For Trombone MIDI Keyboard and Electronics. For Trombone MIDI Keyboard and Electronics.

15 Sacred Carols And Christmas Hymns-This collection presents fifteen of the best-loved sacred carols and Christmas hymns which can be sung as a set (to form a complete Christmas service or concert) separately or with certain pieces taken out to suit the needs of a particular service or concert. Scores and parts for the instrumental accompaniments are available on sale and hire. This collection presents fifteen of the best-loved sacred carols and Christmas hymns which can be sung as a set (to form a complete Christmas service or concert) separately or with certain pieces taken out to suit the needs of a particular service or concert. Scores and parts for the instrumental accompaniments are available on sale and for hire.

An easy rock and roll style setting for SATB or two-part upper voices and either piano drums (optional) and double bass/bass guitar or orchestra. Orchestral material is available on hire. An easy rock and roll style setting for Two-Part upper voices and Piano with optional parts for Double Bass and Drums.

In 5 sections Charles Wood's St Mark Passion was composed over the course of nine days in August 1920 and it received its first performance the following Passiontide in King's College Chapel Cambridge. The work calls for solo tenor (evangelist) solo baritone (Jesus) chorus and organ as well as minor roles for five solo basses and two solo trebles.

For alto solo TTBB chorus and piano. English words by W.G. Rothery. A5 Size.

London with its bustling musical scene always provided Haydn with welcome surroundings at a time when the flute was extraordinarily popular among English amateurs. The Earl of Abingdon an accomplished flautist undoubtedly enjoyed playing these entertaining trios. Abingdon was a member of Haydn’s circle of acquaintances in London and a composer in his own right: a theme from one of his songs (“The Lady’s Mirror”) served Haydn for a set of variations in the second trio. Neither men could have foreseen the huge success that these cheerful and straightforward pieces would enjoy among music-lovers all over the world.? London with its bustling musical scene always provided Haydn with welcome surroundings at a time when the Flute was extraordinarily popular among English amateurs. The Earl of Abingdon an accomplished flautist undoubtedly enjoyed playing these entertaining trios. Abingdon was a member of Haydn ’s circle of acquaintances in London and a composer in his own right: a theme from one of his songs (“The Lady’s Mirror”) served Haydn for a set of variations in the second trio. Neither of the men could have foreseen the huge success that these cheerful and straightforward pieces would enjoy among music-lovers all over the world.

For soprano solo and SSA choir. For soprano solo and SSA choir.

POD-Julian Marshall 's The Voice Of The Ancient Bard is a work for Unaccompanied SATB Choir that sets a poem by William Blake from 'Songs of Experience'. A performance lasts around 3 and a half minutes. Julian Marshall 's The Voice Of The Ancient Bard is a work for Unaccompanied SATB Choir that sets a poem by William Blake from 'Songs of Experience'. A performance lasts around 3 and a half minutes.

These three pieces form a very short instrumental opera based on the life of James Reid a bagpiper in Prince Charlie's Jacobite army who was captured by the English in 1746 and executed after a judge had classified the bagpipes as a weapon. This piece is a string trio version of Sketches from a Bagpiper's Album (1984) for clarinet and piano scored for Violin Cello and Viola. Duration: c. 8 minutes. Score and parts included.

John Joubert 's Three Hymns To St Oswald . Vocal score.

When Christa Landon presented the first printed version of her edition of Joseph Haydn 's Piano sonatas Haydn 's sonata oeuvre was still overshadowed by the works of Mozart and Beethoven. Since then Haydn 's sonatas have progressed from the teaching rooms to the concert halls and Landon's edition has played a crucial role in that process. The Haydn anniversary in 2009 is a welcome occasion to thoroughly revise this 'legendary' edition for over the course of more than forty years new sources have come to light and questions of authenticity have been resolved not least because the editorial principles for 18th-centurymusic have changed considerably. The new edition comprises all works of the previous Wiener Urtext edition plus the sonata Hob. XVI:16 edited by Landon along with the Sonata in F major which was rediscovered in Bozen a few years ago and attributed to Joseph Haydn . The new edition is published in four volumes the content of each volume being compatible with the volumes of the previous edition. Volumes 1 and 2 contain the early sonatas. In the Notes on Interpretation Robert D. Levin explains important aspects of Haydn 's performance practice.

Uses: Unity Sunday General Scripture: Epheisans 4:2-7; Mark 12:30-31 Pepper Choplin is a master at capturing the traditional sounds of Americana and infusing them into his work to add just the rightflavor. Circle of Love sounds like a traditional folk tune but it is fresh and new and quite memorable. The unending nature of the circle is heard in both melody and accompaniment and the open unresolved final chordfurther emphasizes that love like a circle goes on and on.

Psalms of King David-3-part choir Bass Orchestra (Vocal Score). Wagner-regeny R 3-part choir Bass Orchestra (Vocal Score). Wagner-regeny R

First Grade Studies-This book is intended to lay a foundation in technique for the First Grade piano student. Only elementary pianistic figures have been employed built for the most part on five-finger groups and broken triads. Intended to supplement John ThompsonsFirst Grade Book.This book is intended to lay a foundation in technique for the First Grade piano student. Only elementary pianistic figures have been employed built for the most part on five-finger groups and broken triads. Intended to supplement John Thompson's First Grade Book.

A musical drama composed in 1745. Words by Thomas Broughton.

With words by Henry Kingsley. For female voices.

Wolfgang Amadeus Mozart 's Varations . Volume 1.

The festive text of Psalm 150 has been set in many styles over the centuries and here is a new setting of the translation from the Alternative Service Book. This arrangement is taken directly from High Praise (NOV032118).

Three wonderful characterful pieces by Betty Roe for Two-Part Upper voices and Piano accompaniment. These bright songs are based on texts by the Poet Charles Causley. This set is suitable for Children's voices and the subject matter will inspire and entertain them too! Adults meanwhile will be reminded fondly of childhood games and thoughts.

The text is drawn from the various editions of Whitmans's 'Leaves of grass' (1855-97) and interspersed with excerpts from 'Specimen Days'. Together they form an autobiography in which both singer and pianist are Whitman at various stages of his life.