Ouvertüre- Die schone Melusine (The Fair Melusine) Op.32 Concert Overture Bärenreiter's new editions of Felix Mendelssohn Bartholdy's great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most important and popular concert overtures. This overture in its first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new Bärenreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today. In the new Bärenreiter Urtext edition of Die schone Melusine Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts. The preface addresses the compositions' genesis and sources. There is also a critical report. This publication of Mendelssohn's Die schone Melusine marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy's concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood

Ballett. Klavierauszug für Klavierduett durch den Komponisten-THE RITE OF SPRING(Le Sacre du Printemps)Publisher: Boosey & HawkesComposer: Igor StravinskyReduction for one piano four hands by the composer.84 pages

Following the newly engraved publications of Schubert ’s “Moments Musicaux” (BA 9647) and “Impromptus” (BA 9648) the composer’s late Piano works are now published in a scholarly-critical Urtext edition that will meet the demands of today’s performers. Schubert ’s popular “Ungarische Melodie” D 817 inspired by gypsy melodies was composed in 1824; his “Allegretto in C minor” D 915 was written in the spring of 1827; a little later at the latest in 1828 he also wrote his “Drei Klavierstücke” D 946 which are closely related in form to his “Moments Musicaux”. Suggestions on performance practice optimum page turns and fingering which takes intoconsideration essential aspects of performance practice of Schubert ’s time as well as the performance on modern concert Pianos are all included in this edition. Based on the Urtext of the “New Schubert Edition” Newly engraved Urtext edition with optimum page turns With fingering and information on performance practice (Ger/Eng) In-depth foreword (Ger/Eng) and critical commentary (Eng) Contents Ungarische Melodie (Hungarian Melody) D 817 Allegretto in C minor D 915 Drei Klavierstücke (Three Piano Pieces) D 946 Mario Aschauer studied Piano historical Keyboard instruments conducting and musicology in Linz Salzburg and Vienna. He performs as a soloist and chamber musician with among others the Austrian “Calamus-Consort” and has developed a wide-ranging repertoire on the Fortepiano Cembalo and Organ. Mario Aschauer has been a collaborator for the “New Schubert Edition” since 2008 and is a teacher at the University of Vienna. In his research he concentrates on the historical performance practice of European art music of the 17th–19th centuries.

D major BWV 1054- In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe). The D-major Concerto BWV 1054 originated as a transcription of Bach’s Violin Concerto in E major BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234) where BWV 1054 forms the third item. Toaccommodate the upper limit of the harpsichord keyboard Bach decided to transpose the piece down a whole tone which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line. The D-major Concerto owes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement a form otherwise seldom encountered in his concertos. Urtext of the New Bach Edition Full score & parts (BA5226) two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

from Die Zauberflöte K. 620- Mozarts 'Der Vogelfanger' - from 'Die Zauberflote' - offprint from Sing Solo Baritone.

Study Score - Hawkes Pocket Score 1171. Davies Pm

This full score incorporates Bernstein's final revisions to the Scottish Opera Version and is available in full score format for the first time.

Six Concertos after Vivaldi and Others-Six Concertos arranged by Bach after Antonio Vivaldi Alessandro Marcello and an unkonwn source. This authoritative Barenreiter Urtext edition by Karl Heller for Piano or Harpsichord.

This fantastic overture of the Belgian composer Jef Maes formed the end work of Georges Moreau in the same class as Jan Van der Roost. Virtuoso passages alternate with rich instrumented melodic fragments and thereby create a wide symphonic sound image. A stylish opening work for your concert but also ideal for coming straight to the point in competitions.

This piece introduces singers both to French opera and the French singing style. The beautiful and fluid Flower Duet from the operatic masterpiece Lakme by Leo Delibes. Here arranged for upper voices by Francisco Nunez it can be used to gently introduce singers to French Opera and the French singing style and aids in the production of notes in the upper tessitura.

Round Midnight' is a jazz classic and now is available in an arrangement correlated to Jazz Expressions™ curriculum. The focus of this chart is teaching the traditional ballad style to the young player with legato melodic phrases smooth phrasing articulations a lyrical solo for 1st alto saxophone (written or ad-lib) and accessible ranges set in a slow swing feel. Optional parts for flute clarinet horn baritone horn tuba AND violin viola and cello. (3:46)

Traditional Xhosa Folk Song-Dubula is a folk song of the Xhosa people of South Africa. The style is boisterous party-hardy and open-throated. Dubula is a folk song of the Xhosa people of South Africa. The style is boisterous party-hardy and open-throated. For mixed choir (SATB).

Based on a Hungarian Melody- This charming 2-part arrangement features a familiar Hungarian folk song set to a new 'winter-time' text by arranger Winnagene Hatch. Includes easy counter-lines and an easy-to-learn echo section. Great for winter concerts. A bell part is included in the publication but you may wish to add rhythm instruments such as sleigh bells and temple blocks to complete the snowy musical scene.

In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition. The present expanded new publication goes a step further in that it offers not only the two solo Violin parts as presented in the New Bach Edition but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze. Manze also offers players enlightened comments (English/German) on historical performance practices dealing with how the instrument was held fingerings bowing shifting the use of open strings and much much more. Full score & parts (BA5188) 2 Violins and Pianoreduction (BA5188-90) and study score (TP284) available for sale.

No. 5 Pleasant it looked-This Winnebago text is a quiet meditation featuring a soprano soloist (imitating a boy soprano). Number five from Earth Chants .

The wonderful world of Dr. Seuss is brought to life through the music of Stephen Flaherty and Lynn Ahrens. Relive these childhood treasures through a complex amalgamation that brings Seuss' most famous books to the stage including such stories as The Cat in the Hat McElligot's Pool and Horton Hears a Who .

(Full score). Xenakis I

Written in honor of Mandy Miller and her singers in Lochgelly Scotland this lovely unison piece serves as a tribute to all children who display joy warmth and pride when singing. Although an original composition the rhythms reflect Scottish folk traditions. An excellent selection to teach phrasing melodic lines and unison singing. Written in honor of Mandy Miller and her singers in Lochgelly Scotland this lovely unison piece serves as a tribute to all children who display joy warmth and pride when singing. Although an original composition the rhythms reflect Scottish folk traditions. An excellent selection to teach phrasing melodic lines and unison singing.

George Perlman's Israeli Concertino for Violin in the 1st-2rd position with Piano accompaniment.

Composer Mary Goetze states that the words and melody to I Sing “sprang from within me” as she thought about the many directors and teachers who have dedicated their lives to children's choirs and music education--thus enriching the lives of so many children through singing. The cascading vocal parts of the refrain that move predominantly by stepwise motion as well as the optional unison verses contribute to the accessibility of this choral work. Composer Mary Goetze states that the words and melody to I Sing 'sprang from within me' as she thought about the many directors and teachers who have dedicated their lives to children's choirs and music education--thus enriching the live of so many children through singing. The cascading vocal parts of the refrain that move predominantly by stepwise motion as well as the optional unison verses contribute to the accessibility of this choral work.