To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Hommage A Bach for Trombone and Piano is an exquisite addition to the repertoire. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Composed in 1957 Bozza 's Hommage A Bach reflects thecomposer's admiration of the great J. S. Bach. As music educationalist Paul Griffiths has written of Bozza 's compositions 'his works reveal melodic fluency elegance of structure and a consistently sensitive concern of instrumental capabilities.'

From Works by: Beethoven Debussy Françaix Stravinsky Rabaud Tomasi Wagner Berlioz Saint-Saëns Delibes Lalo Chabrier Bozza and W.A.Mozart

This new scholarly-critical edition of String Quartet Op.127 the first of Beethoven’s late quartets follows upon Urtext publications of Opp.18 59 74 and 95. Once more the editor is the renowned Beethoven authority Jonathan Del Mar. All surviving sources have been consulted including sketches to clarify the conflicting readings in the autograph. Not only has Del Mar reconstructed Beethoven’s original beaming phrasing articulation and length of crescendo hairpins he has also corrected wrong notes that have taken hold in editions published over the years and has supplemented missing notes. Urtext edition at the cutting edge ofscholarship with detailed separate Critical Commentary (Eng) Parts ideally laid out for performance purposes Parts (BA9029) & study score format 22.5 x 16.5cm (TP929) available for sale Already published: String Quartets Op.18 BA 9016 parts TP 916 study score String Quartets Op.59 BA 9017 parts TP 917 study score String Quartets Opp.74 95 BA 9018 parts TP 918 study score

from Messiah-This piece needs no introduction as it remains one of the most popular classics of all time. Enthuse your performers and audiences alike with this fantastic arrangement of the Handel classic from his masterwork The Messiah.

Morning Song features the horn quartet mostly in a soloistic role - indeed there is an accompanied cadenza towards the end of the piece - but there are moments where the horns assume their conventional fanfare band role as harmonic support or playing the counter melody. This expressive composition shows all the versatility of the horn quartet and gives them the chance to be in the spotlight.

Born in Jarrow northeast England in 1949 John Miles was something of a child prodigy learning the piano from the age of five. In the early ’60s he persuaded his father to buy him a guitar and by the end of the decade he had joined a semi-professional band The Influence. The group soon disbanded and by 1969 Miles was recording with his own group The John Miles Band releasing a dozen singles in the early ’70s. In 1975 Miles decided to move to London and secured a deal with Decca Records. By October that year a newly formed band John Miles and Co had released their debut single Highfly but their greatest hit which stormed the British charts in March 1976 was Music.

This composition sketches various images of a dreaming girl. Not only the beautiful sweet dreams but also the nightmares though with a happy ending.

This beautiful serene melody represents the ongoing and awesome legacy embedded in the profession of education. What we teach and pass on to our children affects the country the world and the future. The hope the responsibility and the wonder are effectively communicated in this lovely original work. Perhaps perform this in honor of a special teacher at your school or ask the audience to thankfully remember someone who has had a profound impact on their lives as they listen. (5:11) This beautiful serene melody represents the ongoing and awesome legacy embedded in the profession of education. What we teach and pass on to our children affects the country the world and the future. The hope the responsibility and the wonder are effectively communicated in this lovely original work. Perhaps perform this in honor of a special teacher at your school or ask the audience to thankfully remember someone who has had a profound impact on their lives as they listen. (5:11)

George Gershwin 's I Got Plenty O' Nuttin' from Porgy & Bess arranged for SSA choir.

Dmitri Shostakovich's Valse No. 2 For Two Accordions.

Turlough O’Carolan (1670–1738) is considered the prototype of the travelling Irish harpist supplying his continually changing audience with new tunes and poignant stories. His melodies which are steeped in Irish tradition have made him immortal. They have also had a lasting influence on the development of Irish music. Many of his tunes have provided a basis for thousands of later melodies. This edition for descant or treble recorder and piano presents among others the following pieces: “James Betagh Jig” “Carolan’s Cup” “Carolan’s Farewell to Music” “Kitty Magennis” “Hewlett” “Mr. O’Connor” “Fanny Power”. The arrangements include an optional part for a secondflute.

C. W. Glover 's The Rose Of Tralee arranged by Roger Quilter for SATB choir.

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven 's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widely used publication of the Beethoven Symphonieswhich can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado. Full scores study scores and complete performance material to Beethoven’s Nine Symphonies are available for sale.

Altungarisches Volkslied- Wooing Of A Girl is a beautiful song for SSA chorus a cappella. The text is based on an old Hungarian poem which has been translated into English by Nancy Bush. This edition features both the English and the Hungarian text.

for 12 saxophones (Sopranino SSAAAATTBarBarB)

Knud Vad Thomsen 's Jeg Plukker Fløjlsgræs for TTTBB choir. Knud Vad Thomsen 's Jeg Plukker Fløjlsgræs for TTTBB choir.

N008: Siciliette Reine des Siciles-No.7 from Les Rêves de Janceline. No.7 from 'Les Rêves de Janceline'

for flute and bassoon

Stef Minnebo‘s Concert Pitch is a spectacular opening piece. It contains two contrasting sections that flow into one another. The introduction is musically beautiful however it can be performed as background music to a spoken introduction. The conductor would then cue the band to jump into the lively second section and take off!

The Dutch pop idol Rob de Nijs has been a permanent feature of the Dutch pop scene for many years. Our Filip Sandras has made a neat medley of his best known numbers.