Min Ingrid / My Ingrid (1946) for Voice and Salon Orchestra by Hugo Telling . Lyrics in Danish and English by Peter Spar. Min Ingrid / My Ingrid (1946) for Voice and Salon Orchestra by Hugo Telling . Lyrics in Danish and English by Peter Spar.

SATB. Brunner D

The reminiscent piano works of John Ireland are brought together in their entirety in this five-volume set. These authoritative editions arrange all of Ireland's solo piano compositions in chronological order with corrections on previous editions made by Alan Rowlands and Eric Parkin.

King Arthur is a five-movement suite based on the famous Arthur ledged. It forms part of the ‘Easy Band 4’ series in which all pieces have ten-part instrumentation (+ percussion) so can be performed by bands who do not have a full compliment of players. Bring a little Arthurian magic to your concert with this easy and exciting suite.

From Walt Disney Pictures' TARZAN-The unforgettable song Two Worlds was performed by Phil Collins inthe Disney movie Tarzan. The film has now been transformed into asell-out musical on Broadway which is soon to be performed in theatresaround Europe. Why not add a little Disney magic to your concert withthis lively arrangement.

from Carmen-Hawkes School Series 10 (score & parts). Bizet G

In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan’s twentieth anniversary as a conductor of the top Dutch brass band “Soli Deo Gloria” (Leeuwarden). To mark the occasion the band commissioned the Belgian comopser Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Saëns organ symphony was chosen a piece with which Jan de Haan has a special bond.Apart from this chorale Homage is also based on the names of notes taken from ‘Jan de Haan’ and ‘Soli Deo Gloria’ resulting in the tonerow: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Saëns’ theme.

Viola Coro II- The Missa in F of 1734 for two or four choirs is probably Pergolesi ’s most important work for choir and orchestra. The nickname 'Missa Romana' was added later in reference to a performance given in Rome during Pergolesi ’s lifetime. This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for fourchoirs. Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng). First publication with choirs III and IV. Can be performed with both two or four choirs. Idiomatic well-presented Piano reduction. Full score performance material (BA8958) and vocal score (BA8958-90) available for sale.

From Symphonie no. V Op 42. From Symphonie no. V Op 42.

As performed by Michael Jackson- This Is It est à la fois le titre d’une chanson inédite de Michael Jackson le titre du CD posthume et du film documentaire sur le roi de la pop. This Is It (“C’est fini”) était la devise que Michael Jackson avait choisie pour sa tournée d’adieu pour laquelle il répétait encore quelques jours avant sa mort tragique. Cette devise ne s’applique en aucun cas à sa musique qui reste universelle comme en témoigne cet excellent arrangement signé Peter Kleine Schaars.

Copland’s Piano Sonata is one of his finest works if not the most famous or popular. The concentration of expression and variety of atmosphere and mood stand out amongst his creations and in typical Copland fashion he manages to strike the balance between dry wit and seriousness. This sprightly free and expressive piece apart from the final movement which is like a clock winding down set for Solo Piano that is sure to entertain and please.

This classic march can be played by any orchestra. Indispensable at your traditional concert programme.

Stay with me till the Morning-Based on the famous melody from the Adagio movement of the Clarinet Concerto by Wolfgang Amadeus Mozart this work has a beautiful lyrical quality to it. Compositions of this nature require the ability to play with great expression. The wonderful talent and genius of Mozart is clearly perceptible in this unforgettable melody. Celebrate Mozart’s 250th anniversary with this most popular brass band work.

Composed in 1810 the Fur Elise or Bagatelle In A minor is quite possibly the most famous of all Beethoven's works. This edition of the piece includes historical information and editorial notes by Willard A. Palmer.

pour chant & piano-This monograph collection contains art songs by Francis Poulenc for voice and piano in the original tonic key on poems by Paul Éluard. This collection in chronological order uses Poulencs original lyrics published in the Durand Salabert Eschig catalogue. Preface in English and French by Nicolas Southon. Contents: CINQ POÈMES (Peut-il se reposer Il la prend dans ses bras Plume d´eau claire Rôdeuse au front de verre Amoureuses). TEL JOUR TELLE NUIT. NEUF MÉLODIES (Bonne Journée Une ruine coquille vide Le Front comme un drapeau perdu Uneroulotte couverte en tuiles À toutes brides Une herbe pauvre Je n´ai envie que de t´aimer Figure de force brûlante et farouche Nous avons fait la nuit). MIROIRS BRÛLANTS (Tu vois le feu du soir Je nommerai ton front). CE DOUX PETIT VISAGE. MAINDOMINÉE PAR LE COEUR. LA FRAÎCHEUR ET LE FEU. SEPT MÉLODIES: (Rayon des yeux Le matin les branches attisent Tout disparut. Dans les ténèbres du jardin Unis la fraîcheur et le feu Homme au sourire tendre La Grande Rivière qui va). LE TRAVAIL DUPEINTRE. SEPT MÉLODIES (Pablo Picasso Marc Chagall Georges Braque Juan Gris Paul Klee Joan Miró Jacques Villon). UNE CHANSON DE PORCELAINE.

as performed by Mika-Self-taught singer/songwriter and pianist Mika (born 1983) lives in his own little world that obviously also appeals to other people! Two years after his international success with his first album Life in Cartoon Motion which sold more than five million copies he’s back with his second album The Boy Who Knew Too Much. From this three times Platinum release comes the song We Are Golden. Absolutely intoxicating!

Overture - flt ob 2 clr 2 hns 2 bsn.

A superb arrangement of this Negro Spiritual by Stuart Johnson. 2-Part and Piano accompaniment.

Mendelssohn’s setting of Psalm 98 was written in a few weeks to satisfy a commission in his new position as general music director of Prussia and was premiered by the Berlin Cathedral Choir on 1 January 1844. As he neither released the work forpublication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat theautograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The piano reduction is based on the first printed edition published by F. Kistner and Evers & Co. in 1851.• Urtext edition of Mendelssohn’s last orchestral psalm• Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)• Words underlaid in both German and English• Piano reduction based on the first printed edition Features of the Barenreiter Urtext edition of Mendelssohn ’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) : Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) Words underlaid in both German and English Piano reduction based on the first printed edition Full score performance material (BA9076) and vocal score (BA9076-90) available for sale Mendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death. For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.

The Thieving Magpie - Overture-In the monumental overture to the opera La Gazza Ladra (The Thieving Magpie) Gioachino Rossini employs themes from the opera itself in order to prepare the audience for the material to come. The overture contains themes that stay long in the memory of the listener as well as spectacular use of the famous Rossini crescendo. This wonderful arrangement for concert band from Franco Cesarini retains all of La Gazza Ladra ’s original charm and is ideal as a concert opener.