10 progressive pieces for descant recorder electronic keyboard percussion and voice suitable for the classroom and for concerts. Each piece has a recorder part lyrics for singing along rhythm patterns and keyboard diagramsfor playing the auto-accompaniment.

In this collection you'll find fun and accessible Piano accompaniments for the 32 well-known Christmas carols and pieces featured in the Cello Time Christmas melody book. Perfect for busking school concerts or family get-togethers the Cello Time Christmas piano book offers stylish and festive accompaniments capturing the spirit and mood of the pieces. Essential for teachers and musical parents this book will help motivate all young cellists as they learn to play. In this collection you'll find fun and accessible Piano accompaniments for the 32 well-known Christmas carols and pieces featured in the Cello Time Christmas melody book. Perfect for busking school concerts or family get-togethers the Cello Time Christmas piano book offers stylish and festive accompaniments capturing the spirit and mood of the pieces. Essential for teachers and musical parents this book will help motivate all young cellists as they learn to play.

Louis R. Feuillard (1872-1941) has become known chiefly as the teacher of Paul Tortelier who called him a man with an extraordinary educational instinct. His 'Daily Exercises' take up the most important aspects of the cello technique such as exercises in neck and thumb positions double stops and bowing exercises. It is particularly because of the logical structure of the exercises that they have been among the standard works of violoncello study literature since their publication in 1919.

In Combination With The Cajon-Drummer / percussionist Matthias Philipzen presents two very innovative percussion instruments the Heck Stick and the Sidekick allowing the Cajon to become a complete drumset and making all styles possible. Chapter 1: Heck Stick - basics special sounds and coordination with the Cajon Chapter 2: Sidekick - Accents and ostinati-figures combined with Cajon Chapter 3: Combination - Heck Stick Sidekick and Cajon Chapter 4: Shaker - Various combinations of different shakers with Cajon Chapter 5: Styles / Play-alongs - Now it's your turn! Play your complete drumset with the band: Pop Blues Shuffle High Life Bossa Nova Samba Techno Reggae and more Drummer / percussionist Matthias Philipzen presents two very innovative percussion instruments the Heck Stick and the Sidekick allowing the Cajon to become a complete drumset and making all styles possible. Chapter 1: Heck Stick - basics special sounds and coordination with the Cajon Chapter 2: Sidekick - Accents and ostinati-figures combined with Cajon Chapter 3: Combination - Heck Stick Sidekick andCajon Chapter 4: Shaker - Various combinations of different shakers with Cajon Chapter 5: Styles / Play-alongs - Now it's your turn! Play your complete 'drumset' with the band: Pop Blues Shuffle High Life Bossa Nova Samba Techno Reggae and more

This is the internationally acclaimed Joe Pass guitar method in which Joe displays his mastery of the jazz guitar. Part One/Harmony is divided into five sections on chord construction embellishment substitution connection and symmetric chords. Part Two/Melody is divided into twelve sections including chord scales altered scales ear training whole tone scales chord resolutions improvising blues minor blues modern blues rhythm changes 3/4 blues and includes a transcribed solo recorded by Joe on his album For Django.This is the internationally acclaimed Joe Pass guitar method in which Joe displays his mastery of the jazz guitar. Part One/Harmony is divided into five sections on chord construction embellishment substitution connection andsymmetric chords. Part Two/Melody is divided into twelve sections including chord scales altered scales ear training whole tone scales chord resolutions improvising blues minor blues modern blues rhythm changes 3/4blues and includes a transcribed solo recorded by Joe on his album 'For Django'.

For a man who quit an established recording career in order to study the fine art of making violins David Bromberg sure knows how to work a room. A veteran sideman to Dylan Ringo Starr and Jerry Jeff Walker as well as a solo performer and bandleader of more than 40 years standing the bearded and bespectacled Bromberg may have kept a low profile through the so-called MTV era. But he didn't sleep through the more recent recording industry implosion and its attendant rise of the Pod People. Rather he took his boundary busting energy back to the live stage with the Count Basie Theatre in Red Bank New Jersey playing a big role in this master entertainer's gameplan. The multi-instrumentalist and musicologist has made the Count Basie Theatre a crucial pit stop in his annual tour schedule for each of the last four years ... While Bromberg may take the spotlight for an unaccompanied number or two it's his role as bandleader and raconteur that prompted the New York Times to brand him 'electrifying.' A performance by the 12-piece David Bromberg Big Band fireballs forward like a bull in a used record shop tracing its own musical logic - Bob Wills to Bob Dylan to Bo Diddley to Dave Dudley - with station stops anywhere from Sam Cooke to 'a bluegrass tribute to Ethel Merman.' Not to mention some fondly remembered originals from his vintage albums and a lot of things that you thought had been written by the Grateful Dead Patsy Cline Cab Calloway or even the Clash. Titles include: Sloppy Drunk I'll Take You Back Dark Hollow Make Me A Pallet On Your Floor Who's Lovin' You Tonight This Love Affair Tongue It Takes A Lot To Laugh It Takes A Train To Cry If You Don't Want Me Nobody's Sharon and Driving Wheel

