A Celebration of Christmas is a collection of carols in modern arrangements ranging from medieval tunes through traditional carols to original compositions. It is available in two versions: for upper voices (SSA) and for mixed voices (SATB). A set of optional instrumental parts suitable for school ensembles is also available. A collection of six carols in modern arrangements by the composer of Adiemus Karl Jenkins ranging from medieval tunes through traditional carols to original compositions. Vocal score for mixed choir and piano reduction of the instrumental parts.

Inte-Nudda-Golv for String Trio was composed by Britta Byström in 2014.Written for ZPR trio and commissioned by RANK. Inte-Nudda-Golv for String Trio was composed by Britta Bystrom in 2014. Written for ZPR (ZilliacusPerssonRaitinen) Trio and commissioned by RANK.

These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added and a piano reduction has been included for rehearsal purposes when preparing the choir for a performance with the orchestra. It is the composer's intention that performances should take place either a cappella or with orchestra but not with piano. SS/A . Bartok B

based on Favorite Traditional Carols)-Seasonal work for Wind Band in full score and parts.

Le Merle de roche- Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony melodies and his passion for ornithology his Catalogue D'Oiseaux for Piano is no exception to the composer's popular distinctive style. Messiaen became fascinated by birdsong from an early age however it wasn't until the 1950s that he took his passion to a new level incorporating birdsong into all of his compositions. Catalogue D'Oiseaux composed in 1958 comprises thirteen movements each depicting a specific bird. The sixth volume contains movement ten; The Rock Thrush. Catalogue D'Oiseaux is essential to all advanced pianists seeking to expand and vary their repertoire.

Camille Saint-Saëns’ The Carnival of the Animals is one of his most popular works altogether. Yet during his lifetime he refused to publish this orchestral piece for fear it would damage his reputation as a serious-minded musician. Now Jennifer Seubel and Sally Beck the flautists of “Duo Noble” have arranged this famous work for two flutes. The transformation of the major instruments timbres and melodies of the orchestral version into solely two flute parts posed a special challenge. The results exploit the full tonal spectrum of the flute. The arrangement offers several alternatives to expand the range of sound: for example a piccolo can be substitutedfor either flute part in No. 2 Poules et coqs and for the first flute in No. 7 Aquarium. The complete Carnival of the Animals for two flutes 14 challenging and effective pieces

Available in print for the first time since the 19th century this delightful Scherzo (Op. 135 No. 2) forms a worthy companion piece to Barcarole (Op. 135 No. 1) currently published by Schott (VLB129).

for string orchestra

An imaginative and funny song cycle composed in 1948 containing four recipes for voice and piano.

In the summer of 1913 Satie once more poked fun at himself and the world of music with a set of parodic piano pieces on various marine animals giving it the grotesque title “Embryons desséchés” (Dessicated Embryos)(BA 10811). The atmospheric cycle “Avant-dernières Pensées” (Next-to-last Thoughts) (BA 10849) of 1915 with its underlaid words likewise belongs to Satie’s ‘story pieces’. The notation without barlines the ‘stories’ beneath the music and the spoofsof well-known pieces of music most strikingly the Funeral March from Chopin’s Piano Sonata in B minor make the work a barrel of musical fun. The curious performance instructions in these three miniatures all based onostinato figures amusingly lampoon the ideal of Romantic expressiveness. These two Urtext editions faithfully adhere to the sources and reflect the latest findings of Satie scholarship. They contain translations of all of Satie’s French texts practical page-turns notes on performance practice by Satie specialist Steffen Schleiermacher and informative Forewords. The pieces range from an easy to moderate level of difficulty and provide an ideal additional varied repertoire for teaching purposes. In the summer of 1913 Satie once more poked fun at himself and the world of music with a set of parodic Piano pieces on various marine animals giving it the grotesque title “Embryons desséchés” (Desiccated Embryos). The notation without barlines the ‘stories’ beneath the music and the spoofsof well-known pieces of music most strikingly the Funeral March from Chopin’s Piano “Sonata in B-flat minor” make the work a barrel of musical fun. This Urtext edition faithfully adheres to the sources and reflects the latest findings of Satie scholarship. It contains translations of all of Satie ’s French texts practical page-turns noteson performance practice by Satie specialist Steffen Schleiermacher and an informative Foreword. The pieces range from an easy to moderate level of difficulty and provide an ideal additional varied repertoire for teaching purposes. • Urtext edition based on all the sources and latest research findings • Easy to moderately difficult pieces • Ideal for teaching purposes • Optimum page-turns • Translations of all of Satie’s French texts (Ger/Eng) • Notes on performance practice (Ger/Eng) • Informative Forewords (Ger/Eng) and Critical Commentaries (Eng)

