Text from Psalm 118:5-24. For SATB Soli and optional Organ.

Contents: Dixit Dominus (Ps 109) in C major. Confitebor (Ps 110) in E flat major Beatus vir (Ps 111) in G major Laudate pueri (Ps 112) in D minor Laudate Dominum (Ps 116) in F major Magnificat in C major (all pieces also available separately) The present new critical editon of the Vesperae solennes de Confessore KV 339 edited by Wolfgang Horn is the first edition since the publication of the “old” Complete Edition from 1880 to be based on Mozart’s autograph score. It was thought to have been lost after the second world war but for the past several years it is again accessible through the Biblioteka Jagiellonska in Kraków. Mozart's Vesperae solennes de Confessore for SATB. contents: Dixit Dominus (Ps 109) in C major. Confitebor (Ps 110) in E flat major Beatus vir (Ps 111) in G major Laudate pueri (Ps 112) in D minor Laudate Dominum (Ps 116) in F major Magnificat in C major The present new critical editon of the 'Vesperae solennes de Confessore' KV 339 edited by Wolfgang Horn is the first edition since the publication of the “old” Complete Edition from 1880 to be based on Mozart’s autograph score. It was thought to have been lost after the second world war but for the past several years it is again accessible through the Biblioteka Jagiellonska in Kraków. This work is now availablein carus music the choir app!

We Shall Rise Again-The terroristic attacks in Brussels Paris Nice and Berlin shocked many people and lead to fear distrust and disbelief. To express these emotions Bert Appermont composed the beautiful and sensitive In Memoriam . He used parts of the song Au Clair de la Lune as a symbolic reference to the innocence that was suppressed by these events. He combined this with a lyrical melody which expresses the hope for a better world. In Memoriam is a touching and reflective piece for a concert.

Bärenreiter Urtext Paperback-Dvorák’s Seventh Symphony was commissioned by the Royal Philharmonic Society in August 1883 and premiered in London under the composer’s baton on 22 April 1885. Two months later he shortened the second movement by about 40 bars. The work waspublished by Simrock in this form in 1885. In 2013 Bärenreiter published the score and orchestral parts in a first scholarly-critical edition of Dvorák’s Seventh Symphony (BA 10417). Now it is being issued in a study score edition. The editor Jonathan Del Mar has already won internationalacclaim for his editions of the Dvorák Cello Concerto (BA 9045) as well as of works by Beethoven and Elgar. He has taken every source into account including the extant correspondence. Like the score and parts this study score edition presents the original version of the second movement in the appendix. Dvorák scholar Jan Smaczny has added a new Foreword. • Includes the original London version of the second movement• Foreword by Dvorák scholar Smaczny (Cz/Eng/Ger) Dvo ák 's Symphony No. 7 In D Minor Op.70 . Foreword by Dvo ák scholar Smaczny (Cz/Eng/Ger) Dvo ák ’s Seventh Symphony was commissioned by the Royal Philharmonic Society in August 1883 and premiered in London on 22 April 1885 conducted by the composer himself. Two months later Dvo ák shortened the second movement by about 40 bars. The work was published by Simrock in this form in 1885. In 2013 Bärenreiter published the score and orchestral parts in a first scholarly-critical edition of Dvo ák ’s Seventh Symphony (BA 10417). It is now being issued as a study score. The editor Jonathan Del Mar hasalready won international acclaim for his editions of the Dvo ák Cello Concerto (BA 9045) as well as of works by Beethoven and Elgar. He has taken every source into account including the extant correspondence. Like the score and parts this study score presents the original version of the second movement in the appendix. A new foreword has been added by Dvo ák scholar Jan Smaczny .

