Edited by Sydney Pickles.

Choral cantata No. 3 for Good Friday-A/T[S] SOLO/SATB/VLN/OB/ORG S. Reger M

Composed in 1917 Warlock’s An Old Song is an atmospheric piece based on a Highland folk-song that has been transcribed for B Flat clarinet and Piano by John Mitchell.

Per Flauto E Pianoforte

This Book features sets played in West Coast Irish pub sessions presenting 40 often played Irish slip jig reel hornpipe waltz polka and jig sets as well as some original tunes and songs. These 'session friendly' settings are written for all melody instruments and include chord symbols. You will be able to build your own repertoire of Irish music from these sets and fit in with sessions from Ireland to California. The accompanying CDs have the versions of these sets as played by Dannsair on their 3 CD releases: Mists of Ennistymon Rias Medias and Galicia. Audio Tracks: The music on the audio tracks contains 40 pieces of music found in the book. The pieces ofmusic are the complete recordings of Dannsair and have all the melodies and backup instruments. They are played at performance tempos. This Book features sets played in West Coast Irish pub sessions presenting 40 often played Irish slip jig reel hornpipe waltz polka and jig sets as well as some original tunes and songs. These 'session friendly' settings arewritten for all melody instruments and include chord symbols. You will be able to build your own repertoire of Irish music from these sets and fit in with sessions from Ireland to California. The accompanying CDs have theversions of these sets as played by Dannsair on their 3 CD releases: Mists of Ennistymon Rias Medias and Galicia. Audio Tracks: The music on the audio tracks contains 40 pieces of music found in the book. The pieces ofmusic are the complete recordings of Dannsair and have all the melodies and backup instruments. They are played at performance tempos.

A beautiful version of this Traditional Yuletide Carol for SATB choir Unison choir of upper voices and sopranos with an Organ accompaniment by Betty Roe. A beautiful version of this Traditional Yuletide Carol for SATB choir Unison choir of upper voices and sopranos with an Organ accompaniment by Betty Roe.

Gaudiana was first performed at L’Auditori Barcelona Spain on 2 3 and 4 December 2005 by the Orquestra Simfònica de Barcelona i Nacional de Catalunya conducted by Rumon Gamba.

POD-How Sweet I Roamed is a work by Julian Marshall for Unaccompanied SATB Choir. Setting two texts from poems by William Blake a full performance lasts around 5 and a half minutes. How Sweet I Roamed is a work by Julian Marshall for Unaccompanied SATB Choir. Setting two texts from poems by William Blake a full performance lasts around 5 and a half minutes.

from Three Songs of Love-Lilting and graceful the poetry of Christopher Marlowe is adroitly set with mixed meter and delightful harmonic interplay. For SSA voices with optional TTB divisi advanced choirs will shine in concert contest or festival withthe dance-like pastoral Come Live With Me and Be My Love.

A piece in two parts with the elegance and melodic playfulness of Baroque variations written for Flute and Piano by Ian Parrott. Suitable for the proficient soloist the piece is equally appropriate for Treble Recorder and Harpsichord.

Six sonatas. Six sonatas.

Song for Medium Voice in the Key of F with Piano accompaniment by George Frideric Handel. With words by W.G Rothery.

This work was composed in 1951 for Piano and Strings. This edition is the Piano Solo part which also includes Piano II which is the reduction for Orchestra.

Pete Churchill's thrilling arrangement of this traditional Cornish carol has a gentle South African feel and features 'scat' singing and chromatic shifts in harmony. The traditional melody in 6/8 time is set against a jazz-waltz rhythm giving a contemporary twist to this Christmas classic.

This second volume of graded repertoire for guitar continues the goal of providing students a stylistically comprehensive collection of attractive and inspiring music which also meets the pedagogic needs of teachers. While some of this music is very well known much of it is not to be found in similar repertoire collections. Includes Foreword and Didactic Index: Easy music by Aguado Ali Bach Calvi Carcassi Carolan Carulli Cutting Dowland Fuhrman Garcia Giuliani Houghton Hudson Koshkin Kuffner Mertz Murcia Nava Rak Ribayez Seth Shand Sor Tesar Visee Yates York and Zenamon. This second volume of graded repertoire for guitar continues the goal of providing students a stylistically comprehensive collection of attractive and inspiring music which also meets the pedagogic needs of teachers. While someof this music is very well known much of it is not to be found in similar repertoire collections. Includes Foreword and Didactic Index: Easy music by Aguado Ali Bach Calvi Carcassi Carolan Carulli Cutting Dowland Fuhrman Garcia Giuliani Houghton Hudson Koshkin Kuffner Mertz Murcia Nava Rak Ribayez Seth Shand Sor Tesar Visée Yates York and Zenamon.

The sixth book in a fabulous series that presents the best of Peter Warlock’s Choral Music. This volume contains a fantastic collection of his most popular and most loved songs. Volume six contains eight full songs set for Unison Voices with Piano accompaniment. