for SATB and piano or orchestra or brass ensemble or ensemble This carol is also available in Carols for Choirs 3 and 100 Carols for Choirs. All the instrumental accompaniments are available for hire. The arrangement for orchestra is also available on sale. Jesus Child is a beautiful and sparkling Carol by the prolific composer John Rutter and is written here for SATB with Piano Accompaniment.

Easy Piano Pieces with Practising Tips-With the new Urtext Primo series the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) each volume contains works by three different composers with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. In contrast to conventional piano anthologies the pieces' range of levels ofdifficulty is relatively narrow so that the volume can be used continuously over a period of about two years. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for piano lessons. The explanations included at the end of each volume shall help to deepen the knowledge of musical styles music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.After Vol. 1 with works by Bach Handel and Scarlatti and Vol. 2 with compositions by Haydn Mozart and Cimarosa Vol. 3 contains pieces by Beethoven Schubert und Hummel including popular pieces such as Beethoven's 'Für Elise' and lesser known yet stimulating settings by Johann Nepomuk Hummel. With the new Urtext Primo series Wiener Urtext Edition intends to bridge the gap between studying a Piano method and taking additional lessons. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume in the series with the aim of offering Piano pupils (or even adults who want to resume Piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relativelynarrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for Piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces. Volume 1 contains b

including the Lord's Prayer-for SAATB unaccompanied The Preces and Responses including The Lord's Prayer . For SAATB (with divisions) unaccompanied.

Christmas Crosspicking Solos for Guitar features 31 arrangements of the most popular and best-loved traditional Christmas songs for crosspicking guitar. Chords melodies (in tablature and standard notation) and lyrics are presented as well as extensive instruction in the crosspicking style. Includes access to online audio containing recordings of every song at both slow and regular speeds. Includes online access to additional charts lyrics and images available for free.Christmas Crosspicking Solos for Guitar features 31 arrangements of the most popular and best-loved traditional Christmas songs for crosspicking guitar. Chords melodies (in tablature and standard notation) and lyrics arepresented as well as extensive instruction in the crosspicking style. Includes access to online audio containing recordings of every song at both slow and regular speeds. Includes online access to additional charts lyrics andimages available for free.

for SATB with optional children's chorus and piano or orchestra or brass The orchestral accompaniment is available on hire and on sale. A brass accompaniment is available on hire. Also in Carols for Choirs 3 and 100 Carols for Choirs. Also available for unison voices in a shortened and simplified version. John Rutter's Star Carol is a bright and joyful Christmas carol for SATB and piano with an optional children's chorus.

Mull Of Kintyre Is The Classic Wings Hit By Paul Mccartney And Denny Laine Written In Tribute To The Picturesque Headland Of The Kintyre Peninsula In Scotland. The Song Was Wings’ Biggest Hit In The Uk Scoring The Band The 1977 Christmas Number One And Was The First Single To Sell Over Two Million Copies In The Uk. Today It Can Be Heard Sung Throughout The Football Stadiums Of England And Remains A Popular Anthem. Arranged For Satb Choir With Piano Accompaniment This Choral Version Of The Celtic-Tinged Hit Is Ideal For Groups Seeking An Atmospheric Addition To Their Novello Choral Pop Repertoire. Mull of Kintyre is the classic wings hit by Paul McCartney and Denny Laine written in tribute to the picturesque headland of the Kintyre Peninsula in Scotland. The song was wings’ biggest hit in the UK scoring the band the 1977 Christmas number one and was the first single to sell over two million copies in the UK. Today it can be heard sung throughout the football stadiums of England and remains a popular anthem. Arranged for SATB choir with piano accompaniment this choral version of the celtic-tinged hit is ideal for groups seeking an atmospheric addition to their Novello Choral Pop repertoire.

The Curlew was composed by Peter Warlock for Tenor and Piano Accompaniment. The Curlew the present new Hungarian translation was made in 2004 for a London concert. The prosody of the Hungarian language required many rhythmical changes in the vocal line which had to be treatedwith a certain degree of freedom. The Curlew was composed by Peter Warlock for Tenor and Piano Accompaniment. The Curlew the present new Hungarian translation was made in 2004 for a London concert. The prosody of the Hungarian language required many rhythmical changes in the vocal line which had to be treatedwith a certain degree of freedom.

One of Mozart's many celebrated pieces Adagio for Violin and Orchestra In E Major K.261 has been wonderfully transcribed for Viola and Piano accompaniment by Alan H. Arnold. The solo viola part is also included on a separate insert. One of Mozart's many celebrated pieces Adagio for Violin and Orchestra In E Major K.261 has been wonderfully transcribed for Viola and Piano accompaniment by Alan H. Arnold. The solo viola part is also included on a separate insert.

