Variations On The Caprice 24-The concert piece Paganini Jazz by Faz?l Say which was inspired by classical modern and jazz styles is reminiscent of the music of such greats as Scott Joplin Art Tatum Gershwin and Bernstein and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and in particular that of music critics it was transformed over a perion of time into a more substantial work for piano. Briefly the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned 24th Capriccio transforming it into variations on jazz requiring virtuoso renditionas well as being a creation open to the addition of improvisations and a variety of arrangements.Throughout music history a number of composers have written various works inspired by the 24th Capriccio. We can count among them Liszt Brahms Rachmaninov and Lutoslavski. In Say's work however a different aspect must be noted: the composer is prepared to add various developmental passages and transitional improvisations while interpreting this work in concert. Furthermore when the work is considered as a short encore piece it is abbreviated in a manner deemed suitable by Say.

Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

Listen Learn and Play- Tilmann Dehnhard the writer of the successful “Jazz Studies for Flute” (UE 33703) now turns his expertise to the alto recorder. In “Easy Jazz Studies for Recorder” he offers ten easy to intermediate compositions that help with melodic style and articulation as they relate to jazz. Some of the pieces are based on the same chord progressions as well known jazz standards and may therefore sound tantalizingly familiar! Useful hints on swing articulation and ornamentation are provided. The accompanying CD provides recordings at various tempos with the demonstrational soloist before the player is ready to take on the full solo role with the backing track. Suitable forgrades 2-5.

Liederzyklus nach Gedichten von Hans Fritz von Zwehl-Voice Piano. Kilpinen Y

From Judas Maccabeus-From 'Judas Maccabeus'. For SATB chorus and accompaniment. Arranged by Hal H. Hopson. From 'Judas Maccabeus'. For SATB chorus and accompaniment. Arranged by Hal H. Hopson.

Nico Muhly 's In One Place for SATB chorus unaccompanied. This work incorporates words by John Donne paraphrasing Acts 2:1 Pentecost Antiphons. Nico Muhly 's In One Place for SATB chorus unaccompanied. This work incorporates words by John Donne paraphrasing Acts 2:1 Pentecost Antiphons.

solo saxophone edition-These fifteen studies provide a fun way of exploring modern style (e.g. funk bebop and swing) with tips on techniques such as false fingerings and circular breathing. Concise notes help the player focus on the specific issues being explored in each study. One of our most popular titles. 15 Crazy Jazz Studies by Chris Gumbley for solo Saxophone. Set as part of the ABRSM examinations grade 5 for Alto or Tenor Saxophone.

Andorinha - Concertino for Flute and Chamber Orchestra by Anders Koppel was composed in 2013. Andorinha - Concertino for Flute and Chamber Orchestra by Anders Koppel was composed in 2013.

As recorded by Sandi Patti arranged by Don Hart.

New Urtext Edition study score of William Boyce 's 8 Symphonies Op. 2 . The 8 Symphonies are perhaps the best known of all of William Boyce 's works. Adapted in the main from the instrumental movements of his numerous odes and theatrical works the Symphonies combine the French overture and Italian sinfonia styles displaying tuneful engaging melodies and sprightly rhythms.

A delightful Christmas play wriiten for Children perfect for primary school shows. A delightful Christmas play wriiten for Children perfect for primary school shows.

Grades 3=-4-Composer's Description: Whether a student or a great artist the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician's voice the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production. The inspiration for writing these pieces came to me from the wish to give the young children I teach music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. The purpose of the second violinpart is therefore to enable the teacher to underline the harmony as well as to influence the student's tone production and intonation through his own sound as much can be taught by good example. Finally I think that children enjoy the challenge of expressing different moods and emotions musically and I hope that the range of ideas implied by the keys and the titles of these pieces will fire their imagination.

A fabulous collection of songs from the terrace the park or synonymous with football. Edward Maxwell has set these 'Footie Songs' in flexible arrangements which can be played as solo or duet accompanied by either jazz piano (pull-out part) or our CD backing tracks (free with the book). Includes 'Rhythm & Beat' workshop study section. This edition for Trumpet with Piano accompaniment. A fabulous collection of songs from the terrace the park or synonymous with football. Edward Maxwell has set these 'Footie Songs' in flexible arrangements which can be played as solo or duet accompanied by either jazz piano (pull-out part) or our CD backing tracks (free with the book). Includes 'Rhythm & Beat' workshop study section. This edition for Trumpet with Piano accompaniment.

Sagte Er Dachte Ich for Chamber Ensemble was composed by Juliana Hodkinson in 1999. Sagte Er Dachte Ich for Chamber Ensemble was composed by Juliana Hodkinson in 1999.

A selection of original piano music exactly as written by the master composers of three centuries. The music provides the pianist with a repertoire which is enjoyable for player and listener alike. Compiled and edited by Denes Agay. Suitable for pianists from grade 2-3 standard. A selection of original piano music exactly as written by the master composers of three centuries. The music provides the pianist with a repertoire which is enjoyable for player and listener alike. Compiled and edited by Denes Agay. Suitable for pianists from grade 2-3 standard.

Guitar Solo-Midnight Mazurka for Guitar solo was composed by Bent Sørensen in 2006. Dedicated Frederik Munk Larsen. Midnight Mazurka for Guitar solo was composed by Bent Sørensen in 2006. Dedicated Frederik Munk Larsen.

for Flute Oboe Clarinet in Bb Bassoon and Horn in F-Alan Bullard's Dances for Wind Quintet were commissioned by the Marlborough Wind Quintet and first performed by them in the Purcell Room in June 1983. It was subsequently taken up by the Vega Wind Quintet who broadcast it on BBC Radio 3 and since then it has received numerous performances worldwide. Alan Bullard's Dances for Wind Quintet were commissioned by the Marlborough Wind Quintet and first performed by them in the Purcell Room in June 1983. It was subsequently taken up by the Vega Wind Quintet who broadcast it on BBC Radio 3 and since then it has received numerous performances worldwide.

from Rehnebel/Opfer/Puderfinger-Bass Flute Percussion Guitar (optional pre-recorded performance CD) (Playing Score) . Oehring H

Sixteen all-time greats made famous by Mary Black Christy Moore The Corrs and a host of others. Includes: ' Katie ' ' No Frontiers ' ' The Contender ' ' Ride On ' ' Bright Blue Rose ' ' Adam at the Window ' and many more of McCarthy's timeless classics. With Piano arrangements lyrics and Guitar chords.

An uplifting song of hope and love arranged for SATB choir with Piano accompaniment.