Strings parts for Overture in g minor from Fantazias and Miscellaneous Instrumental Music .

Commissioned by Michigan State University USA for the Verdehr Trio.

With these three volumes Vienna Urtext Edition presents the first critical edition of Schubert's entire piano sonata output published in chrono-logical order. The musical text newly revised from the original sources is accompanied by articles giving a history of the work details on Schubert's piano writing and his instruments and tips on authentic performance practice. The editorial approach is explained in a critical commentary. The third volume contains the later sonatas composed in Schubert's final years (1825-1828) D 850 D 894 D 958 D 959 and D 960. With these three volumes Wiener Urtext Edition presents the first critical edition of Schubert 's entire Piano sonata output published in chrono-logical order. The musical text newly revised from the original sources is accompanied by articles giving a history of the work details on Schubert 's Piano writing and his instruments and tips on authentic performance practice. The editorial approach is explained in a critical commentary. The third volume contains the later sonatas composed in Schubert 's final years (1825-1828) D 850 D 894 D 958 D 959 and D 960.

Hommage à Robert Schumann-Orchestra (full score). Rudin R

John Rutter 's Shall I Compare Thee To A Summer's Day? for SATB unaccompanied. This secular work is set to the text of Shakespeare's famous Sonnet No. 18. Throughout the work Rutter skilfully weaves the figurative language of the sonnet within the lyrical melodic lines of the music. Shakespeare's expressive text is passed between the voices with the warm verdant harmonies enveloping the sonnet's use of imagery and the work's central metaphor of comparing love to a summer's day.

This is perhaps Smart's best-known work. Composed in 1871.

Contents: Allegro Appassionata (Saint-Saëns) Bourrée (Bach) Cantilena (Goltermann) Hungarian Dance No. 1 (Brahms) Lament (Dvorak) Minuetto (Schubert) Playera (Granados) Romance (Schumann) Sarabande (Debussy) Scherzo (Beethoven) Sleighride (Tchaikovsky) Song Without Words (Mendelssohn) Spanish Dance (Moszkowski) Violin Sonata (Grieg). Selected and edited by Larry Teal. Fourteen numbers by J.S. Bach Beethoven Brahms Dvorak Granados Mendelssohn Saint-Saens Schubert and Tchaikovsky. With piano accompaniment. For ABRSM examinations grade 6 and 7 Tenor Sax.

A simple setting of the Magnificat for SATB and organ with optional brass quintet (2 trumpets horn 2 trombones). The instrumental material is available on hire. This lovely piece is a simple setting of the Magnificat and was comissioned by the Shrine Of Our Lady Of Walsingham to celebrate the Second Millennium of the Lord's birth. Arranged for SATB and Organ Accompaniment.

Wolstenholme's 'Allegretto' Op.17/2 arranged for viola and piano.

From the songwriting team who brought us Dear Evan Hansen and La La Land the movie musical The Greatest Showman is based on the true story of P. T. Barnum with Hugh Jackman in the title role. This arrangement of the powerful anthem from the film is a dynamic showcase for the concert stage. From the songwriting team who brought us Dear Evan Hansen and La La Land the movie musical The Greatest Showman is based on the true story of P. T. Barnum with Hugh Jackman in the title role. This arrangement of the powerful anthem from the film is a dynamic showcase for the concert stage.

A setting for soprano clarinet and piano of words by David Whitter. The piece is in four movements - Introduction and Recitiative Aria Cantilena and Chorale - they represent each of the seasons from winter in the first movement to autumn in the fourth. The text draws parallels between the changing seasons and the story of Christ.

Paperback- Cecilia McDowall 's When Time Is Broke for SSAA (with divisions) unaccompanied. Cecilia McDowall's fresh and appealing style is amply displayed in this cycle subtitled 'Three Shakespeare Songs'. In total six Shakespeare texts are used and McDowall 's response encompasses a fleet-footed impression of Scottish fiddle music a gorgeously plangent slow movement and a helter-skelter finale that broadens to a mysteriously pitchless ending. Also available for SSATB.

Tommaso Vitali's Chaconne as arranged for Viola with Piano accompaniment by Alan H. Arnold. Tommaso Vitali's Chaconne as arranged for Viola with Piano accompaniment by Alan H. Arnold.

for SAB accompanied and unaccompanied SongStream 1 is an exciting and innovative collection of 10 songs for youth choirs. Largely scored for SAB with some divisi and optional parts these songs combine the music of Bob Chilcott and the Voiceworks approach of Peter Hunt to present a dazzling array of pieces in all styles for young singers. Accessible relevant and heart-warming these pieces will communicate directly with young singers and their audiences and freshen any concert programme.10 fantastic songs for youth choirs selected compiled and arranged by Chilcott and Hunt to provide a relevant and accessible repertoire for SAB choral groups. The pieces cover a large range of styles and moods from spirituals and traditional tunes to The Beatles and beyond.

A fascinating movement subtitled A Zen Meditation . Of four minutes duration. Grade 8 A fascinating movement subtitled A Zen Meditation . Of four minutes duration. Grade 8

At the age of four Mozart astounded his father with his understanding of the piano. His first works were simple dance settings written when he was five at which point his musical abilities were developing at a tremendous speed. The earliest pieces are recorded in the music book for Maria Anna Mozart the so-called 'Nannerl-Notenbuch'. These pieces are ideal for elementary teaching. Apart from the popular minuets which form part of every piano beginner's repertoire the edition also contains expanded individual settings such as the fragmentary piano piece in B flat major KV 9b made playable by Robert D. Levin's edition and thus becoming a valuable addition to the teachingliterature. At the age of four Mozart astounded his father with his understanding of the Piano. His first works were simple dance settings written when he was five at which point his musical abilities were developing at a tremendous speed. The earliest pieces are recorded in the music book for Maria Anna Mozart the so-called 'Nannerl-Notenbuch'. These pieces are ideal for elementary teaching. Apart from the popular minuets which form part of every Piano beginner's repertoire the edition also contains expanded individual settings such as the fragmentary piano piece in B flat major KV 9b made playable by Robert D. Levin's edition and thus becoming a valuableaddition to the teaching literature.

The Benedictus written in chant form taken from J.H.Maunder's service in G.

American composer-bassist Armand Russell has created a wealth of music for double bass over the past fifty years and more recently has arranged a tasteful number of works for the instrument. This four movement sonata (Adagio Allegro Largo Presto) by Johann Joachim Quantz (1697-1773) offers a new and accessible transcription for the good intermediate bassist who is confident in low thumb position. Only available in orchestral tuning there are musical and technical challenges in equal measure and much to enjoy for performers and audiences alike. Sonata in G major is also available in two editions for double bass (or cello) trio andstring orchestra. The accompaniment is playable by piano or harpsichord and the limited range of dynamics allows each performer freedom to create their own unique performance and interpretation.

In James Weeks ' Three Trios musical material is stripped back towards a point at which it marks little more than the time passing; a study in pure structure (a canonic motet) and content nearing transparency (a window nearly); the present as materialised poignant space. Duration: 8 minutes. In James Weeks ' Three Trios musical material is stripped back towards a point at which it marks little more than the time passing; a study in pure structure (a canonic motet) and content nearing transparency (a window nearly); the present as materialised poignant space. Duration: 8 minutes.

This anthem for four-part unaccompanied upper voices is an exquisite and heartfelt gem. This anthem for four-part unaccompanied upper voices is an exquisite and heart-felt gem.