For Double Chorus (SSA + SATB) and Percussion (2 players)-Percussion Parts for Tarik O'Regan's Night City for double chorus (SSA + SATB) and percussion (2 players). Also Available: NOV162404: Full scoreNOV162404-02: Vocal score Percussion Parts for Tarik O'Regan's Night City for double chorus (SSA + SATB) and percussion (2 players). Also Available: NOV162404: Full scoreNOV162404-02: Vocal score

For Voice and Piano For Voice and Piano

for unison upper voices SATB and piano The music is shared at first between the upper-voice and mixed choirs before they come together the one a delicious countermelody to the other. The music is quite simply beautiful in keeping with the words and possesses that elusive quality of seeming to have always existed. The upper-voice part is available separately. A carol scored for Upper Voice Choir SATB and Piano by Bob Chilcott . The music is shared at first between the upper-voice and mixed choirs before they come together the one a delicious countermelody to the other. The music is quite simply beautiful in keeping with the words and possesses that elusive quality of seeming to have always existed.

Commissioned by the Harrogate International Festival. Written for and dedicated to Alexander Baillie. Duration 21 minutes. Includes score and part.

Ave Maria Gratia Plena by Josquin Des Prés for SATB choir.

A selection of light-hearted and decidedly tongue-in-cheek settings by Jeremiah Clarke all written for voice with piano accompaniment and presented in the original keys.

Serenade In E Op.22 by Antonín Dvorák. Set of string parts - 4 violin 1 3 violin 2 2 viola 2 cello 1 double bass - string orchestra.

A delightful and extensive collection of dearly loved and time honored hymns and gospel tunes creatively arranged to be enjoyed and successfully played at any skill level. The tunes are written out in music notation and in standard dulcimer tablature that is clear and easy to read. Chord symbols are included for accompanying instruments as well as the lyrics for singing along. The thoughtful and intentional use of the Ionian (DAA ) Mixolydian (DAD) and Reverse Ionian (DGD) tunings will encourage flexibility and expand the use and understanding of different melodic modes and accompanying chord shapes.- Dearly loved and time honored hymns and gospel tunes- Creativelyarranged to be enjoyed and successfully played at any skill level- Written in music notation as well as in standard dulcimer tablature - Includes tunes in DAA DAD and DGD to expand the use and understanding of different tunings and modes- Includes lyrics for singing along. A delightful and extensive collection of dearly loved and time honored hymns and gospel tunes creatively arranged to be enjoyed and successfully played at any skill level. The tunes are written out in music notation and instandard dulcimer tablature that is clear and easy to read. Chord symbols are included for accompanying instruments as well as the lyrics for singing along. The thoughtful and intentional use of the Ionian (DAA ) Mixolydian(DAD) and Reverse Ionian (DGD) tunings will encourage flexibility and expand the use and understanding of different melodic modes and accompanying chord shapes. •

A passacaglia written by Johann Halvorsen based on a bass line by George Frideric Handel.

Trumpet Edition-Saxophonist John Coltrane was one of the most innovative creative and influential jazz artists of the 20th Century. Both stylistically and harmonically he opened doors for others to follow. This book will focus on the first period of Coltrane 's career when he was with Miles Davis and the jazz vocabulary he used. First to help the student better understand Coltrane 's bebop style of improvising the authors discuss the use of guide tones bebop scales three to flat nine targeting and other techniques. Then the text presents numerous one- two- and three-measure jazz lines in Coltrane 's style grouped by the harmony over which they can be used. The accompanyingplay-along CD provides the rhythm parts for each section including a track for each section that modulates through the cycle of fourths helping you master the phrases in all keys. By combining various lines musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions turnarounds and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane . Saxophonist John Coltrane was one of the most innovative creative and influential jazz artists of the 20th Century. Both stylistically and harmonically he opened doors for others to follow. This book will focus onthe first period of Coltrane 's career when he was with Miles Davis and the jazz vocabulary he used. First to help the student better understand Coltrane 's bebop style of improvising the authors discuss theuse of guide tones bebop scales three to flat nine targeting and other techniques. Then the text presents numerous one- two- and three-measure jazz lines in Coltrane 's style grouped by the harmony over whichthey can be used. The accompanying play-along CD provides the rhythm parts for each section including a track for each section that modulates through the cycle of fourths helping you master the phrases in all keys. Bycombining various lines musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions turnarounds and other harmonic situations. Incorporate these essential jazz lines into yourvocabulary and you will be able to create your own lines in the style of John Coltrane .

