Juri Briat has made a daring arrangement of this spectacular film score. Through his skilful instrumentation the sound of this work closely resembles that of the original version for a symphony orchestra. In this arrangement Juri Briat has combined dazzling brass passages with virtuoso woodwinds and saxophones. A challenge for any band with ambition.

Francis Jackson's Audi Filia arranged for SATB.

from 'Soupers du Roi' (for flute (or oboe or violin) and bass continuo)

Ravel’s “Valses nobles et sentimentales” created a stir when they were anonymously premiered in Paris’s Société nationale indépendante in 1911: many listeners thought they were by Satie or even Kodály!For our new Urtext edition of this work the famed musicologist Nicolas Southon a co-editor of the “Œuvres Complètes de Gabriel Fauré” has examined a large body of sources to present a musical text with many new readings.The edition contains fingering and performance notes by the French pianist Alexandre Tharaud one of today’s leading interpreters of Ravel’s music. Commentaries by pianists closely associated with Ravel such as Lucian Garban Vlado Perlemuter Robert Casadesus and Jacques Février are also included.• Detailed trilingual preface (Fr/Eng/Ger) and Critical Commentary (Eng)• Optimum page turns• Includes a glossary (Fr/Ger/Eng) Detailed trilingual preface (Fr/Eng/Ger) and Critical Commentary (Eng). Optimum page turns. Includes a glossary (Fr/Ger/Eng). Ravel ’s Valses Nobles Et Sentimentales created a stir when they were anonymously premiered in Paris’s Société nationale indépendante in 1911: many listeners thought they were by Satie or even Kodály! For our new Urtext edition of this work the famed musicologist Nicolas Southon a co-editor of the Œuvres Complètes de Gabriel Fauré has examined a large body of sources to present a musical text with many new readings. The edition contains fingering and performance notes by the French pianistAlexandre Tharaud one of today’s leading interpreters of Ravel ’s music. Commentaries by pianists closely associated with Ravel such as Lucian Garban Vlado Perlemuter Robert Casadesus and Jacques Février are also included.

Pichnette (1'20) (cycle 1) pour flûte et piano. Par Sichler aux éditions Leduc. Partition / Livre de chansons pour Flûte

Piano Sonata No.7 was written in 1985 namely around the time of the film opera Eternal Faust and ten years after Piano Sonata No.6. Like Fiser ´s masterpieces from the 1960s this work is also modal (modes B flat-B-C-C sharp-E-F-F sharp-G in three places extended to include the note E flat). The piece is divided into short sections with highly contrasting rhythms dynamics and tempos; thematically however it is closely integrated and unified. The harmony almost exclusively comprises two or three note chords with emphasis on the use of seconds tritones and fourths within a broad position with the endeavour to achieve maximum dramatic effect.Nevertheless this sonata betrays a certain loosening of the strict dramatic abbreviation which occured in works from the 1960s particularly where the melody is concerned: the composer uses broad lyrical themes as an effective contrast to the dramatic short ostinato melodies. This tendency already apparent in Piano Sonata No. 5 was fully developed during the 1990s. The premiere of Piano Sonata No.7 was held in Munich in 1987. It was first published in 1997 by Bärenreiter Editio Supraphon Prague in a re-print of a transcription provided by the Czech Music Fund (Ceský hudební fond) in whose preparation the composer was also involved at the time. The new edition consistently adheres to this authorised copy of the work while confining itself to the correction of several apparent omissions and errors.

A Masterwork Method for the Developing Pianist-Bachus Nancy Exploring Piano Classics Technique Level 4 Book

Spil klaver med Finn - Blueshæftet by Finn Kornebæk is an inspiring introduction to playing blues piano. Spil klaver med Finn - Blueshaeftet by Finn Kornebaek is an inspiring introduction to playing blues piano.

