Three Interludes For Orchestra by Benet Casablancas was commissioned by Fundacion Autor and the Spanish Association of Symphonic Orchestras (AEOS) for its World Premiere in the 2012-2013 season. The score consists of three movements - Pastorale (Tranquillo) Scherzo (Con moto) and Memento e Corale (Lentissimo Ampio e tenuto) - and has an approximate duration of 14 minutes. The spaciousness and transparency of its textures the clearness of its harmony and a general calm and quiet tone of the first and final parts set a contrast with the vigour and rhythmical vividness of its central scherzo. During the course of the piece the shape of chamber writing coexists with the greatness of orchestral peaks. The last section embraces a lower and expressive tone which ends with a great chorale that will lead to a more contemplative coda which fades into silence. Sadness for the devastating tsunami that struck Japan on those same days was present in the mind of the author at the time of writing this movement. It shows the accused dramatic quality (especially in the third piece) which dominate the orchestral writing of the composer from Sabadell enriched by a pitch atmosphere of neo-impressionistic quality and a healthy rhythmical energy. The concert version contributed with intensity and performance depth which we hope to deepen in future performances and which motivated the greeting of Casablancas. - German Gan Audio Clasica

20 favorite Scottish and Irish tunes brilliantly arranged for fingerstyle ukulele by Rob MacKillop. Titles include such well-known session tunes as Drowsy Maggie The Kesh Jig The Connaught Man's Rambles and The Wind That Shakes The Barley. Rob is a master of the campanella style of ukulele fingering which exploits the unique tuning of the ukulele and which helps these airs jigs and reels flow across the fingerboard effortlessly at times sounding like a small Celtic harp. The audio download available online contains all 20 pieces performed by Rob MacKillop hailed in Celtic World as 'One of Scotland's finest musicians'. 20 favourite Scottish and Irish tunes brilliantly arranged for fingerstyle Ukulele by Rob MacKillop . Titles include such well-known session tunes as Drowsy Maggie The Kesh Jig The ConnaughtMan's Rambles and The Wind That Shakes The Barley . Rob is a master of the campanella style of Ukulele fingering which exploits the unique tuning of the ukulele and which helps these airs jigs and reelsflow across the fingerboard effortlessly at times sounding like a small Celtic Harp. The audio download available online contains all 20 pieces performed by Rob MacKillop hailed in Celtic World as 'One of Scotland'sfinest musicians'.

Paperback-for SATB unaccompanied With its voluptuous harmonies and sinuous part writing Pott presents a delicious setting of this beautiful and evergreen hymn text. Despite its apparent chromaticism it remains modal in flavour and very approachable. This is sensual music and would be a wonderful choice as a communion motet or wedding piece. With its voluptuous harmonies and sinuous part writing Pott presents a delicious setting of the beautiful and evergreen Ubi Caritas hymn text. Despite its apparent chromaticism it remains modal in flavour and very approachable. This is sensual music and would be a wonderful choice as a communion motet or wedding piece.

Composed in 2012 Deux Hommages was written for and is dedicated to the Raschèr Saxophone Quartet. This 12 minute piece by the Albanian-born British composer Thomas Simaku is based on the idea of a line seen and heard from different perspectives. Composed in 2012 Deux Hommages was written for and is dedicated to the Raschèr Saxophone Quartet. This 12 minute piece by the Albanian-born British composer Thomas Simaku is based on the idea of aline seen and heard from different perspectives.

James Weeks ' Softest Numbers for Violin and Piano. Composed and published 2014. Duration: 3'30 Written for the Ives Song transcription project at the Guildhall School of Music and Drama London: Ives' Cradle Song (1919) is used as source material. First performed there on 23rd November 2014 by Amarins Wierdsma (Violin) and Aaron Burrows (Piano). James Weeks ' Softest Numbers for Violin and Piano. Composed and published 2014. Duration: 3'30' Written for the Ives Song transcription project at the Guildhall School of Music and Drama London: Ives' Cradle Song (1919) is used as source material. First performed there on 23rd November 2014 by Amarins Wierdsma (Violin) and Aaron Burrows (Piano).

for SSAA double choir unaccompanied Gustav Holst 's Ave Maria for SSAA double choir unaccompanied.

Tomás Luis de Victoria (1548-1611) was one of the last representatives of the ‘prima prattica’ the polyphonic style which was dominant in the period music history has labelled the ‘renaissance’. Vol. 4 of these 52 motets for voice.

George Nicholson's String Quartet No.5 . George Nicholson was born in County Durham in 1949 and studied at the University of York with David Blake and Bernard Rands receiving his doctorate in 1979. For ten years he pursued a freelance career in London before being appointed Lecturer in Music and Director of Composition at Keele University in 1988. In January 1996 he took up the post of Senior Lecturer in Composition at Sheffield University. George Nicholson's String Quartet No.5 . George Nicholson was born in County Durham in 1949 and studied at the University of York with David Blake and Bernard Rands receiving his doctorate in 1979. For ten years he pursued a freelance career in London before being appointed Lecturer in Music and Director of Composition at Keele University in 1988. In January 1996 he took up the post of Senior Lecturer in Composition at Sheffield University.

For SATTBB unaccompanied With a text by the composer this secular carol is a true celebration of all that we love about the festive season. Owain Park's arrangement presents a new take on this Christmas classic drawing on Rutter's evocative orchestral colours to create this characterful and heart-warming arrangement for a cappella voices. This arrangement of The Very Best Time of Year has been recorded by The Choir of Trinity College Cambridge conducted by Stephen Layton on the album Yulefest! (Hyperion CDA68087).

22 Classical English songs for high voice (soprano or tenor) with original piano accompaniments. The collection is devoted to the serious songs of the period composed for domestic performance. This relatively unknown repertoire is of striking variety and quality and extremely lyrical melodious and eminently singable. Twenty-five Classical English songs for high voice composed by Haydn Hook Arnold Linley Salomon and others with accompaniments Piano Harpsicord or Harp.

The Cambridge Singers Hymn Series-for SATB and harp or piano In this arrangement of the traditional Irish hymn Rutter sets the 8th-century text (in its English translation) to the Irish folk melody known as Slane the tune to which it has been sung since 1919. An alternative setting of the text to original music by John Rutter is also available from Oxford University Press. Be Thou My Vision arranged by John Rutter for SATB choir and Harp or Piano. In this arrangement of the traditional Irish hymn Rutter sets the 8th-century text (in its English translation) to the Irish folk melody known as Slane the tune to which it has been sung since 1919. An alternative setting of the text to original music by John Rutter is also available from Oxford University Press.

Musica Para Un Codice Salmantino one of the most important works in Joquin Rodrigo's search for more objectivity and less nationalism was composed in 1952. Duration approx. 14 minutes. The Orchestration includes: Piccolo Flute English Horn Trumpet Horn Harp Solo Bass Chorus (Soprano Alto Tenor Bass) Strings Musica Para Un Codice Salmantino one of the most important works in Joquin Rodrigo's search for more objectivity and less nationalism was composed in 1952. Duration approx. 14 minutes. The Orchestration includes: Piccolo Flute English Horn Trumpet Horn Harp Solo Bass Chorus (Soprano Alto Tenor Bass) Strings

Written for clarinet and piano.

BACH : Prélude BWV 939 - BACH W.F. : Menuet - BARTOK : Danse des paysans slovaques - Jeu - Jeu d'enfants - Pour les enfants n°2 - Pour les enfants n°15 - BEETHOVEN : Ecossaise - Sonatine en Sol Majeur - CHOSTAKOVITCH : Histoire gaie - Valse - CLEMENTI : Rondo Op.36 n° 2 - Sonatine en Ut Majeur Op.36 n° 1 - GRETCHANINOV : Chevaux de bois - Que ne suis-je grand ! - Sur le pré - GURLITT : Novelette - HAYDN : Allegro - Danse allemande n°1 en Ré - Danse allemande n°2 en Fa - Final - Menuet Hob. XVI 8 - KABALEVSKI : Clowns - Prélude - Valse - KHATCHATOURIAN : Andantino - LUTOSLAWSKI : Il y a un petit sentier - MOZART : Ariette - Menuet KV 7 - Valse favorite - PAPP : Valse -PROKOFIEV : Historiette - ROSSIGNOL : La Planète où dansent les fourmis bleues - SCHUMANN : Marche militaire - Mélodie - Le Petit cavalier - Petite pièce - Premier chagrin - STEIBELT : Ländler - TCHAIKOVSKI : Vieille chanson française - TELEMANN : Menuet Charles Hervé 's De Bach A Nos Jours is a collection of some of the finest works by some of the greatest composers of all time. The classic pieces of music from yesterday and today are included in thissheet music songbook letting you learn from the grand masters. Arranged for Solo Piano.

A beautiful and warming piece for Spring and the first shoots and buds full of imagery. This work for High Voice B Flat Clarinet and Piano by the ever popular Betty Roe with words by Rita Ford is uncomplicated yet most satisfying to perform. A beautiful and warming piece for Spring and the first shoots and buds full of imagery. This work for High Voice B Flat Clarinet and Piano by the ever popular Betty Roe with words by Rita Ford is uncomplicated yet most satisfying to perform.

Stepping Stone Was Written By Paul Mealor For The Charity ‘Maggie’S’ And Was First Performed At The New Maggie’S Centre Aberdeen By Jillian Bain Christie (Soprano) And Flora Bramwell (Harp) In The Presence Of Hrh The Duchess Of Cornwall. Stepping Stone was written by Paul Mealor for the charity ‘Maggie’s’ and was first performed at the new Maggie’s Centre Aberdeen by Jillian Bain Christie (Soprano) and Flora Bramwell (Harp) in the presence of HRH The Duchess of Cornwall.

This Quartet was commissioned by the Delme String Quartet to whom it is dedicated. First performed by the Quartet London 1982. Duration 20 minutes. A Score is also available for sale.

Peter Aston was an English composer and was best known for his choral works. This piece Three Shakespeare Songs was written in 1965 and is for Soprano Solo and SA chorus (unaccompanied).

'Andante and Hungarian Rondo' for Viola and Piano transcribed by Alan Arnold. 'Andante and Hungarian Rondo' for Viola and Piano transcribed by Alan Arnold.

Four-part song from the cantata 'King Olaf'. Words by Longfellow. Piano accompaniment for rehearsal use only. Four-part song from the cantata 'King Olaf'. Words by Longfellow. Piano accompaniment for rehearsal use only.