Arrangement for Viola and Piano by Alan Arnold. Arrangement for Viola and Piano by Alan Arnold.

Eduardo Toldra (1895-1962) was a forefront figure of Catalan music and an all-round complete artist - he was a composer a violinist and a conductor. His emblematic work Vistas Al Mar is a masterpiece for strings. A noteworthy feature of the work is the transparent luminosity of the outer movements and the contemplative nocturne second movement which depicts a warm calm atmosphere and must be one of the high points of this composer's output. This is the score for this work.

for SATB congregation (opt.) organ/brass Praise To The Lord The Almighty arranged by John Rutter for SATB choir congregation (opt.) and Organ/Brass.

Itself Is All The Like It Has by Tarik O'Regan has been adapted from 'Love Reckons by Itself Alone' which was originally commissioned by ASHINAGA for the At Home in the World concerts. Scored for Unaccompanied SATB Choir the work is a setting of a poem by Emily Dickinson and lasts around 7 minutes. Itself Is All The Like It Has by Tarik O'Regan has been adapted from 'Love Reckons by Itself Alone' which was originally commissioned by ASHINAGA for the 'At Home in the World' concerts. Scored for Unaccompanied SATB Choir the work is a setting of a poem by Emily Dickinson and lasts around 7 minutes.

Adapted from an old Fench song by Robert Elkin using words by Georgina Tanner. For unison voices and piano accompaniment.

A comprehensive 96-page large print perfect-bound chord dictionary for today's rock guitarist. Contains power chord forms barre chords and essential rhythm chord forms in all keys. A comprehensive 96-page large print perfect-bound chord dictionary for today’s rock guitarist. Contains power chord forms barre chords and essential rhythm chord forms in all keys.

Volume I - Songs 1911-1919-The Peter Warlock Critical Edition series represents a treasure trove of English song. This the first volume focuses upon songs for the High Voice from the period 1911-1919. The songs of Peter Warlock are inspiring and intriguing pieces that rank him with the greatest English composers of all time. This is truly a superb collection of some of the best of his work painstakingly and meticulously edited by Michael Pilkington. This revised Critical Edition is an accurate faithful and exhaustive volume that maintains Warlock’s original keys and intentions. With thirteen songs each featuring an in-depth commentary this is a tremendousacquisition for any enthusiasts of English song.

for SATB and piano four-hands or orchestra This short energetic piece sets words by contemporary hymn-writer Mary Louise Bringle. The text is full of positivity and hope and Wilberg's use of a 7/8 time signature keeps the verses propelling forward joyously while undulating quavers shape the refrains. Mack Wilberg 's Light Dawns On A Weary World for SATB choir and Piano four-hands or Orchestra. This short energetic piece sets words by contemporary hymn-writer Mary Louise Bringle . The text is full of positivity and hope and Wilberg 's use of a 7/8 time signature keeps the verses propelling forward joyously while undulating quavers shape the refrains. Several key changes are supported by a continuously rhythmic accompaniment in the form of Piano duet or large Orchestra and an instrumental interlude precedes the third and final verse.

Work for Organ.

Spanish clarinettist composer and teacher Antonio Romero y Andia was born in 1815 in Madrid. He made his debut at 14 and later became solo clarinettist and music director of the Royal Court Orchestra. He is now remembered primarily for the Clarinet key system that bears his name as his compositional works though high quality were few in number. From 1849-1876 Romero was the Clarinet Professor at the Madrid Conservatory where he wrote his Complete Clarinet Method . Over 150 years later it is still in popular use by schools and conservatories all over the world. Spanish clarinettist composer and teacher Antonio Romero y Andia was born in 1815 in Madrid. He made his debut at 14 and later became solo clarinettist and music director of the Royal Court Orchestra. He is now remembered primarily for the Clarinet key system that bears his name as his compositional works though high quality were few in number. From 1849-1876 Romero was the Clarinet Professor at the Madrid Conservatory where he wrote his Complete Clarinet Method . Over 150 years later it is still in popular use by schools and conservatories all over the world.