Barenreiter Urtext Edition of Bach's French Suites .

Second Part of the Clavier Übung-By Johann Sebastian Bach (1685-1750) edited by Christoph Wolff Walter Emeryr. BWV 971 831. Collection for solo piano (or harpsichord). Urtext of the New Bach Edition. 66 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5161) ISBN M006466160. With introductory text (does not include words to the songs). Baroque. 9x12 inches. SMP Level 10 (Advanced)Very advanced level very difficult note reading frequent time signature changes virtuosic level technical facility needed. (Learn more about SMP levels)Contents:French Overture BWV 831 B MinorItalian Concerto BWV 971 F MajorFrench Overture BWV 831a (Early Version) C Minor

Motet for two four-part mixed choirs- Komm Jesu komm BWV 229 - Motet for two four-part mixed choirs In Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day. Urtext of the New Bach Edition Performance material and choral score (BA5134) available for sale 6 Motets Complete vocal score (BA5193-90) choral score (BA5193)

ette composition variée est basée sur l’indicatif de l’émission À la recherche de la Musique diffusée par la télévision nationale néerlandaise entre 1986 et 1988. Élaborée par Jan de Haan l’émission faisait découvrir aux téléspectateurs à travers un lieu ou une région particulière la grande diversité de la pratique musicale aux Pays-Bas. S’inspirant de ce programme couronné de succès Jan de Haan a rassemblé dans cette pièce en cinq mouvements courts (thème - boléro - rondo - intermezzo - thème) quelques-uns des plus grands moments musicaux.

Modern Arrangements of Old Favourites-The compositions of George Gershwin have a special place in jazz music. Every professional jazz musician knows the Gershwin songs. Although composed long ago - in the first half of the previous century - they remain ever popular. Simply because of the genius of the melodies rhythms and texts the Gershwin tunes have transcended their original conception and are still extremely popular. In his own characteristic manner Rik Elings has arranged these Gershwin melodies in a contemporary and interesting fashion. Everyone - amateur musicians students of jazz and audiences alike - will take pleasure in Eling’s inspiring exploration of the Gershwin oeuvre. Enjoy!

Young Strings in Action is a two-volume course in the fundamentals of string playing. Its two volumes covering the first two years of instruction constitute a complete manual of new ideas and proven techniques enabling teachers to present in clear and concise terms the basic musical and technical skills necessary to play a violin viola cello or bass. The well-tested approach to string playing offers all students a unique opportunity to progress quickly while at the same time strengthening and refining the basic fundamentals. Volume 1 emphasizes total body movement and left arm mobility helping students to acquire freedom of movement correct positioning and playingfacility. The all-important position and balance of the left hand is aided by early emphasis on the central fingers and their relation to the adjacent string. Young Strings in Action is a two-volume course in the fundamentals of string playing and has been designed for the dual purpose of in-class or individual instruction. This well-tested approach offers students the opportunity to progress quickly while developing an understanding of the instrument as they learn to play. Specifically tailored for young beginners this Violin Student Book constitutes a complete manual of theoretical ideas and proven techniques to encourage and build confidence in an attempt to make the student feel as natural and comfortable as possible- the first stage in any learning. With games and practical exercises repertoirepieces in duet and trio arrangements and the entire method is in clear and concise terms this is a significant and successful method that follows similar principals as the Suzuki Method.

Joy to the world is a choral sequence of nine traditional Christmas carols from England Germany France Spain USA and the Caribbean in fresh and vibrant arrangements by Karl Jenkins. The scoring is for mixed chorus with an optional second chorus suitable for children’s voices and trumpet keyboards percussion and string orchestra. This vocal score features a fully realised keyboard reduction for rehearsal purposes.'As a composer he recognises no boundaries - musical commercial geographical or cultural. His is a way of thinking and composing that is perfectly in tune with the spirit of the times' - Classic FM Magazine Joy to the World is a choral sequence of nine traditional Christmas carols from England Germany France Spain USA and the Caribbean in fresh and vibrant arrangements by Karl Jenkins. Vocal score for solo soprano mixed choir optional treble choir and piano reduction of the instrumental parts.

(Full score). Matthews D

This unusual addition to the repertoire for advanced horn players is based entirely on the twelve note tone row and is excellent for displaying the versatility of the instrument.

