Written for guitar. Written for guitar.

Morfudd - Three Welsh Songs by Patrick Hawes for solo soprano and piano. First performed as part of the 'Concerts at the Crossroads' series on 2 June 2012 in Beulah United Reformed Church Rhiwbina Cardiff by Elin Manahan Thomas (soprano) and John Reid (piano).

Includes the music of Bach Handel Schumann Grieg and Mendelssohn. Includes the music of Bach Handel Schumann Grieg and Mendelssohn.

Cantata for Soloists Chorus and Orchestra composed in 1888 by the then 20 year old Scottish composer.

The 84 chansons in this collection are mainly for SATB and were selected first and foremost for their musical value. Care has been taken to represent the great masters as well as lesser-known composers who made significant contributions to the genre. The 84 chansons in this collection are mainly for SATB and were selected first and foremost for their musical value. Care has been taken to represent the great masters as well as lesser-known composers who made significant contributions to the genre.

Gabriel Faure's Fantasie is well known and respected as one of the finest examples of this musical form. Not bound by strict or textbook conventions it is a marvellous expressive work. This version has been wonderfully arranged for Viola and Piano accompaniment by Alan Arnold. Gabriel Faure's Fantasie is well known and respected as one of the finest examples of this musical form. Not bound by strict or textbook conventions it is a marvellous expressive work. This version has been wonderfully arranged for Viola and Piano accompaniment by Alan Arnold.

This volume comprises twenty-eight of the finest oratorio choruses complete short choral works and movements from masses or requiems from the seventeenth to the twentieth centuries. Drawing repertoire from Britain and mainland Europe the volume features renowned choruses and familiar cornerstones of the repertoire as well as some choral discoveries all in new carefully researched and practical editions. Playable piano reductions for rehearsal use are included in the main volume with a separate volume of purpose-made three-stave organ accompaniments and newly typeset orchestral material available on rental. Intended for choral societies and cathedral church and concert choirs this is a unique collection of choral classics for mixed voices and orchestra and an invaluable practical addition to any choir's library.

This hymn to the 'Queen of the Heavens' is a glorious work replete with dramatic changes of mood and texture. The majestic chords of the opening bars quickly give way to a spirited section in which unison altos and basses mimic the insistent flourishes of the sopranos and tenors. This pattern of contrasts is repeated throughout the piece before the final jubilant chords fade away to a modest triple piano. This is an approachable and rewarding motet appropriate for the Feast of the Blessed Virgin Mary in addition to Eastertide.

Dvorak's Romance Op.11 has been arranged for viola and piano by Alan Arnold. Dvorak's Romance Op.11 has been arranged for viola and piano by Alan Arnold.

As the title suggests my Serenata Notturna evokes the atmosphere of night music. Following a reflective opening where the pitch development outlines a twelve-note series the music gradually becomes more agitated developing into a kind of danse macabre eventually reaching a powerful climax. The music then subsides into a much more tranquil atmosphere and the previous dissonant material transposes itself into a simple melody (like a lullaby) uttered by the cello the outline of which both melodically and in terms of the accompaniment figuration has already been present in the piece since the beginning. Thus the turmoil of the first part of the work becomes transfigured intosomething much more peaceful - hence the quotation that prefaces the score: 'out of darkness cometh light'. Edward Gregson 'As the title suggests my Serenata Notturna evokes the atmosphere of night music. Following a reflective opening where the pitch development outlines a twelve-note series the music gradually becomes more agitated developing into a kind of danse macabre eventually reaching a powerful climax. The music then subsides into a much more tranquil atmosphere and the previous dissonant material transposes itself into a simple melody (like a lullaby) uttered by the cello the outline of which both melodically and in terms of the accompaniment figuration has already been present in the piece since the beginning. Thus the turmoil of the first part of the work becomes transfiguredinto something much more peaceful - hence the quotation that prefaces the score: 'out of darkness cometh light'.' Edward Gregson

English folk-song for SSA unaccompanied An English folk-song for SSA chorus unaccompanied. Arranged by Brian Trant.

for SATB chorus ST soli and piano or orchestra This is the sparkling duet and chorus which opens Verdi's opera. This chorus also appears in the anthology Opera Choruses. Orchestral material is available on hire. Brindisi the openning scene from Verdi's opera La Traviata is a sparkling duet and chorus. The opera was based on the novel by Alexandre Dumas La Dame Aux Camelias . La Traviata was premiered in 1853 at La Fenice in Venice and remains to this day one of Verdi's most performed works. This has been written for mixed chorus and Soprano and Tenor Soli with Piano or Orchestra.

Two classic songs in one book. Words and music by John Lennon and Paul McCartney. Arranged for piano and voice with guitar chord symbols and boxes.

Soprano or Trumpet Ensemble (Score). Kelterborn R

Rough Cut for solo Violin. Composed and published 2015. Duration: 5'10. Winner of the Contemporary Music Research Centre Call for Scores. Rough Cut was composed in the spring of 2015 for the CMRC call for scores and was first performed by Peter Sheppard Skaerved at a solo recital in the National Centre for Early Music in June that year. Rough Cut for solo Violin. Composed and published 2015. Duration: 5'10'. Winner of the Contemporary Music Research Centre Call for Scores. Rough Cut was composed in the spring of 2015 for the CMRC call for scores and was first performed by Peter Sheppard Skaerved at a solo recital in the National Centre for Early Music in June that year.

for SATB unaccompanied Commissioned by Chorus America A Dedication and an Amen is a flexible work designed for use in a variety of contexts. Featuring a secular Dedication and an optional Amen it can be adapted to suit worship services as well as ceremonies where a religious text may not be considered appropriate. John Rutter 's A Dedication And An Amen for SATB choir unaccompanied. Commissioned by Chorus America A Dedication And An Amen is a flexible work designed for use in a variety of contexts. Featuring a secular Dedication and an optional Amen it can be adapted to suit worship services as well as ceremonies where a religious text may not be considered appropriate.

Arranged for Nicholas Daniel.

This speed-reading book employs the standard techniques of language speed-reading converted to music reading. The key ingredients are mental focus physical eye focus and quick fingers. The virtuoso or the elementary player can benefit from practicing these procedures. In 60 pages one will drill in all possible finger patterns including half steps whole steps augmented seconds and brief repetitions. This speed-reading book employs the standard techniques of language speed-reading converted to music reading. The key ingredients are mental focus physical eye focus and quick fingers. The virtuoso or the elementary player canbenefit from practicing these procedures. In 60 pages one will drill in all possible finger patterns including half steps whole steps augmented seconds and brief repetitions.

Each themed book in the Little Voices series contains five songs that make a perfect introduction to part-singing for beginner groups. Little Voices - Classic Pops brings together five well-known pop tunes specially selected and arranged in two parts for young groups and choirs. This book includes the favourites I Have A Dream Mr. Blue Sky Morning Has Broken Nowhere Man and Wouldn't It Be Nice .

The Works of Henry Purcell Volume 7 Sonatas I-IV