The Danish folksong Det Var En Lørdag Aften arranged by Michael Bojesen for Soprano Recorder and SATB Choir. The Danish folksong Det Var En Lørdag Aften arranged by Michael Bojesen for Soprano Recorder and SATB Choir.

André Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life and he held the post of Professor of Composition from 1966-1970 at the Paris Conservatoire. Impromptu Fantasy for Alto Saxophone and Piano was published in 1953 and remains highly regarded. Jolivet himself a cellist wished to explore composition for all instruments and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality and the desire to associate the everyday with the magical and the human with the universal. Jolivet draws on acoustics and atonality as heard in his Impromptu Fantasy. Thepiece requires advanced skills due to its use of complex rhythms and harmonics. For all advanced saxophonists Jolivet provides an exciting alternative piece for the instrument's repertoire. André Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life and he held the post of Professor of Composition from 1966-1970 at the Paris Conservatoire. Fantaisie Impromptu for Alto Saxophone and Piano was published in 1953 and remains highly regarded. Jolivet himself a cellist wished to explore composition for all instruments and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality and the desire to associate the everyday with the magical and the human with the universal. Jolivet draws on acoustics and atonality as heard in his Fantaisie Impromptu. The piece requires advanced skills due to its use of complex rhythms and harmonics. For all advanced saxophonists Jolivet provides an exciting alternative piece for the instrument's repertoire.

A Tribute to Jules Verne (1828-1905)-Three Extraordinary Journeys was commissioned to mark the centenary of the death of the famous author Jules Verne. Based on three novels from his Voyages Extraordinaires series of travel stories the music aims to capture the excitement and adventure of these famous books. A fantastic new major concert or contest piece.

'The first day after Christmas my true love and I had a fight!' This humorous spoof addresses the use and disposal of those twelve famous gifts. Introducing new voicings and a professionally recorded SoundTrax CD with hilarious sound effects. This title is available in Music Prodigy.

for Solo Bb Euphonium and Brass Band- For a Flower is a very melodic and virtuosic solo work for euphonium and brass band. It opens with a gentle solo introduction on euphonium which develops into a grand hymnal theme. Following this comes a faster and more virtuosic section in a traditional Irish style with a varied dialogue between the band and the soloist. The work closes triumphantly with the hymnal theme of the opening. For a Flower showcases both the musical and technical capabilities of this wonderful instrument. The euphonium soloist must naturally master both skills: lyrical playing and virtuoso playing. For a Flower was commissioned by the Dutch euphonium virtuoso Robbert Vosand is dedicated to his wife Evi.

Jesu bleibet meine Freude from Cantata 147-Bach’s appointment as the Cantor at Leipzig’s Thomaskirche in 1723 required him to produce a new cantata for every Sunday service. Jesu Joy of Man’s Desiring is taken from his Cantata No.147 and is unusually elaborate treated more like an aria than a chorale. It is perhaps the best-loved cantata movement from Bach’s entire output and is a certain crowd pleaser for your concert programme.

“Récréation” and “divertissement” – relaxation and entertainment: those were the popular catchwords applied in the 19th century to arrangements of well-known and much loved pieces. They allowed larger scored compositions to find their way into theparlour or music lessons. The 26 duets in this volume are mostly taken from 19th century tutors though some have also been prepared by the editor. They include popular melodies by Mozart Haydn Gluck Weber Beethoven Mendelssohn Schubert Schumann and Chopin. These moderately difficult duets are suitable for ambitious beginners. The second part is generally played by the teacher. From the contents: W. A. Mozart “Das klinget so herrlich” (The Magic Flute) / F. Schubert “Lullaby” (op. 98 no. 2 D 498) / R. Schumann “Träumerei” (Scenes from Childhood) / F. Mendelssohn Bartholdy “Wedding March” (A Midsummer Night’s Dream) / F. Chopin “Waltz”(op. 64 no. 2) / L. van Beethoven “Freude schöner Götterfunken” (Symphony no. 9 op. 125) / C. M. von Weber “Huntsmen’s Chorus” (Freischütz). Classic Hits For Two Clarinets (2 Playing Scores). Replaces BA8157. “Récréation” and “divertissement” – relaxation and entertainment: those were the popular catchwords applied in the 19th century to arrangements of well-known and much-loved pieces. They allowed larger scored compositions to find their way into the parlour or music lessons. This volume contains 26 duets that are mostly taken from 19th century tutors though some have also been prepared by the editor. They include popular melodies by composers such as Mozart Haydn Gluck Weber Beethoven Mendelssohn Schubert Schumann and Chopin. These moderately difficult duets aresuitable for ambitious beginners. The second part is generally played by the teacher. Contents: W. A. Mozart “ Das klinget so herrlich ” (The Magic Flute) / F. Schubert “ Lullaby ” (op. 98 no. 2 D 498) / R. Schumann “ Träumerei ” (Scenes from Childhood) / F. Mendelssohn Bartholdy “ Wedding March ” (A Midsummer Night’s Dream) / F. Chopin “ Waltz ” (op. 64 no. 2) / L. van Beethoven “ Freude schöner Götterfunken ” (Symphony no. 9 op. 125) / C. M. von Weber “ Huntsmen’s Chorus ” (Freischütz)

Czardas is a piece for 14 Saxophones(Sopranino SSSAAAATTTBarBarB) by Vittorio Monti . This composition arranged by Armando Ghidoni lasts 5'30 minutes and has a name taken from a Hungarian National Dance. Divided into six distinctive parts this piece is really cheerful and energetic. It requires some really strong technique as some sections are really fast. - Lento cadenza a piacere / Largo Maestoso - Vivace - Lento Maestoso - Vivace - Piu Mosso - Presto Czardas is the most famous piece by Vittorio Monti which was also arranged for otherinstruments: Violin and Guitar String quartet and accordion among others. It is a really entertaining work to play that will definitely be enjoyed by the audience during a recital. Vittorio Monti is an Italian composer mandolinist and violinist who worked in many gypsy orchestras.