Clarinet & Piano-This substantial new work is based on the standard three-movement format of a classical concerto but this is where the similarity ends. The opening movement contains much syncopation and is in an almost rag-like style. The contrasting second movement is full of emotion with lush harmonies in the piano accompaniment. Jazz reappears in the final movement which is almost bee-bop in style and shows off the jazzier side of the clarinet. This fantastic new work is a must for any clarinet recital.

from 'Grande Sonate' (for clarinet (or violin) and harp (or piano))

This scintillating arrangement by the American Mark Freeh of the Jerome Kern and Oscar Hammerstein classic Showboat is a classic in the brass band repertoire. This ‘up tempo’ big band arrangement is a perfect opener or closer to any programme and is also a fantastic way to showcase your drummer. Definitely one not to be missed!

2 Violins Piano. Gal H 2 Violins Piano. Gal H

Clarinet Violin Cello (parts). Gal H

Set Wind Instruments- Dvorák’s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with František Ondrícek as soloist. This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák’s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák’s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim’s fingering is published. First Urtext edition of the original Piano reduction Variants in the solo part rendered as ossia passages Foreword on the work’s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor

Four compositions introverted slow richly harmonic pieces alternating with processional-type compositions that conjure up the soundworld of North American minimalists. Four compositions introverted slow richly harmonic pieces alternating with processional-type compositions that conjure up the soundworld of North American minimalists.

Einar Traerup Sark's Toccata Primi Toni from Opus 11 for Organ Solo.

A totally groovy collection of riffs turns grooves and vamps specially compiled for the Organ player by Andrew D. Gordon . This generous selection of grooves will add swing bounce and funky syncopations to your playing with everything from four-bar riffs to more substantial progressions that will squeeze a host of unusual and addictive rhythms from beneath your fingers. All examples are grouped by style covering Blues Funk Gospel Jazz Latin and Reggae sounds. There is guidance to help you choose appropriate voice selections as well as a guide to some of music's funkiest Organ stars. The book is complete with a CD featuring recordings of everyexample to help you really capture the 'feel' of each unique groove.

The decade between Edward Elgar’s marriage in 1889 and the publication of his famous Nimrod Variations in 1899 was possibly the happiest period of his life: he was comfortably settled into family life but the burdens of national fame had not yet begun to take their toll. His beautiful and haunting composition The Snow dates from this time: as a relatively unknown composer he was free to work on what he liked and the growing popularity of competitive choral festivals led him to write a series of part-songs of which this is undoubtedly the best-loved and most performed today. The words come from a poem by his wife Alice and the workhas been arranged here by the composer for two Sopranos two Violins and the Piano.

For Saxophone- 100 Ultimate Blues Riffs for Eb Alto Saxophone the Beginner Series by musician educator and world renowned author Andrew D. Gordon is an exhaustive guide to introduce beginner students to the various phrases or “riffs” that make up Blues sax playing both from a rhythmic and soloing standpoint. Due to the continued success of his more advanced book 100 Ultimate Blues Riffs for Eb Alto Andrew decided to author a similar type of book for beginner students. This book is ideal for the beginner to intermediate music student with most of the examples notated in the easier keys. Besides learning how to play Blues riffs the book is a useful tool for sightreading exercises with many different rhythms. The 12 bar Blues progression and the Blues scale in Andrew’s opinion the two most important aspects of playing the Blues is explained in detail as well as “straight” and “swing” rhythms. There are five sections to the riffs in the book section 1 contains basic Blues riffs section 2 contains Rhythm & Blues influenced riffs section 3 contains Blues/Boogie Woogie riffs section 4 contains Rock influenced Blues riffs and section 5 contains Gospel influenced Blues riffs. Included with this book is an audio CD that contains all the riffs recorded twice: first sax melody piano guitar bass and drums and second just the rhythm track of piano guitar bass & drums so you can play-a-long. 'Whether reading the 100 riffs or picking them up by ear the book can have many uses. It is good for sightreading in the style short improvisational work or developing the ear. The clean well-laid out books should offer a springboard into further study of the blues and improvisation.' - saxshed.com

for violin (or flute) and continuo