Work for Violin and Piano composed in 1949.

Franz Schubert’s song Ave Maria is among his very most famous works and one of the best-loved works of he classical repertoire. In this version published by the Spanish Musical Union in 1945 the song has been adapted for solo Piano and the key transposed from B flat to C.Schubert’s Ave Maria was originally composed in 1825 as one of seven songs created from the epic poem The Lady of the Lake by Walter Scott written to set the German translation of the work. The song was fairly quickly adapted for the words of the Catholic prayer Ave Maria and the Schubert melody is now frequently performed in the religious context.Franz Schubert’s song Ave Maria is among his very most famous works and one of the best-loved works of he classical repertoire. In this version published by the Spanish Musical Union in 1945 the song has been adapted for solo Piano and the key transposed from B flat to C.Schubert’s Ave Maria was originally composed in 1825 as one of seven songs created from the epic poem The Lady of the Lake by Walter Scott written to set the German translation of the work. The song was fairly quickly adapted for the words of the Catholic prayer Ave Maria and the Schubert melody is now frequently performed in the religious context.

for SATB and organ This easy and accessible anthem sets a colourful text by St Francis of Assisi praising all God's works. Full of lively rhythms and vivid word-painting this piece is great fun to sing. This easy and accessible anthem sets a colourful text by St Francis of Assisi praising all God's works. Full of lively rhythms and vivid word-painting this piece is great fun to sing.

for SATB unaccompanied This compact anthem for unaccompanied choir is the result of another successful collaboration between Bob Chilcott and the poet Charles Bennett. Well-crafted and tender melodic lines are shared between the 'two friends' to good effect. Bob Chilcott 's Two Friends for SATB choir unaccompanied. This compact anthem for unaccompanied choir is the result of another successful collaboration between Bob Chilcott and the poet Charles Bennett . Well-crafted and tender melodic lines are shared between the 'two friends' to good effect. Two Friends is dedicated to the Sitwell Singers Derby and their conductor Malcolm Goldring on the occasion of the choir's 50th anniversary October 2016.

A suite of five colourful and evocative movements suggesting organ music associated with films circuses and shows. Duration: 7 mins. Grade: 7 - 8

The Unión Musical Española and Unión Musical Ediciones have continually fostered the development of Spanish music. They have published works by all the major 20th-century Spanish composers Graciano Tarragó being a very notable among these. This is the first volume of popular songs from around Spain and contains 15 terrific pieces set for Guitar Voice and Guitar or Voice and Piano with both options included here. The Unión Musical Española and Unión Musical Ediciones have continually fostered the development of Spanish music. They have published works by all the major 20th-century Spanish composers Graciano Tarragó being a very notable among these. This is the first volume of popular songs from around Spain and contains 15 terrific pieces set for Guitar Voice and Guitar or Voice and Piano with both options included here.

Full Score-Nico Muhly's No Uncertain Terms for Ensemble. Nico Muhly's No Uncertain Terms for Ensemble. Duration: 16 minutes

The title Par-feshani-ye 'Eshq translates in English to The Fluttering Wings Of Love and was taken from a text by the 18th century Sufi poet Bidel . Each brief movement takes a couplet from the poem as inspiration drawing on an extraordinary array of images of clay pots on waterwheels a nightingale’s fluttering wings weighty fetters links and the world’s garden roses. The work is dedicated to friends Renée Reznek and Bruce Wannell. Bruce introduced Harrison to the poetry of Bidel and Renée had the privilege of performing the piece on its premiere performance. Australian born freelance composer and performer Sadie Harrison ’s unique fusion of elements from indigenousLithuanian music and poetry with her own modernist often abrasive style have led her to be compared with Bartok but with her own warmth and grandeur. Since 2012 Harrison has been working alongside a long list of well accomplished musicians; Paul Carey Peter Sheppard Skaerved Sergej Okrushko Alex South Duncan Honeybourne are among many who have had the privilege work with Harrison so far. Performances of Harrison 's works have been given across the world by Lontano London Chamber Symphony Music Projects/ London Ixion Okeanos Bournemouth Sinfonietta Kokoro and the St. Christopherus Chamber Orchestra and many others. The title Par-feshani-ye 'Eshq translates in English to The Fluttering Wings Of Love and was taken from a text by the 18th century Sufi poet Bidel . Each brief movement takes a couplet from the poem as inspiration drawing on an extraordinary array of images of clay pots on waterwheels a nightingale’s fluttering wings weighty fetters links and the world’s garden roses. The work is dedicated to friends Renée Reznek and Bruce Wannell. Bruce introduced Harrison to the poetry of Bidel and Renée had the privilege of performing the piece on its premiere performance. Australian born freelancecomposer and performer Sadie Harrison ’s unique fusion of elements from indigenous Lithuanian music and poetry with her own modernist often abrasive style have led her to be compared with Bartok but with her own warmth and grandeur. Since 2012 Harrison has been working alongside a long list of well accomplished musicians; Paul Carey Peter Sheppard Skaerved Sergej Okrushko Alex South Duncan Honeybourne are among many who have had the privilege work with Harrison so far. Performances of Harrison 's works have been given across the world by Lontano London Chamber Symphony Music Projects/ London Ixion Okeanos Bournemouth Sinfonietta Kokoro and the St. Christopherus Chamber Orchestra and many others.

