HWV 283- Handel 's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel ’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition. The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed. This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition. First Urtext edition Includes a Foreword (Eng/Ger) Straight-forward well-presented Piano reduction (Eng) Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale

Strings Together-String Orchestra (Score & parts). Foxley S

Op. 22- Composed in 1800 and published as a “Grande Sonate” Beethoven’s Piano Sonata in B-flat major Op.22 marks the end of his first creative period. The only surviving handwritten source is a copyist’s manuscript that served as an engraver’s copy but which conflicts in many details with the original print. Beethoven held this sonata in especially high regard proudly calling it “a real challenge” in a letter of 15 January 1801 to his publisher Franz Anton Hoffmeister. Indeed it manifests the quintessence of classical formal principles: its proportions are balanced its four-movement structure consummately designed. It poses high demands on flawless technical brilliance andlightness of execution. For his new Urtext edition the world-renowned Beethoven scholar Jonathan Del Mar has examined meticulously all available sources and presents a reliable musical text. The elegant layout and advantageous page turns further add to the quality of the edition which also includes a detailed Critical Commentary an informative Preface and indispensable information on performance practice (ties and slurs dynamics accents). Scholarly-critical Urtext edition at the cutting edge of scholarship Optimal page turns Informative Introduction with valuable suggestions on period performance practice (Eng/Ger) Includes a Critical Commentary (Eng)

Vendânger. Instrumentation: Mixed choir 0.2.2.2/4.3.3.1/timp/org. BVN357 Vendânger. Instrumentation: Mixed choir 0.2.2.2/4.3.3.1/timp/org. BVN357

Clarinet and Piano-A collection of arrangements for Clarinet and Piano of themes from many of the most popular classics as featured in the hugely successful recording compilations.

Nocturne Et Sicilienne by Armando Ghidoni is a piece for Alto Saxophone and Piano. Lasting 5 minutes this lyrical piece is perfect for a recital or a contest and is thoroughly enjoyable to play. The level of difficulty is medium: we would recommend the piece to upper-intermediate players. The Alto Saxophone can be replaced by a Soprano or Tenor Saxophone and the Piano by a Harp. Armando Ghidoni is a French composer with Italian origins who plays Saxophone and Flute. He has been edited by Alphonse Leduc since 1989.

4 Saxophones - S.A.T.B.- for SATBar saxophone quartet

Tafelmusik I - Full score from the Telemann Selected Musical Works Edition Georg Philipp Telemann (1681-1767) Musical Works Edited by Martin Ruhnke und Wolf Hobohm in cooperation with the Telemann Conservation and Research Centre in Magdeburg This edition is designed to present researchers and performers with a representative selection of the works of Georg Philipp Telemann in reliable scholarly editions. It will contain characteristic works from each genre of the composer's voluminous œuvre including chamber music instrumental concertos orchestral suites pieces for keyboard instruments church cantatas Passion settings motets psalms masses sacred concertos operas oratorios secular cantatas songs and arias. Each volume contains a preface several facsimile reproductions from the source material and a critical report. The suitability of the edition for performance purposes is emphasized by the instrumental parts accompanying the volumes of chamber music.

POD-Man skal lege med de Ting (Amdi Riis / Epe / Poeten) 2. Be-Bop (Sven Gyldmark / Mogens Dam) Sommer-Revyen 1948 - Frederiksberg Teater for Voice and Piano. Songs by Amdi Riis og Sven Gyldmark with lyrics by EPE & Poeten and Mogens Dam.

The edition is part of the ABRSM syllabus (grade 6) Philip Heseltine was born in London in 1894. In his short life he won public acclaim for the songs he wrote under the pseudonym Peter Warlock. Undoubtedly he was the composer of some of the finest of all English solo songs remarkable for their intensity memorable tunes and harmonic individuality. This fantastic album features 14 of Warlock's settings of English poems and delightfully convey not only the meaning and rhythm of the words but something of the atmosphere and charm of the period. For Medium Voice and Piano Accompaniment.

Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza 's compositions were well-received by audiences Récit Sicilienne and Rondo for Bassoon and Piano being no exception. This Bozza piece for Bassoon is expressive and virtuosic displaying the entire range of the instrument accompanied by rhythmic quavers and spread chords in the Piano. As music educationalist Paul Griffiths has written of Bozza 's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.' Récit Sicilienne and Rondo for Bassoon and Piano is a highly suitable and exciting addition to the advanced bassoonist's repertoire.

Orpheus Brittanicus contains thirteen exemplary songs for High Voice with Piano accompaniment by the master of English Baroque Henry Purcell. These have been carefully arranged with the figured bass parts realised by Benjamin Britten and the vocal parts edited by Peter Pears.

This splendid ballad made pop history thanks to the gleaming performance of Julie Gold. A successful arrangement by our house arranger Georges Moreau that can be played by every orchestra.

Violin and Piano reduction.

Trois Pièces Pour Une Musique De Nuit is a set of three melodious pieces by Eugène Bozza written for Flute Oboe Clarinet and Bassoon. This book contains all the parts as well as the full score. The three pieces are quite distinctive: - Andantino: 6/8 - Allegro Vivo: 3/8 - tempo 104 - Moderato: 2/4 - tempo 72 This piece is highly representative of the compositions by Eugène Bozza . Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

Armando Ghidoni 's Concert-Trio for B Flat Clarinet Cello and Piano. This is the score and parts.

Work first published in 1950.

Gammes Pour Tous is a collection of scales arpeggios and other technical exercises for Saxophone composed by Serge Bichon . Featuring numerous articulations and practice pieces the aim of Gammes Pour Tous is to help young saxophonists to hone their technique while also controlling a precise quality of sound.

Entre août 1844 et janvier 1845 Mendelssohn compose ses Six sonates pour orgue Op. 65 . Véritable compendium de l’art de jouer de l’orgue chaque sonate possède une atmosphère particulière. L’ Andante religioso est le second mouvement de la Sonate n° 4 . La structure est légère et empreinte de poésie. La beauté du tissu musical réside dans la pureté et la puissance évocatrice de la ligne mélodique.

Francis Jackson's Exultet arranged for Organ.