Score available: WH27018 Score available: WH27018

Six Suites for Violoncello BWV 1007-1012- August Wenzinger's edition of Johann Sebastian Bachs famous cello suites has become the recognized edition for cellists today. Wenzinger's year-long experience in the field of the performance practice of early music has left its mark on this edition and makes an outstanding guide for an authentic interpretation.

Suite from Hymn of the Highlands draws three expressive musical pictures of the Scottish highlands. The first movement Ardross Castle features solo passages for clarinet and bassoon and features a fascinating bagpipe melody. The second movement Alladale is a saxophone trio with an accompaniment featuring the percussion section. The final movement Dundonnell features two highly contrasting melodies a wild presto and the bagpipe melody first heard in the first movement.Complete score and full set of parts for Philip Sparke's Suite From Hymn To The Highlands for Wind Band. Suite from Hymn of the Highlands draws three expressive musical pictures of the Scottish highlands. The first movement Ardross Castle features solo passages for clarinet and bassoon and features a fascinating bagpipe melody. The second movement Alladale is a saxophone trio with an accompaniment featuring the percussion section. The final movement Dundonnell features two highly contrasting melodies a wild presto and the bagpipe melody first heard in the first movement.

This induction method to the Piano rich in attractive illustration successfully combines a fun approach with technique. The rules of music are never forgotten but explained in simple fluid language. Throughout this musical adventure a cat is chosen to accompany the learner and explain aspects which children would normally deem as 'boring' in an enjoyable original and fun way. The author separates the rules illustrating them as parts of the anatomy of music leading to an understanding of the criteria which gives life to music and music practice when playing an instrument. This volume is self recommended for 'preparatory level' but could equally be used forelementary school pupils and beginners.

Fra Højsangen. Instrumentation: Soprano+Tenor solo female choir 3.2.2.2/4.2.3.0/timp/perc/cel/org/str. BVN381 Fra Højsangen. Instrumentation: Soprano+Tenor solo female choir 3.2.2.2/4.2.3.0/timp/perc/cel/org/str. BVN381

De La Caisse Claire à La Batterie is a book by Alain Bémer Alain Dautricourt Guy Mauny Bartosz Zielinski featuring fourteen pieces for beginners to advanced players. The total duration of this volume is 19'7 minutes and it includes some explanations about the symbols used. The fourteen pieces included are: 1. Des tonnes de toms 2. Petit Passage 3. Tam caisse - drums 4. Question de feeling !!! 5. Alémilie 6. Funky Jarr 7. Et Alors ? 8. Une frappe de bûcheron 9. Plim Plum 10. Macadam 11. Yack 12. Bleu 13. For J.P.M 14. Double-celte De La Caisse Claire à La Batterie is a must-have for all drummers who want to develop their skills from beginner players to advanced ones. Alain Bémer Alain Dautricourt Guy Mauny Bartosz Zielinski are French professional drummers who took part in the composition of this volume.

A spiritual piece which opens with a lyrical Tenor solo and becomes more intense as the remainder of the choir joins. For SATB Choir with Organ accompaniment Norman Cocker's choral hymn Bread Of Heaven is a delightful addition to your choirs repertoire.

Cor Et Piano-Ballade

Rock About is an eight part work in which parts can be distributed according to the players available. The light pieces are full of joy and are sure to make your audience want to get up and dance!

Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the “Paris” symphonies (Hob. I:82-87) and their “London” counterparts (Hob. I: 93-104) – the last ones he wrote before his trips to England in 1791-92 and 1794-95. The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two “lire organizzate” and orchestra. The fact that he also arranged movements from his other lire concertos suggests that he regarded them as a sort of musicalquarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially. Haydn 's Symphony Hob. I:89 belongs to a group of symphonies composed between the ‘Paris’ symphonies (Hob. I:82-87) and their ‘London’ counterparts (Hob. I: 93-104) – the last ones he wrote before his trips to England in 1791-92 and 1794-95. The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two “lire organizzate” and orchestra. The fact that he also arranged movements from his other lire concertos suggests that heregarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially. This edition continues the collaboration with the Henle publishing company regarding Haydn's large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter.

The magnificent concert march Aurum (lat. gold) was written on the occasion of the 50th anniversary of the cunductor of the municipal band of Wolfach in Baden-Württemberg Germany. The march begins with a light and playful theme. Thefollowing lyrical trio provides a contrast with its nod to Edward Elgar. After a number of key changes the introductory theme returns in canon. Finally the music heads to a majestic finale in which the trio theme is played as a splendid baroquechorale.

For mixed Wind Trio (combinations of flute oboe clarinet saxophone bassoon or cello).