Dawning for Clarinet Violin Cello and Piano was composed by Niels Rosing-Schow in 2015. Written for the Northern Lights Ensemble (Ensemble Nordlys). Dawning Song for Clarinet Violin Cello and Piano was composed by Niels Rosing-Schow in 2015.Written for the Northern Lights Ensemble (Ensemble Nordlys).

Paperback-for SATB unaccompanied This vibrant setting of Isaiah 9:6 draws on the rhythms and textures of modern Nigerian art music. The predominantly homophonic texture is interspersed with solo lines in a setting full of dynamic contrast. Originally published in World Carols for Choirs (SATB). SATB a capella.

Triptykon / Triptych for Organ solo by Niels Rosing-Schow. Triptych is written for the celebration of the 500th anniversary of the Reformation in 2017 commissioned by The Danish Society of Organists and Cantors. From the preface: The three movements of the work are musical images or situations with the middle one Toccata as its axis. The latter is intended as an image of the dispute between Luther and the ecclesiastical authorities which is the origin of the Reformation. Two of Luther's Reformation Hymns are more or less palpably present in the music. The other two movements can be regarded as 'before' and 'after'. The first Exordíum is a 'fluid' situation but also a preparation which gradually accumulates a suspense pointing towards the discharge of energy of the Toccata. The third movement Hymn represents a serene situation where a wealth of hymnal fragments grows out of an underlying structure repeated several times (technically speaking a passacaglia). There are also elements however which are derived from the previous movements. Niels Rosing-Schow (2016) Triptykon / Triptych for Organ solo by Niels Rosing-Schow. Triptych is written for the celebration of the 500th anniversary of the Reformation in 2017 commissioned by The Danish Society of Organists and Cantors. From the preface: The three movements of the work are musical images or situations with the middle one Toccata as its axis. The latter is intended as an image of the dispute between Luther and the ecclesiastical authorities which is the origin of the Reformation. Two of Luther's Reformation Hymns are more or less palpably present in the music. Theother two movements can be regarded as 'before' and 'after'. The first Exordíum is a 'fluid' situation but also a preparation which gradually accumulates a suspense pointing towards the discharge of energy of the Toccata. The third movement Hymn represents a serene situation where a wealth of hymnal fragments grows out of an underlying structure repeated several times (technically speaking a passacaglia). There are also elements however which are derived from the previous movements. Niels Rosing-Schow (2016)

June 1914. Nadia Boulanger is at the height of her composing career which she pursues alongside her other musical activities – concert performance and teaching – though only a few years later she will deliberately give it up. Right now however she has gone to meet her sister Lili in Rome where the two young musicians united by a deep affection will put their study trip to good use in the gentle Italian spring. Dated June 5th these Little Piano Pieces shine with a lighthearted charm – and that’s not the least of their appeal. These three sparkling miniatures published here for the rst time will delight all pianists curious to explore this little-known repertoire. June 1914. Nadia Boulanger is at the height of her composing career which she pursues alongside her other musical activities - concert performance and teaching - though only a few years later she will deliberately give it up. Right now however she has gone to meet her sister Lili in Rome where the two young musicians united by a deep affection will put their study trip to good use in the gentle Italian spring. Dated June 5th these Little Piano Pieces shine with a lighthearted charm - and that's not the least of their appeal. These three sparkling miniatures published here for the _x001D_ rst time will delight all pianists curious toexplore this little-known repertoire.

Causton explores the various timbres of the violin in this unaccompanied work. The improvisatory fantasy of the opening gives way to a virtuosic Double and then a lyrical pensive Air which closes the work.

Arranged for SSSAAATTTBBB the lyrics are from an anonymous writer of the fourteenth century and have been adapted by the composer. The composer says: ' Woefully arrayed is a supreme choral setting by William Cornysh Junior who died in 1523 of a text usually regarded as of anonymous composition though there have been some attributions to John Skelton. It is a thoughtful powerful meditation on Christ on the Cross and though Cornysh’s setting has remarkable intensity and contrapuntal artistry I felt a strong wish to add my own response to this fine text. The different versions of it have different verses – that used by Cornysh has three verses (plus therefrain) while there are others with four or even five (one attributed to Skelton has five). I have chosen to restrict myself to the three used by Cornysh using my own adaptation of the modernised words which yet incorporates some archaisms – a deliberate choice for reasons of rhythm and verbal sound. This setting was commissioned by the Three Choirs Festival 2009 for Stile Antico to whom it is dedicated. ' 'Difficult to perform but not difficult to listen to this 2009 Three Choirs Festival commission was first performed by Stile Antico who have since toured it. It is a heartfelt response to the fourteenth-century text – passionate and anguished Christ is on the cross ‘woefully arrayed’. Although written for a secular choir it is a piece that could be sung by many cathedral and collegiate choirs: there is considerable doubling between the sixteen lines and a keyboard reduction to help the initial sorting out. Above all it is dramatic and would communicate directly to audiences if given a chance to hear it. ' - James L Montgomer RSCM review