Gulliver's Travels-Maxime Aulio composed Les Voyages de Gulliver (Gulliver’s Travels) for the concert band of the Conservatoire National de Région in Toulouse (France) conducted by Jean-Guy Olive. The first performance took place in Toulouse (Auditorium Saint-Pierre des Cuisines) on April 25 2001. The Anglo-Irish author Jonathan Swift (1667-1745) took about six years to complete his epic tale of adventure. The creative storyline clear writing and subtlety of Gulliver’s Travels have been engaging readers for generations. This literary travel between reason and foolishness was Maxime Aulio’s inspiration for this piece. Each of the four movements of this suite is a review of Gulliver’sadventures resembling the effect of a kaleidoscope which juxtaposes small fragments of colour in a linear pattern.

aus Irish Country Songs Vol. I-Herbert Hughes' I Know Where I'm Going from Irish Country Songs (Volume 1) arranged for SSA Choir with Piano accompaniment by Harold Noble.

Exultate is a merry exuberant composition that begins with a festive opening fanfare that gives way to a lyrical theme - the common thread that runs throughout this work. This piece which was commissioned by the Comfort Wind Ensemble from Fukuoka Japan is an ideal opening work for any concert!

Boosey's choral miscellany no.138- Arthur Somervell's arrangement of the Vaughan Williams choral work sets the beautifully descriptive text by W. Barnes for SATB chorus. A Piano accompaniment is priovided for rehearsal purposes.

Edited by Enrico Dindo.

Riduzione Per Canto E Pianoforte-Prefazione Italiano/Inglese Edizione Critica A Cura Di C. Gallico

The Hebrides Op.26 Concert Overture The Hebrides the third in Bärenreiter's series of critical editions of Mendelssohn's great overtures is one of Mendelssohn Bartholdy's most performed compositions. Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s. The new Bärenreiter edition consist of two versions each containing additional material from further sources. Version one the Rome version exists itself in two versions and has never been published in a performing edition. Version two the London version also exists in two versions one of which was published by Mendelssohn in 1835. This pioneering edition documents the development of the composition and the various changes made by Mendelssohn . The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood

Gabriel Faure's Sicilienne arranged here for Flute and Piano by Jerry Lanning. Op. 78.

vocal score- Puccini Gianni Schicchi English/Italian Vocal Score P/B

This is a book with cool pieces for those who haven’t been playing very long but still intend to steal the show! The terrific musical accompaniments on the CD will really add to the enjoyment and there is room to make up your own solos in some of the pieces.

Amazing Grace-Each Junior Music Kit contains easily adaptable material for primary and lower school ensembles. Designed essentially around recorders and percussion Junior Music Kit also allows for the inclusion of a variety of other instruments even if only an elementary standard of music has been reached. Only melody and piano parts are essential and any combination of the other parts can be added depending on the size of your ensemble. Each pack contains four melody parts and two each of all the following parts: 1st Harmony 2nd Harmony 1st Tuned Percussion 2nd Tuned Percussion 4 Percussion Parts (untuned) Guitar Easy Violin Easy Bb and Piano/Conductor.

Songs for special occasions.

Features 18 piano/vocal selections from this Broadway hit that won both Tony and Drama Desk awards. Includes a plot synopsis four pages of sensational color photos and these tunes: The Ballad of Farquaad Big BrightBeautiful World Build a Wall Don't Let Me Go Donkey Pot Pie Finale (This Is Our Story) Freak Flag I Know It's Today I Think I Got You Beat Make a Move More to theStory Morning Person Story of My Life This Is How a Dream Comes True Travel Song What's Up Duloc? When Words Fail Who I'd Be.Features eighteen Piano/Vocal selections from this Broadway hit that won both Tony and Drama Desk awards. Includes a plot synopsis and four pages of sensational colour photos. There are plans to launch the musical in London's West End in 2010.

14 Songs on American Poetry for Voice and Piano by Ned Rorem.

Authoritative Urtext edition of Johann Sebastien Bach 's Brandenburg Concerto No.2 In F BWV1047 . The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach ’s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versionsperhaps even along side the version known today.

Cantata for the 1st Easter Day- Bassoon ad lib - not in wind set Der Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31 Cantata for the 1st Easter Day - Performance material (BA10031) vocal score (BA10031-90) and study score (TP1031) available for sale The text by Salomon Franck who was the librettist of some of Bach 's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus. Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach ’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.