Violin. Carter E

Hawkes Pocket Scores HPS 1123-Study Score - Hawkes Pocket Score 1123. Torke M

Dulce Et Decorum Est and For The Fallen- Vocal score for Alex Patterson's Two Pieces For Remembrance (Dulce Et Decorum Est & For The Fallen) for SATB unaccompanied. Alex Patterson is a Northern Irish-born composer and conductor based in Nottingham. He is Director of Music at Nottingham Cathedral and conducts many community groups in the region.

Great Credo Mass- The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart’s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation “Missa longa” was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature. The name “Credo Mass” is taken from the acclamations of “Credo” that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the “New Mozart Edition” Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for sale Arrangement for soloists choir & organ (BA7520) for sale

for bassoon and concert band-Nicolaï Rimski-Korsakov disait du basson qu’il était « sénile et fourbe en Majeur souffrant et triste en mineur ». Dans le grave et en staccato il est indéniablement comique grotesque et bouffon. Cette diversité de caractère avait déjà inspiré la Commedia dell’arte qui confia à Signor Fagotto l’un des rôles comiques essentiels. Au XVIIIe siècle selon l’usage de l’opéra-comique italien ( opera buffa ) la voix était doublée par un instrument à vent. De Signor Fagotto au basson l’instrument qui allait le seconder il n’y avait qu’un pas. C’est aussi à cette époque que le basson devient un instrument soliste à part entière. Vivaldi lui consacrera près de40 concertos. Sans doute a-t-il été conquis par sa personnalité généreuse comme bien d’autres compositeurs dont Maxime Aulio. Il Signore Fagotto débute avec une introduction orchestrale brillante. Le soliste expose ensuite le thème premier de l’œuvre. L’utilisation presque constante d’un chiffrage de mesure irrégulier (7/8) permet au basson d’accentuer son caractère espiègle et charmant tout en laissant à l’auditeur un espace de liberté suffisant pour imaginer les facéties du personnage. Il Signore Fagotto est une œuvre captivante pour l’accompagnement orchestral et qui offre au basson une superbe partie soliste. Il Signore Fagotto a été donné en création mondiale le 24 avril 2002 par Laurent Le Chenadec (basson) accompagné de l’Orchestre d’Harmonie du Conservatoire National de Région de Toulouse.

The special occasion that Philip Sparke was honoured to write this piece for was the 200th anniversary of the Stadtmusik Bad Säckingen. Since Bad Säckingen is known as the ’Trompeterstadt’ or trumpeter city Sparke’s creative process was influenced by Joseph Victor Scheffel’s poem Der Trompeter von Säckingen (The Trumpeter from Säckingen) which is based on a true story. The overture starts with a majestic fanfare followed by a lively molto vivace. It is joined by a brilliant trumpet call in honour of the city’s famous resident.

The four-movement work Saludos desde Espana is a musical description of four Spanish holiday spots. The composer uses the musical idiom to represent picture postcards portraying an untouched sandy beach a charming fishing village a beautiful pine forest and the historic centre of a lively Spanish village. Saludos desde Espa?a will add a little holiday magic to any concert.

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe). The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049). Urtext of the New Bach Edition Full score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

New Signature allows us to introduce Dominiek van Nuffelen to you. The piece starts slow and deliberate then flows into a faster movement in which rhythmic precision and accurate combined playing are required. Influences from light music together with elements from rock music have been interwoven in the piece.

Volume 1 - Clé de sol et fa- Yves Le Monnier compiles Simultaneous Reading for beginners in a three volume series. The first of these Simultaneous Reading of Treble and Bass Clef is a helpful aid for all instrumentalists. The understanding of reading the treble and bass clefs simultaneously is imperative to the harmonic knowledge of any musician. Simultaneous Reading of Treble and Bass Clef enables students to become confident in reading both clefs develop essential keyboard skills understand octaves recognise ascending and descending harmonies and comprehend all types of intervals among other aspects. For all beginnersto any instrument or voice Yves Le Monnier s Simultaneous Reading of Treble and Bass Clef enables students to develop and progress in their musical understanding and knowledge.

Postlude by Duncan and Sortie by Smart. Grade: 6-8