Ab Major-String Quartet (Ab Major) by Rued Langgaard dating from 1918. BVN 155 String Quartet (Ab Major) (Strygekvartet As-dur) by Rued Langgaard dating from 1918. BVN 155

Composed in Berlin in 1747 Carl Philipp Emanuel Bach's Trio Sonata In A Minor Wq.148 is a superb work for chamber group. For Flute Violin (or Oboe) and Continuo - Piano (or Cembalo) with Cello (or Bassoon) - this work is ideal for recital or concert performance. Available here is the score with Flute Violin (or Oboe) and Cello (or Bassoon) parts.

Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen . This volume is focused on the Act II - 6. Le Prêche Aux Oiseaux which depicts a moment when he preached to the birds in Assisi. Saint Francis gives the birds his benediction to which they answer by a Concerto. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L'ange voyageur 5. L'ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on Rhythm Colour and Ornithology' in 7 volumes.

Reprise écho accumulation (4') (6e) (collection vent de sax) pour saxophone alto et dispositif électroacoustique (pédale delay). Par Clément D. aux éditions Leduc. Partition / Livre de chansons pour Saxophone

30 Lute- Fantasies and Dances by Holborne arranged for Lute. Volume 2 of 2 containing Nos. 16-30. 12 Galliards (The Countess of Ormond's galliard Galliard A galliard Mr Clark Holburn Passion Heigh to holiday Muy Linda My Selfe 4 Galliards Haselwood galliard) - Playfellow - Wanton Playfellow - As it fell on a holie Eve

POD-Louise Alenius' When Silence Came (2015) for Soprano Countertenor 2 Violins Viola Cello and Double Bass. Lyrics by the composer. Parts: WH32758A / Vocal score: WH32758C Louise Alenius' When Silence Came (2015) for Soprano Countertenor 2 Violins Viola Cello and Double Bass. Lyrics by the composer. Parts: WH32758A / Vocal score: WH32758C

This collection of easy jazzy duets has been written entirely in the low register to enable players of very modest abilities to tackle them without difficulty. Arranged for Clarinet duet with chord symbols.

Le souffleur de verre (3') (cycle 1) pour flûte et piano. Par Sichler aux éditions Leduc. Partition / Livre de chansons pour Flûte

7 Duets by Lupacchino first published in Venice 1559 arranged for Recorder Duet (ST).

Fifty Great Songs For Children To Sing- Preface by Carol Barratt. Here's a great new collection of showtunes folk songs children's songs and pop songs carefully chosen to bring fun and musical variety to the primary school classroom. Some will be familiar some will be brand new surprises and some will be half-forgotten favourites from the past now given a new lease of life. All songs are arranged for easy piano and the piano parts can also be heard on the two accompanying music CDs. Lyrics are printed out for every song but are also available as free downloadable pdfs for easy projection for multiple printing. Includes teachers notes. Let's get our schoolchildren singing again with The National Songbook!

A Posthuman Guide To The Orchestra - for Siri and Orchestra (2017). Commissioned by the the Oslo Philharmonic Orchestr a. First Performance: Oslo 03.05.2018 conducted by Eivind Aadland. A Posthuman Guide To The Orchestra - for Siri and Orchestra (2017). Commissioned by the the Oslo Philharmonic Orchestr a. First Performance: Oslo 03.05.2018 conducted by Eivind Aadland.

Twelve songs for medium voice and piano.

Forarssang Af Operaen Susanne (1950) by Knudåge Riisager. Text by Mogens Lorentzen. Forarssang Af Operaen Susanne (1950) by Knudage Riisager. Text by Mogens Lorentzen.

for SSA piano and optional bass and drum kit This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. The bass and drum parts may be played as written or used as a guide from which the player may improvise freely. This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. The voices are underpinned by a stylistic piano part which may be played as written or serve as a guide and a part for bass and drum kit notated with chord symbols is available separately for jazz trio accompaniment. The bass and drum parts may be played as written or used as a guide from which the player may improvise freely.