The purpose of this violin songbook is to provide the beginning violin player with a repertoire of 101 familiar and easy to play tunes written for violin. All the songs are written specifically for violin utilizing dynamics expression markings and articulations. Key signatures for the songs are in a comfortable range suitable for the beginning violin player.This songbook is an ideal supplement to any elementary violin method book. Most of the songs are appropriate for performance at concerts recitals and contests. Private teachers will assign one or two of the songs from this book at each lesson. The songs will help the beginning violin student to develop fingeringtechnique rhythm reading ability and confidence. The purpose of this Violin songbook is to provide the beginning Violin player with a repertoire of 101 familiar and easy to play tunes written for Violin. All the songs are written specifically for Violin utilizing dynamics expression markings and articulations. Key signatures for the songs are in a comfortable range suitable for the beginning Violin player. This songbook is an ideal supplement to any elementary Violin Method book. Most of thesongs are appropriate for performance at concerts recitals and contests. Private teachers will assign one or two of the songs from this book at each lesson. The songs will help the beginning Violin student to develop fingeringtechnique rhythm reading ability and confidence.

Arranged for TTBB Choir and Piano by Hawley Ades.

Christmas - the most wonderful time of the year! The whole world stands still people come together making time for one another and celebrating the birth of Jesus Christ. World famous tunes and pop songs are about this most beautiful of all holidays moving us anew every year. In the present fourth volume of the Vocal Lounge series Carsten Gerlitz celebrates a 'Loungy Christmas' with all of us and the greatest Christmas hits.

From the opera La Cenerentola and written for Contralto voice and Piano. From the opera La Cenerentola and written for Contralto voice and Piano.

Volume 1-A selection of Folksong arrangements by E.J. Moeran .

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

Kol Nidrei was originally composed by Max Bruch for Cello and Orchestra. Here Alan Arnold has arranged this piece for Viola and Piano accompaniment. Alan Arnold the upstate New York resident is renowned for his arrangements and compositions solely for Viola dedicating his whole business aptly named Viola World to specialising in works for Viola.

Elisabeth Lutyens ' The Numbered : an opera in Prologue and Two Acts. For 13 singers 2 trebles 3 male speakers mixed chorus and orchestra. Based on the play ‘Die Befristeten’ by Elias Canetti (trans. Carol Stewart). Music: Elisabeth Lutyens Libretto: Minos Volonakis. Composed 1965/67. Duration: 135'. Elisabeth Lutyens ' The Numbered : an opera in Prologue and Two Acts. For 13 singers 2 trebles 3 male speakers mixed chorus and orchestra. Based on the play ‘Die Befristeten’ by Elias Canetti (trans. Carol Stewart). Music: Elisabeth Lutyens Libretto: Minos Volonakis. Composed 1965/67. Duration: 135'.

Soprano Chamber Orchestra (Full Score). Brettingham Smi

For Flute/Piccolo Oboe Clarinet in Bb Bassoon and Horn in F. For Flute/Piccolo Oboe Clarinet in Bb Bassoon and Horn in F.

The beautiful harmonies leitmotifs and chromaticism that runs throughout 'Tristan and Isolde ' makes it one of Wagner's more representative pieces. It was composed between 1857 and 1859 and 'Vorspiel Und Liebestod' is arranged here for the organ.

Spiritual for SSA and piano The Gospel Train ‘s a-comin’ is a wonderful lively and exuberant spiritual for Upper Voice Choir. This fantastic setting for SSA choir with Piano Accompaniment and the usual Gospel gusto! was arranged by Brian Trant for the Hayes Girls’ Choir.