Francis Jackson's Sixth Sonata arranged for Organ. Dr Francis Jackson CBE is a British organist and composer. He was born in Malton Yorkshire and received his early education as a Chorister at York Minster under his precursor the legendary Sir Edward Bairstow. Jackson succeeded Bairstow as Organist of York Minster in 1946 a post he held until his official retirement in 1982. His extensive output of sacred and secular music includes canticles anthems hymn tunes organ pieces two acclaimed monodramas an overture a concerto a symphony and solo songs. Jackson's creative output has continued since his retirement.

In Classic Hymns Philip Sparke has taken 10 of the best-loved hymn tunes popular around the world and used them as the basis of a collection of short recital pieces ranging from simple descant arrangements to a full-blown theme and variations. Ideal for concert or contest use these charming pieces range in mood from triumphal to reflective and can provide that ‘musical moment’ and a time for meditation in church services and religious occasions of all kinds.

Septet by Rued Langgaard (1915) BVN 95. Scored for Flute Oboe 2 Clarinets 2 Horns and Bassson. Parts are for hire: hire@ewh.dk Septet by Rued Langgaard (1915) BVN 95. Scored for Flute Oboe 2 Clarinets 2 Horns and Bassson. Parts are for hire: hire@ewh.dk

Bert Appermont composed Song for Sakiko during a stay in the cosmopolitan metropolis of Tokyo. Sakiko roughly translated means flower child and is associated with a dreamy poetic atmosphere. Appermont used theseassociations as a starting point while composing. Song for Sakiko starts with a very lyrical theme based on a minor third that forms the basis for the entire work. A second theme builds up to the grand finale which repeats the theme but in amajor key and the music slowly fades away like ripples on a pond as both themes can be heard dissipating into nothingness.

Franz Syberg's Praeludium Intermezzo and Fugato from 1934 for solo Organ. Franz Syberg's Praeludium Intermezzo and Fugato from 1934 for solo Organ.

Coronation Anthem for Mixed Choir and Orchestra-Zadok the priest and The King shall rejoice are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king's anointment HWV 260 his actual coronation. Thanks to their festive and majestic character befitting the occasion as well as their spacious scoring for large choir and orchestra it comes as no surprise that motifs from Zadok the priest have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based on the Urtext from the Halle Handel Edition. Zadok The Priest HWV 258 (BA10258) and The King shall rejoice HWV 259 (BA10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for large choir and orchestra it comes as no surprise that motifs from Zadok The Priest have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are thefirst to offer these two anthems based on the Urtext from the Halle Handel Edition. Bilingual Forewords (Ger/Eng). Idiomatic Piano reductions. Based on the Halle Handel Edition. Full score parts and vocal score available for sale.

Carmen Basiliense-Benjamin Britten's Cantata Academica: Carmen Basiliense was composed and didicated to the university of Basle for the celebration of its 500th anniversary. The Latin text was compiled from the charter of the university and from older orations in praise of Basle. SATB (Vocal Score) (Latin). Britten B

Basse-Choeur - Satb- B solo SATB chorus and orchestra (parts on hire)

Up! Good Christen Folk And Listen from Let The Angels Sing - 17 Christmas Carols arranged for mixed voices a cappella and recorder solo (optional) by Michael Bojesen (WH32760).

Klavierauszug fur Gesangssoli Gemischtchor und Klavier. Soli: SATB - Chor: SATB.

When writing his tuba concerto Philip Sparke wanted to create a work which explored the many aspects of the instrument’s technical and vocal qualities but without resorting to caricature. The result is a concerto in two joined movements which can both be programmed individually that contains both many lyrical lines together with stunning virtuosic passages. An outstanding concerto that tuba players and brass band audiences alike will enjoy and applaud.

Ufuldendt 2 Satser-Sonate (ufuldendt 2 satser) . BVN41 Sonate (ufuldendt 2 satser) . BVN41

Crucifixus for 8 Voices / 2 Choirs was composed by Bent Sørensen in 2015. Commissioned by Körcentrum SYD Malmø for Ensemble SYD and Daniel Hansson. Crucifixus for 8 Voices / 2 Choirs was composed by Bent Sorensen in 2015. Commissioned by Korcentrum SYD Malmo for Ensemble SYD and Daniel Hansson.

SA or AT recorders

In The Pioneers Philip Sparke salutes the bicentenary of an expedition by two all time American heroes - Meriwether Lewis and William Clark. They were commissioned by US President Thomas Jefferson to find the headwaters of the Missouri and a route to the Pacific following the Louisiana Purchase which doubled the size of the USA. They set out as the ‘Corps of Discovery’ from Louisville Kentucky in May 1804 and not only did they succeed in reaching the Pacific through hostile territory but also found their way back - in 3 years! The piece is not descriptive of the journey but gives the composer the opportunity to celebrate the 200th anniversary of this amazing feat. Add atouch of the wild-west to any concert with this exciting work.

This composition paints a picture of belligerent and brave Vikings. After a short introduction the lofty main theme is heard accompanied by sombre drum sounds. A brief idyllic passage follows that evokes a beautiful landscape. Gradually a heroicmelody is revealed leading to a great tutti in which the rousing main theme is heard once more. Return of the Vikings closes with the sound of heroic brass and festive chords.

No.1 - No.25

Les Moulins; Danse des Galèriens; L'Age d'Or; Les Comédiens et Finale (wind (3334+6431) alto saxophones 4 timpani percussion celeste bells glockenspiel xylophone guitar 2 harps and strings)

Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow May 2004. The piece reflects the composers fascination with the origins of theuniverse and deep space in general. The title comes from a theory formulated by Pythagoras that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. (‘Harmonia’ in Ancient Greek which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and thatthe planets each produced a musical note which combined toweave a continuous heavenly melody (which unfortunately we humans cannot hear). In this work these six notes form the basis of the sections Music of the Spheres and Harmonia . The pieces opens with a horn solo called t = 0 a namegiven by some scientists to the moment of the Big Bang when time and space were created and this is followed by a depiction of the Big Bang itself as the entire universe bursts out from a single point. A slower section follows called The Lonely Planet which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life and the constant search for other civilizations elsewhere in the universe. Asteroids and Shooting Stars depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet and the piece ends with The Unknown leaving in question whether our continuallyexpanding exploration of the universe will eventually lead to enlightenment or destruction. Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow May 2004. The piece reflects the composers fascination with the origins of the universe and deep space in general. The title comes from a theory formulated by Pythagoras that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. (Harmonia' in Ancient Greek which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the sixknown planets from the sun and thatthe planets each produced a musical note which combined to weave a continuous heavenly melody (which unfortunately we humans cannot hear). In this work these six notes form the basis of the sections Music of the Spheres and Harmonia . The pieces opens with a horn solo called t = 0 a name given by some scientists to the moment of the Big Bang when time and space were created and this is followed by a dep

Arranged and adapted by Andrea Cappellari. Include Backing Tracks CD.