Score and Parts for Beethoven's Adagio arranged by Armin Schmidt for a Chamber Quartet comprised of Flute Violin Guitar and Piano.

Ludovici-Soli-Choeur - Satb- SATB soli SATB chorus and orchestra

Saxophone Alto - Ou Tenor- for alto (or tenor) saxophone and piano

Drame lyrique en 5 Actes (Text from 'Conte de la Motte-Fouqué')

The second in this series of technical and stylistic studies which is suitable for Grades 6 - 8.

Pour Saxophone Baryton et Violoncelle-Identification I (11') (9e) (collection vent de sax) pour saxophone baryton et violoncelle. Par Mengel aux éditions Leduc. Partition / Livre de chansons pour Saxophone Identification I (11') (9e) (collection vent de sax) pour saxophone baryton et violoncelle. Par Mengel aux éditions Leduc. Partition / Livre de chansons pour Saxophone

Works For Piano Duet-« Fuyez les orages » - cette devise des artistes classiques Reynaldo Hahn (1874-1947) la place au cœur de sa musique pour piano à quatre mains qui préfère au grondement des passions l'équilibre des proportions l'éclectisme de bon aloi le charme et la délicatesse. Les Berceuses s'inscrivent dans la tradition française des enfantines qu'illustrent Dolly de Fauré et Ma mère l'Oye de Ravel. Ces sept pièces évoquent avec raffinement le bonheur d'un jour sans nuages l'effervescence qui règne la veille de Noël ou le douxbalancement syncopé d'une jeune créole Selfiana. Les Variations puériles sur une mélodie de Carl Reinecke manifestent une veine libre et fantasque tandis que les Trois préludes sur des airs irlandais s'abreuvent aux sources pures de la musique populaire empruntant leur matériau thématique au fameux recueil Songs of Old Ireland qu'avait fait paraître en 1882 Stanford. Publiées pour la première fois d'après une source manuscrite les Variations sur un thème de Charles Levadé s'achèvent sur un quadrille débridé qui mène les héros de la fête à l'auberge la plus proche. La Pièce en forme d'aria et Bergerie de 1896 finement ciselée renoue avec l'ambiance de la pastorale chère au XVIIe siècle. Cette musique au charme infini ressuscite la voix d'Orphée telle que l'a entendue Jankélévitch : subjuguant sans violence elle « pacifie les monstres de l'instinct et apprivoise les fauves de la passion ». 'Flee the storms.' Reynaldo Hahn (1874-1947) put this motto of classical artists at the heart of his music for piano four hands preferring the balance of proportions to the roar of passions the eclecticism of good taste charm and delicacy. Berceuses falls within the French tradition of children's music such as illustrated by Fauré's Dolly and Ravel's Ma mère l'Oye . These seven pieces evoke with refinement the happiness of a cloudless day the effervescence that reigns on Christmas Eve or the gentle syncopated rocking of a young Creole Selfiana. The Variations puériles sur une mélodie de CarlReinecke manifest a free whimsical vein whereas the Trois préludes sur des airs irlandais drink at the pure sources of folk music borrowing their thematic material from the famous collection Songs of Old Ireland which Stanford had brought out in 1882. Published for the first time from a handwritten score the Variations sur un thème de Charles Levadé end with a wild quadrille t

This is the first publication of this early work for orchestra which was completed in November 1900 and first performed in March 1902. This four-movement work shows evidence of the composer's emerging musical style and sure grasp of orchestral techniques and publication will be welcomed by all aficionados of his music. This is the first publication of Ralph Vaughan Williams's early work for orchestra Bucolic Suite which was completed in November 1900 and first performed by the Bournemouth Municipal Orchestra in March 1902. This attractive work is cast in four movements - Allegro Andante Intermezzo Finale - and already shows evidence of the composer's emerging musical style and sure grasp of orchestral techniques. This new edition has been carefully prepared from the original manuscript by Julian Rushton and comes with full textual commentary. This publication will be welcomed by all aficionados of Vaughan Williams's music.

Sonate for Violoncello and Piano Op. 34 was composed by Poul Rovsing Olsen in 1955-56. Sonate for Violoncello and Piano Op. 34 was composed by Poul Rovsing Olsen in 1955-56.

para guitarra-Licks in standard notation and Tabs. Contains more that 100 licks/riffs in blues rock country and hard rock styles for live and studio performance. Essential finger patterns and scales for guitarists. Audio includes given examples and solos. Licks in standard notation and Tabs. Contains more that 100 licks/riffs in blues rock country and hard rock styles for live and studio performance. Essential finger patterns and scales for guitarists. Audio includes given examples and solos.

SATB chorus

Parts for World-Mothering Air for Woodwind Quintet by Peter Bruun (2015). Parts for World-Mothering Air for Woodwind Quintet by Peter Bruun (2015).

Piano. Tcherepnin A

8 Two-part Ricercare for Descant and Treble Recorders by de Antiquis.

Edvard Brink Melodier - 10 popular songs by Edvard Brink for Voice and Piano. Edvard Brink Melodier - 10 popular songs by Edvard Brink for Voice and Piano.

Toccato Op.6 for Piano by Einar Traeup Sark. Toccato Op.6 for Piano by Einar Traeup Sark.

Saxophone Alto Ou Tenor Et Piano- for E flat (or B flat) saxophone and piano

Transcribed for Baroque Harp- The Toccata con Fuga in D minor BWV 565 is a piece for organ composed by Johann Sebastian Bach between 1703 and 1707. It is one of the most famous classical pieces and has now been arranged for harp by Floraleda Sacchi.

Paperback-for SSAATTBB and organ This fine double choir setting published to celebrate the 200th anniversary of the composer's birth uses the two choirs to great effect with the Gloria starting with striding imitation between the soprano and tenor (later alto and bass) over a pedal point in the organ. Thomas Attwood Walmisley 's setting of Magnificat And Nunc Dimittis in B flat for SSAATTBB Choir and Organ. Organist of Trinity College St John's College and Professor of Music at Cambridge simultaneously Walmisley is known today for his Evening Canticles in D minor and a handful of anthems. This fine double Choir setting was written some ten years before the D minor set and is published to celebrate the 200th anniversary of the composer's birth. There are fewer contrasts of texture than in the later setting but the two choirs are used to great effect with the Gloria starting with striding imitation between Soprano and Tenor(later Alto and Bass) over a pedal point in the Organ.

16 easy pieces for descant rercorder and piano edited by Freda Dinn.