Anon. - Desciende al Valle (AAT recorders); Encina - Una Sañosa porfia (ATTB recorders); Gabriel - De la Dulce (AATB recorders)

For C/Bb Bar.-Euph. and Band-This piece was commissioned by Swiss euphonium virtuoso Erich Schmidli. Bert Appermont dug deep into Celtic music for inspiration and created a fantasy that shows off the incredible but often overlooked versatility of the euphonium. Charminglyrical melodies virtuosic runs and exciting colourful tuttis create plenty of contrast in this exciting work. The difficulty level for the soloist and band means almost any band to perform this piece and showcase their euphonium player.This piece was commissioned by Swiss Euphonium virtuoso Erich Schmidli. Bert Appermont dug deep into Celtic music for inspiration and created a fantasy that shows off the incredible but often overlooked versatility of the Euphonium. Charming lyrical melodies virtuosic runs and exciting colourful tuttis create plenty of contrast in this exciting work. The difficulty level for the soloist and band means almost any band to perform this piece and showcase their Euphonium player.

Heliopolis. Instrumentation: Concert Band. BVN187 Heliopolis. Instrumentation: Concert Band. BVN187

Daily Exercises - Tägliche Übungen- Daily Exercises after Terschack for all Saxophones by Marcel Mule (1901-2001) is a set of twenty six exercises each one lasting a page and a half. Initially composed by the flautist Adolph Terschak these Daily Exercises after Terschack would fit the skills of advanced-intermediate and advanced players with keys from 5 flats to 7 sharps. Marcel Mule (1901-2001) is one of the greatest French Saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure the emission themastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as '18 Exercises or Studies' 'Varied Studies in all keys' or '30 Great Exercises or Studies after Soussmann' (in two books) among others.

Featuring seasonal duets with lively rhythms and contemporary harmonies in jazz style for early intermediate pianists. A perfect way to give students the opportunity to play with someone else.

für Violine und Klavier- Jaroslav Kocian (1883-1950). The present edition is the first complete printed edition of Three Compositions For Violin And Piano Op.19 of which only the Spring Song and Lullaby have appeared in print before (New York 1911). The majority of compositions by Jaroslav Kocian (1883-1950) - an internationally known Violin virtuoso and a distinguished teacher who trained a whole generation of Czech Violin players - were written for Violin. Due to their brilliant character the pieces can serve as suitable encores to round out the concert recitals. This edition was published jointly betweenEditio Barenreiter Praha and the Jaroslav Kocian International Violin Competition in Usti nad Orlici. Contents: Melody Spring Song Lullaby

A Tribute To Alan Spedding- Few musicians have been regarded with esteem and affection in equal measure. Dr. Alan Spedding's contribution to British musical life was whole-hearted and selfless. A number of his friends have contributed to this Organ album to honour his memory.

Ouverture for Percussion Quartet and Brass Quintet by Anders Koppel . Commissioned as set piece for the finals of'The International Percussion Competition Luxembourg 2015' for percussion quartet. Ouverture for Percussion Quartet and Brass Quintet by Anders Koppel . Commissioned as set piece for the finals of'The International Percussion Competition Luxembourg 2015' for percussion quartet.

Work for Flute Violin Cello and Piano. Work for Flute Violin Cello and Piano.

Tonerne by Carl Leopold Sjöberg arranged for Voice and Piano by Josef Jonsson (1951). Tonerne by Carl Leopold Sjöberg arranged for Voice and Piano by Josef Jonsson (1951).