Dance from The Danserye Suite-Tylman Susato (approximately 1500-1561) was an accomplished Flemish composer musician and music publisher. He composed numerous works and published several collections among them Danserye (1551) the third volume of his Musyckboexken which contained his own four-voice airs and dances. Several of these were inspired by traditional Flemish airs. Renaissance scholar Manu Mellaerts has created a graceful arrangement of the most famous pieces from La Mourisque.

French composer Henri Busser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer conductor teacher and organist. His compositions for a variety of instruments are exceptional Andalucia for Flute and Piano being no exception. As reflected in Andalucia which is named after the popular Spanish area of the same name Busser 's compositional style was sophisticated yet true to the 19th century French tradition. Elements of Andalucia include chromaticism exploitation of tonality complex rhythms and semiquaverflourishes amongst other aspects. For all advanced Flute players Busser 's Andalucia is essential to a varied repertoire.

Poème tahitien (T (or Bar) solo and small SATB chorus)

Cantata for Whit Tuesday- Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175 Cantata for Whit Tuesday The text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725. Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else. - Urtext of the New Bach Edition - Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale

Dvo ák ’s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875 when he had just experienced his first successes at the conductor’s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock Berlin in 1879. This Urtext edition is based on the composer’s autograph score. It corrects mistakes found in the first edition and so for the first time the editor incorporates omitted passages from the autograph marking them with Vi-de. This reconstruction makes it possible to clarify the piece’s structure. The author of theForeword Kate ina Nová is head of the Dvo ák Museum in Prague. Detailed Foreword by Kate ina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) Including Vi-de passages from the autograph score Full score & parts (BA10423) available for sale

1er Cycle- Théory Complète De La Musique by Jacques Chailley and Henri Challan is a really complete method for beginning musicians. This first volume of a series of two covers the nine first chapters of the method. It features: I. Different elements of music II. Music writing and symbols III. Rhythms IV. Intervals elements V. Intervals VI. Theory of Tonality [1/2] VII. Theory of Tonality [2/2] VIII. Tonality application IX. Additional music symbols Really focused on theory and including someexercises this book will be a better fit for mature music beginners. Henri Challan was a French composer and professor at the Paris Conservatoire who won the Grand Prix de Rome and who has wrote many music analysis. Jacques Chailley was a musician and Deputy Director of the Paris Conservatoire.

Play a selection of superb John Williams' compositions from Indiana Jones and the Kingdom of the Crystal Skull . This book is part of an instrumental series arranged for Flute Clarinet Alto Sax tenor Sax Horn in F and Trombone. The arrangements are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the level 2-3 player and a fully orchestrated accompaniment CD. The CD contains a demonstration track of each song featuring live instrumental performance plus a Play-Along track. This terrific edition also contains a tuning note plus a host offull-colour stills from the film.

For SSA Choir (Upper Voices) and Organ Accompaniment. For SSA Choir (Upper Voices) and Organ Accompaniment.

Score and Part.

...à quelques grands Musicians

One of the biggest hits of WetWetWet has been arranged in an excellent way by George Moreau. ‘Love is all around’ will certainly please the young audience.

SATB chorus

The absolute top slow number of the Eighties sung by Roberta Flack. She is not perhaps so well known among younger people but she has her place in history as one of the absolute divas of the world. Back into time the interlude in your concerts.

Ne laissez pas les Enfants jouer avec la Serrure...

Juri Briat has arranged the tunes of the winter Olympic games of the Eighties for a wind orchestra. As always he has chosen original works and arranged them in his own typically colourful way. An ideal opening number for your concert with allure.

Having published the scores Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven’s piano concertos the study scores can now also be purchasedindividually.The musical text reflects a meticulous examination of every surviving source resulting in Urtext editions at the highest possible level. The study scores are supplemented by Introductions by Beethoven scholar Barry Cooper on the genesis of theconcertos as well as Forewords by the renowned editor Jonathan Del Mar with descriptions of the sources and the editorial method.• Urtext editions at the cutting edge of scholarship• Reference editions for pianists students conductors and libraries• Each score contains an Introduction by Barry Cooper (Ger/Eng) Urtext edition study score of Ludwig van Beethoven 's Piano Concerto No.3 In C Minor Op.37 . Features: Urtext edition at the cutting edge of scholarship An ideal reference edition for pianists students conductors and libraries Each score contains an introduction by Barry Cooper (Ger/Eng) Format 17.5 x 22.5 cm Barenreiter has now published the scores Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven ’s Piano concertos. The study scores can now also be purchasedindividually. The musical text reflects a meticulous examination of every surviving source resulting in Urtext editions at the highest possible level. The study scores are supplemented by introductions by Beethoven scholar Barry Cooper on the genesis of the concertos as well as forewords by the renowned editor Jonathan Del Mar with descriptions of the sources and the editorial method.

Score and individual parts for Maurice Durufle's Prelude Recitatif Et Varations Op.3 for Flute Viola and Piano.

National Anthem-String set. ***

Ruth Elaine Schram's delightful Hear the Music set for 2-part upper voices and Piano accompaniment.

Lively and upbeat in nature The Centurion follows the conventional British march format. It is not technically demanding yet a successful performance will need skill and commitment from every player in the band. The Centurion will make an ideal opening piece for any indoor or outdoor concert and will be a popular item with both players and audiences alike.