Down the Dirt Road Blues by Charley Patton Shake 'Em on Down by Tommy McClennan Low Down Rounder by Peg Leg Howell Sweet Jivin' Mama by Blind Blake One Dime Blues by Blind Lemon Jefferson and many more. Get a solid grip on this Delta Piedmont and Texas blues Guitar repertoire and you'll be able to handle anything (including your own compositions) with authenticity stellar technique and maximum gro

Method and Solos for Jump Blues Guitar 2-DVD Set-Cult figure rock & roll legend and music writer Cub Koda defined jump blues as an up-tempo jazz-tinged style of blues that first came to prominence in the mid- to late '40s. Usually featuring a vocalist in front of alarge horn-driven orchestra or medium sized combo with multiple horns the style is earmarked by a driving rhythm intensely shouted vocals and honking tenor saxophone solos - all of those very elements a precursor to rock& roll. The lyrics are almost always celebratory in nature full of braggadocio and swagger. This 2-DVD set is presented as a methodology covering theory comping accompanist riffs horn lines arranged for guitar andseveral approaches for soloing drilling down on many approaches for opening up the neck for the scales arps and riffs that are employed in swing and Jump Blues guitar. It also ices the cake with 12 tasty solos followed byin-depth analysis of several jump blues giants such as Brian Setzer T-Bone Walker Charlie Christian Gatemouth Brown and Freddie King all of whom have their own signature sound. Accompanying vocalists and soloists is a big partof the style and is as challenging and rewarding as soloing. A sizable chunk of these DVDs are dedicated to voicings pulling off various rhythms and locking up with the rhythm section. 182 minutes.Cult figure rock & roll legend and music writer Cub Koda defined jump blues as 'an up-tempo jazz-tinged style of blues that first came to prominence in the mid- to late '40s. Usually featuring a vocalist in front of a large horn-driven orchestra or medium sized combo with multiple horns the style is earmarked by a driving rhythm intensely shouted vocals and honking tenor saxophone solos - all of those very elements a precursor to rock & roll. The lyrics are almost always celebratory in nature full of braggadocio and swagger.' Dutch recording artist and top European Guitar educator Matthieu Brandt spent a decade interviewing and studying with many of the originatorsof Jump Blues to document the style and create this essential Jump Blues course for Guitar. This 2-DVD set is presented as a methodology covering theory comping accompanist riffs horn lines arranged for Guitar and several approaches for soloing drilling down on many approaches for opening up the neck for the scales arps and riffs that are employed in swing and Jump Blues Guitar. It also ices the cake with 12 tasty solos followed by in-depth analysis of several jump blues giants such as Brian Setzer T-Bone Walker Charlie Christian Gatemouth Brown and Freddie King all of whom have their own signature sound. Accompanying vocalists and soloists is a big part of the style and is as challenging and rewarding as soloing. A sizable chunk of these DVDs is dedicated to voicings pulling off various rhythms and locking up with the rhythm section.