inspiring confidence to play by touch-Making sight reading easier and more effective. A progressive set of imaginative pieces to take students and teachers step by step through the technique. Don't Look at the Keys! shows students how to play by touch to feel their way around the keyboard using as signposts - the long cracks between some white notes together with the groups of two and three black notes. As music is essentially a listening experience it is almost instinctive for pianists to look down at the keyboard for visual reassurance to guide the fingers when playing. This is particularly true when playing from memory or improvising. Richard Smith 's Don't LOOK At The Keys! teaches students how to play by touch feeling their way around the keyboard using various 'signposts' whilst keeping their eyes on the music. Designed to make sight reading easier and more effective the books in this innovative series contain a progressive set of imaginative pieces to take students and teachers step by step through the technique. This is not just another sight reading book. Don't LOOK At The Keys! contains actual practice pieces as well as instructions that demonstrate how toplay Piano by touch. It instructs and develops the skill and confidence to look at the music instead of the hands and helps those students who commit pieces to memory or play by ear then wonder where to look while playing. This is the first of three books in the series. Book One is in two parts; hands separate and hands together all pieces have both hands in a five finger position each of which is illustrated at the top together with the key (all keys are on the Grades 1 & 2 sight reading syllabus). The pieces in Book Two are within an octave in both hands and Book Three beyond this range.

One of the foremost personalities in the world of Jazz Guitar Larry Coryell has played against the best and here presents an insight into his distinctive and fluid approach. From bebop heroes Sonny Rollins and CharlesMingus to fusion superstars Chick Corea and John McLaughlin Coryell's guitar playing has graced the recordings of the hottest stars in Jazz making him a guitarist of huge reputation and respect. In this special'back-to-his-roots' DVD presentation Coryell discusses his personal approach to the blues fusing classic techniques and heritage with the intellect of the seasoned Jazz improviser. He begins with T-Bone Walker moving throughB.B. and Albert King to the more complex blues of Wes Montgomery before finally assessing the importance of the blues in the music of Miles Davis. Specific lessons include: The pentatonic scale and its intervals Atranscription of a blues tribute to T-Bone Walker Bending notes in the style of B.B. King and Albert King Wes Montgomery's D-natural blues All Blues and the Miles Davis use of the 'Jazz' minor scale

Answers for all three levels of Excellence in Theory are contained in this one answer key which can be used by a teacher or by an independent student. Ear training examples and exercises are included for the teacher with the option of using a Piano or other instrument in place of accessing the audio files found in the Kjos Multimedia Library at www.kjos.com Answers for all three levels of Excellence in Theory are contained in this one answer key which can be used by a teacher or by an independent student. Ear training examples and exercises are included for the teacher with theoption of using a Piano or other instrument in place of accessing the audio files found in the Kjos Multimedia Library at www.kjos.com

Country music is more popular than ever and all you need to put over a good country song is your voice and a guitar. This sixty-five minute DVD gives you the tools you need to play old-fashioned country honky-tonk and countryrock. You'll learn how to play: Accompaniment strums for different rhythmic feels A variety of first-position chords Bass runs Major scales Solos and turnarounds All the above in fivedifferent keys Fred Sokolow's teaching is clear and easy to understand and includes lots of helpful hints for beginners. Includes 40 page tab music PDF.

In this double DVD the first devoted in its entirety to the Guitar style of Lonnie Johnson Ari Eisinger explores Lonnie Johnson's blues style in detail presenting stylistic hallmarks of Johnson's playing including a discussionof left hand fingerings use of diminished chords and Lonnie's blues playing in the Key of D. Ari teaches eight guitar breaks from some of Lonnie's best tunes. These include his instrumental masterpiece To Do This YouGot To Know How his jazzy Uncle Ned Don't Use Your Head his evocative Woke Up With the Blues In My Fingers and I'm So Tired Of Living All Alone Lonnie's version of the song Skip James recorded as I'm So Glad . A detailed tab/music booklet is included as a PDF file on each DVD. As well the original old recordings of all the tunes are included.

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