from Grease-John Travolta and Olivia Newton-John are probably the most famous couple in musical movie history. To this day the music is enjoyed by different generations as it is continually revived in new musical productions around the world. The song You’re the One that I Want is a highlight from the soundtrack brilliantly arranged for band by Filip Ceunen.

Double saxophone quartet.

This timeless world-wide hit of the Flying Pickets has perhaps been arranged many times for all possible types of orchestra. However there are practically no arrangements for wind orchestras. Hans Vansant has arranged this jewel in an original way.

Cantata for Christmas Day- Gelobet seist du Jesu Christ BWV 91 Cantata for Christmas Day The cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of “chorale cantatas” the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi. Urtext of the New Bach Edition Performance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale

Full set of Parts for Eilert Lindorf Larsen's Concerto For Alto Saxophone with Strings And Piano . Full set of Parts for Eilert Lindorf Larsen's Concerto For Alto Saxophone with Strings And Piano .

1.Notre-Dame de bonne Humeur; 2.Le Grand Envoi

Second Livre Für Cembalo- Edited by Denis Herlin With notes on performance practice Once again the French musicologist Denis Herlin who mastered the harpsichord under the tutelage of such keyboard legends as Kenneth Gilbert and Huguette Dreyfus has presented an exemplary edition of a classic from the harpsichord repertoire.’ Bärenreiter presents Book II of Couperin’s “Pièces de clavecin” first published in 1717. In addition the eight preludes and one allemande from his treatise “L’Art de toucher le clavecin” are included in the appendix. For the first time Denis Herlin has evaluated the many later impressions of the original print most of which he unearthed himself ininternational libraries. By preserving the essential features of the original print while largely dispensing with disruptive page-turns within the pieces the volume brings modern performers close to the special sound of this music. Rounding off this pioneering new edition are an extensive Foreword notes on historical performance practice a comprehensive glossary facsimile pages and a detailed Critical Commentary. Pioneering edition with the first-time evaluation of an extensive body of sources Includes Couperin’s original expression marks with 8 Préludes and 1 Allemande from 'L'Art de toucher le clavecin' (1716–1717)

Actus tragicus- Gottes Zeit ist die allerbeste Zeit (Mighty God His time is ever best) BWV 106 'Actus tragicus' Cantata for a funeral service. Since there are no original sources or documents concerning the first performance of the funeral cantata Gottes Zeit ist die allerbeste Zeit BWV 106 it is impossible to establish the year of origin of this work called Actus tragicus by Bach . The striking resemblance to the cantatas BWV 131 Aus der Tiefen rufe ich Herr zu Dir (presumably 1707) and BWV 71 Gott ist mein König (1708) – both of which were composed in Mühlhausen – suggests that the funeral cantata was also written in Mühlhausen in1707. Urtext of the New Bach Edition Performance material (BA10106) vocal score (BA10106-90) & study score format 22.5 x 16.5cm (TP1106) available for sale.

Christmas as celebrated in England is a relatively newtradition dating from the time of Queen Victoria. Herhusband Prince Albert was from Germany and he broughtmany German Christmas traditions with him including theChristmas tree and Christmascards and even carols such asHark the Herald Angels Sing. Philip Sparke has however useda varied selection of English melodies to arrange into his?Festival of Carols?.The choir parts are seperately available (order no. AMP 227-050). Christmas as celebrated in England is a relatively new tradition dating from the time of Queen Victoria. Her husband Prince Albert was from Germany and he brought many German Christmas traditions with him including the Christmas tree and Christmas cards and even carols such as Hark the Herald Angels Sing. Philip Sparke has however used a varied selection of English melodies to arrange into his Festival of Carols . The choir parts are seperately available (order no. AMP 227-050).

for 2 Flutes and Concert Band-Composer flutist and conductor Franz Albert Doppler (1821-1883) descends from a musical Austrian-Hungarian family. Together with his brother Karl who was a flute virtuoso he travelled extensively around Europe. Arranger Gottfried Veit has arranged this appealing duet for concert band with two flutes as soloists. It is a fine addition to the repertoire and an ideal work to spotlight you flautists.

Motette- Wolfgang Amadeus Mozart's Ave Verum Corpus for SATB.

Francis Jackson's O Salutaris Hostia arranged for SATB.

Sarabande Et Finale is a nice piece by Raymond Gallois Montbrun for Bb or C Trumpet and Piano accompaniment. Quite difficult this piece is great for recitals or concert. Starting with the Piano for just six measures before the Trumpet Solo the sarabande has a slow tempo. The finale is faster Allegro and features a period with solo Piano before evolving into Vivo. It features the score and parts for Bb or C Trumpet. Raymond Gallois Montbrun (1918-1994) was a French violinist and composer who won the Premier Grand Prix de Rome and the Grand Prix de Paris. He later became the director of the ParisConservatoire. He composed many symphonic pieces an opera a quartet and many pieces for Solo Piano Violin and Piano and other instruments.

