in honorem Beatissimae Virginis Mariae- Missa Cellensis in honorem Beatissimae Virginis Mariae Hob.XXII:5 'Cecilia Mass' The ' Cecilia Mass ' is a milestone in Haydn's compositional work. It marks the beginning of a series of great church music works and is the most important completely preserved composition from the years 1750-66. - Urtext from Joseph Haydn Werke. - Full score parts and vocal score available for sale.

Voice Piano. Offer C

These duets were originally published in Berlin soon after 1791 with the music printed in two part books as in the present volume consisting of arias and instrumental pieces from Mozart's opera The Magic Flute - first staged in Vienna in September 1791.

This book contains all the Easy Piano accompaniments for Peter Lawrance's Easy Winners Flute book.

(Full score). Tredici D

...dans leur Gaine de Mousse (French and English text)

For tuba bass clef and piano. ABRSM Grade 4.

In this work I gave everything I had to give. […] What I did here I will never do again. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven's Ninth this so-called Organ Symphony was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns - Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)

The 'Andante' for flute and orchestra (K.315) was presumably written early in 1778 when Mozart was staying in Mannheim. A wealthy Dutch amateur by the name of De Jean had then commissioned him with several pieces for flute the best-known of which is the Concerto in G (K.313).The Andante is scored for 2 oboes 2 horns and strings. W.A. Mozart Andante In C K315 arranged for Flute and Piano by Max Wolff.

Klavierauszug mit Solostimme-The edition is part of the Trinity syllabus 2007 (grade 8) Hummel's Trumpet concerto is certainly one of the more well known and popular works in the trumpet repertoire. This is a beautifully lyrical piece with many memorable melodies and sonorous harmonies. This version has been arranged for B flat Trumpet with Piano Accompaniment and has been edited by Norman Richardson. Where many piano (or orchestral) reductions can literally be a reduced orchestral score rather than a properly devised accompaniment this piano part has been carefully voiced so as to be performable. This piece will provide an enjoyable challenge for both the trumpeter and pianist alike. The solo trumpet part is also included on aseparate insert.

A selection of Horn solos with Piano accompaniment carefully graded and in a variety of styles.

Easy instrumental solos or duets for any combination of instruments-Who can ever forget those wonderful times around the campfire: sitting in the moonlight enjoying the glow of the fire wonderful friends and singing those timeless campfire classic folk songs? These arrangements are designed to be used in two different ways either as a solo or as a duet. Any combination of instruments can perform together. As long as each performer has the appropriate book for the key of their instrument any combination of instruments will work.

Piano Concerto No.25 in C major K.503. Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicianstake all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

As the title suggests this work is a partita: it consists of a number of variations on a chorale melody. The partita has been popular for centuries especially when it comes to organ music. Henk van Belcum who is active in the choir world chose for his Partita Piccola the German hymn Wunderbarer König as a starting point. Partita Piccola consists of four variations and a choral setting. After a majestic opening fanfare the second variation follows based on a canon by Pachelbel. Händel’s Sarabande is the basis of the third variation. Next comes the chorale setting after which the work ends festively with a dance that has been written in the form of a courante. PartitaPiccola is an asset for church services and for concert platforms.

Tchaikovsky is best known for his purely instrumental compositions. However we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin) composed in 1877-1878 was not called an opera by Tchaikovsky himself but “lyric scenes”. The work is entirely dominated by lyricism. However there are two moments that contrast sharply with this lyricism: two ball scenes for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant this arrangement features the aforementioned waltz which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.

Suite-(Full score). Copland A

Grades 5-6-This collection of 19 pieces (in two volumes) was specifically commissioned by ABRSM to provide useful core material for its Bassoon syllabus. The appealing variety of rhythms and styles and the progressive introduction of new technical accomplishments throughout the two volumes will provide invaluable repertoire-building material from Grades 3-6. A collection of pieces specifically commissioned by the Associated Board to provide useful core material for its bassoon syllabus appealing variety of rhythms styles and moods and the progressive introduction of new technical accomplishments will provide invaluable repertoire-building material for teachers

Gabriel Fauré (1845-7924) was among the leading French song composers of the fin de siècle. His songs combine to perfection the qualities of the French 'mélodie': its flowing cantabile its subtle harmonisation and its lyric impulse. This volume gives flautists and their duo partners on the Piano an opportunity to form an acquaintance with Fauré 's art through their own performances. Contents: Les Berceaux Sylvie Au Bord de l'Eau Toujours

These arrangements are suitable for almost any combination of brass and/or woodwind instruments. Each straightforward arrangement has been carefully made with the less experienced players needs in mind and include very easy optional treble and bass parts so that even the very inexperienced player can take part in ensemble playing. These are sure-fire hits for the beginner ensemble to practice enjoy and perform. Songs include: 'Super Trouper' 'Bright Eyes' 'All Night All Day' 'Easy Winners' 'Titanic' 'Hello Dolly'.

'Letter from Home was commissioned as a patriotic work in 1944 by Paul Whiteman and his Radio Hall of Fame Orchestra. Composed toward the end of the Second World War this music suggests the emotions of a soldier reading a letter from home. The music has been described as Copland's 'most sentimental' and reflects his own homesickness while visiting Mexico. This sensitive transcription by Brian Belski has produced another wonderful wind band setting from America's most iconic composer.” - Craig Kirchoff (Windependence Series Editor) Instrumentation: flute I flute II oboe clarinet I in Bb clarinet II in Bb clarinet III in Bb bass clarinet in Bb bassoon soprano saxophone in Bb alto saxophone in Eb tenor saxophone in Bb baritone saxophone in Eb trumpet in Bb I trumpet in Bb II trumpet in B