Novello Voices Choral Suite Arranged by Hywel Davies. Contains: 'Take The 'A' Train 'Satin Doll' 'Lush Life' 'Things Ain't What They Used To Be' and 'Perdido'. Fabulous SATB arrangements of popular modern songs from West End shows and the worlds of jazz and pop.

Volume 1-The first volume of collected songs by Ernest John Moeran for Tenor Voice with Piano accompaniment complete with editorial notes by John Talbot.

The setting of a text by E. Marquina for Voice and Piano by Enrique Morera.

Madeleine Dring's settings of seven songs from the plays and poems of Shakespeare written for medium voice with Piano.

Ten top songs and themes from film and TV arranged for guitar solo by David Burden.This book and the series of which it is part give the classical student popular hits of contemporary music and pieces from other periods that have been used in film TV and stage. Songs include The James Bond Theme Thank You for the Muisc Raindrops Keep Falling on My Head and more. Ten top songs and themes from film and TV arranged for Guitar solo by David Burden . This book and the series of which it is part give the classical student popular hits of contemporary music and pieces from otherperiods that have been used in film TV and stage. Songs include The James Bond Theme Thank You for the Muisc Raindrops Keep Falling on My Head and more.

for SATB unaccompanied Part song adapted from an old air for SATB unaccompanied.

A Spiritual arranged by Jonathan Willcocks for Solo Voice and SATB Choir.

for SATB unaccompanied This short eloquent Benediction sets words from St Patrick's Breastplate (5th century). Also available in John Rutter Anthems. A gentle song with words taken from St Patrick's Breastplate from the 5th century. Composed and arranged for SATB Choir a cappella by John Rutter.

Birthday Odes For Queen Mary Part 1 (Paperback)-Full Score. Purcell Society Volume 11. Edited under the supervision of the Purcell Society by Bruce Wood. Vocal scores and instrumental parts of each of the three works in this volume are available on hire from the publishers. Hardback edition available: NOV151011-01. Full Score. Purcell Society Volume 11. Edited under the supervision of the Purcell Society by Bruce Wood. Vocal scores and instrumental parts of each of the three works in this volume are available on hire from the publishers. Hardback edition available: NOV151011-01.

for SATB brass ensemble timpani optional handbells and optional organ OR SATB and piano This is a joyful carol in which John Rutter sets a traditional English text to a bold and straightforward melody and creates an uplifting work replete with forthright Christmas cheer. Instrumental parts are available on hire. The handbell part is printed in the vocal score. This is a joyful carol in which John Rutter sets a traditional English text to a bold and straightforward melody and creates an uplifting work replete with forthright Christmas cheer. Scored originally for SATB Voices and Brass ensemble with optional Organ and Handbells this arrangement of Rejoice and be Merry may be performed with Piano playing from the Keyboard reduction given in this Vocal score. If available Handbells may be added as well as the Handbell part is printed at the end of this score. With under 3 minutes of performance time and minimal necessary rehearsal time Rejoice and be Merry is the perfect additionto any Holiday performance this festive season.

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

The genesis of Chopin's Polonaise brillante Op. 22 leads back to his youth in Warsaw and the years of his first trips as a virtuoso. Designed as a concert piece with orchestra it takes up a special position among the polonaise compositions of Chopin. However by tradition the work has always been performed as an extremely effective solo piece. Since no autograph has survived the various first prints are used as sources. Comparisons show that the English first edition must have been based on the autograph manuscript of Chopin. The present new edition therefore rates this English edition more highly than usual. Thus numerous discrepancies and omissions in the Frenchdefinitive edition which generally is regarded as the most important source can be clarified and complemented. The notes on interpretation not only explain the relatively rare term 'spianato' but also provide information on Chopin's way of playing trills and appoggiaturas as well as on Chopin's tempo rubato. For that sources from the vicinity of the composer such as messages from his pupil Karol Mikuli are evaluated. The genesis of Chopin 's Polonaise Brillante Op. 22 leads back to his youth in Warsaw and the years of his first trips as a virtuoso. Designed as a concert piece with Orchestra it takes up a special position among the polonaise compositions of Chopin . However by tradition the work has always been performed as an extremely effective solo piece. Since no autograph has survived the various first prints are used as sources. Comparisons show that the English first edition must have been based on the autograph manuscript of Chopin . The present new edition therefore rates this English edition more highly than usual.Thus numerous discrepancies and omissions in the French definitive edition which generally is regarded as the most important source can be clarified and complemented. The notes on interpretation not only explain the relatively rare term 'spianato' but also provide information on Chopin 's way of playing trills and appoggiaturas as well as on Chopin 's tempo rubato. For that sources from the vicinity of the composer such as messages from his pupil Karol Mikuli are evaluated.