Canzoni: All At Once (Whitney Houston) - Goldfinger (Shirley Bassey) - Hot Stuff (Donna Summer) - I Could Turn Back Time (Cher) - I Will Always Love You (Whitney Houston) - I Will Survive (Gloria Gaynor) - ...

25 Famous Carols-Philip Sparke’s Classic Christmas brings together 25 of the most popular Christmas carols which can either be played with the CD accompaniments or with organ or piano using the separate accompaniment book which fits with all the instrumental books. They can be performed as solos and are all in suitable keys to accompany congregational singing. Twenty-five famous Christmas carols for Instrumental solos or Ensembles with the same instruments. Includes a Play along CD of accompaniments and demonstration tracks.

On 30th September 1791 a few months before his death the opera “Die Zauberflote” (The Magic Flute) by Wolfgang Amadeus Mozart was given its first performance. It was remarkable that despite his ill health and his disastrous financial situation he was able to compose a work of such comic genius. Mozart composed the overture in the two days before the premier of the opera and it is on this overture that this transcription is based. To perform the work ‘a la Mozart’ only the timpani part should be used the additional percussion parts have been added by the arranger and are therefore optional.Mozart 40th SymphonyThe Austrian composer Wolfgang Amadeus Mozart lived atragically short life of thirty-five years. Towards the end of his life in the summer of 1788 he wrote three symphonies in the span of a little over six weeks. His Symphony No.40 in G Minor was one of those great works. This setting of the first movement from that Symphony provides ample demonstration of the composer's grace inventiveness and pervasive sense of humour which can be found throughout his music.

Song of Liberation-Eventide (Song of Liberation) has as its theme the European liberation from the Second World War. After a solemn introduction one hears the melody of the hymn Abide with Me which was sung frequently during the war. Variations on the theme follow finally leading to the magisterial conclusion that represents the ultimate liberation. Bring a bit of nostalgic history to life with this stirring composition.

or Flute/Bb Clarinet and Piano-This short work for Oboe and String trio was written c.1878 probably for performance at Worcester Glee Club. It has never previously been published. Here presented with Piano reduction. Solo Oboe part includes version for Flute and also transposedpart for Clarinet in B Flat. The solo parts can also be used with the original string trio version.This short work for Oboe and String trio was written c.1878 probably for performance at Worcester Glee Club. It has never previously been published. Here presented with Piano reduction. Solo Oboe part includes version for Flute and also transposed part for Clarinet in B Flat. The solo parts can also be used with the original string trio version.

„Ich glaube – ohne falsche Eitelkeit – dass diese drei Stücke sich gut machen und ihren Platz in der Klavierliteratur einnehmen werden … zur Linken Schumanns oder zur Rechten Chopins … as you like it“ schrieb Debussy im August 1905 selbstbewusst an seinen Verleger Jacques Durand. Die „Images“ verzaubern durch irisierende Klangfarben und schillernde Harmonien „nach den neuesten Entdeckungen der harmonischen Chemie“ getragen von einem – im zweiten Heft durchgehend auf drei Systemen notierten – virtuosen Klaviersatz. Zum 150. Geburtstag des Komponisten legt Bärenreiter die bereits zu Debussys Lebzeiten überaus erfolgreichen Images in einem auf der Grundlage neuesterForschungsergebnisse und Quellenrecherchen aktuell und zuverlässig edierten Urtext vor. Ein klar strukturiertes Notenbild Fingersätze von Tamara Stefanovich und aufführungspraktische Hinweise bieten optimale Voraussetzungen für das Studium dieser Werke. - Urtext auf der Grundlage neuester Forschungsergebnisse und Quellenrecherchen - Mit Fingersätzen von Tamara Stefanovich - Detailliertes Vorwort (dt./engl.) und Kritischer Kommentar (engl.) Tamara Stefanovich studierte an der Universität in Belgrad am Curtis Institute of Music und an der Hochschule für Musik und Tanz in Köln. Sie konzertierte u. a. mit dem Cleveland Orchestra dem London Philharmonic und dem Chicago Symphony Orchestra unter Dirigenten wie Esa-Pekka Salonen Vladimir Jurowski und Pierre Boulez und machte Aufnahmen für die Deutsche Grammophon. Debussys „Images“ interpretierte sie 2011 beim „Klavier-Festival Ruhr“. Zusammen mit Pierre-Laurent Aimard verfasste sie die Fingersätze für das „Klavier-Festival Ruhr Bärenreiter Piano Album“ (BA 9659).

Arrangement and Orchestration by Andrea Cappellari. Full score and 22 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Violin) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin) / 3) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 4) C Instr. (Violin) / 4)str. (Alto Sax.) / 5) C Instr. (Violin) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin Viola) / 6) Bb Instr. (Clarinet) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin Viola) / 7) Bb Instr. (Clarinet) / 7) Eb Instr. (Alto Sax.) / Guitar / Pianoano 2 / Bass Cello Bassoon / Hi-hat Bass drum / Triangle-Basco Snare drum / Four hands Piano ad libitum. Performance possible alsowithout Piano