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Dynamics processors - often overused and sometimes misunderstood - can make or break mixing and mastering projects. This book goes beyond explaining how dynamics processors work by giving essential tips on how their proper application can help make better music. Written in a clear practical non-intimidating style topics include how to apply limiters compressors noise gates expanders maximizers saturation and multiband dynamics whether in hardware or software form. Loaded with examples of real-world dynamics processors to explain their similarities and differences How to Apply Dynamics Processing ventures further than similar books by covering dynamics processingwith MIDI data as well as manual dynamics processing done with recording software (phrase-by-phrase normalization for narration micro-mastering to allow greater apparent volume when mastering parallel dynamics and more). There's also valuable information on how to achieve the most transparent effects possible creative uses of sidechaining and how to use creative squashing as an effect to obtain vintage compression sounds. Chock full of illustrations and featuring selected tech talk sidebars to give details on specific topics for those who want to know why as well as how How to Apply Dynamics Processing tells everything today's musicians need to get the most out of these versatile processors. Dynamics processors – often overused and sometimes misunderstood – can make or break mixing and mastering projects. This book goes beyond explaining how dynamics processors work by giving essential tips on how their proper application can help make better music. Written in a clear practical non-intimidating style topics include how to apply limiters compressors noise gates expanders maximizers saturation and multiband dynamics whether in hardware or software form. Loaded with examples of real-world dynamics processors to explain their similarities and differences How to Apply Dynamics Processing ventures further than similar books by covering dynamicsprocessing with MIDI data as well as “manual” dynamics processing done with recording software (phrase-by-phrase normalization for narration “micro-mastering” to allow greater apparent volume when mastering parallel dynamics and more). There's also valuable information on how to achieve the most transparent effects possible creative uses of sidechaining and how to use creative “squashing” as an effect to obtain “vintage” compression sounds. Chock full of illustrations and featuring selected “tech talk” sidebars to give details on specific topics for those who want to know “why” as well as “how ” How to Apply Dynamics Processing tells everything today's musicians need to get the most out of these versatile processors.

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A distinguished musicologist explores nineteenth-century French art songs in this fascinating study of the melodies of Berlioz Liszt Bizet Saint-Saëns Franck Fauré and others. The songs are described and analyzed in terms of structure style prosody and melo-harmonic features. Sensitive evaluations of the melodies include more than 250 musical examples. Author Frits Noske was the first musicologist to fully trace the origins and early development of the French art songs known as mélodie. He discusses the forms from which the genre evolved intermediary compositions by Niedermeyer and Monpou and the effect of Thomas Moore's Irish Melodies. Additional topicsinclude Berlioz's contribution to the emerging form the influence of German song the special problems of French-language prosody and the changing role of the accompaniment. Music history and voice majors musicologists and music enthusiasts of all ages will appreciate this valuable guide to an unjustly neglected musical genre. Reprint of the North-Holland Publishing Company Amsterdam and the Presses Universitaires de France Paris 1954 edition. 'Invaluable as a work of reference in addition to being full of sound judgments and happy suggestions.' — Jacques Barzun MLA Notes

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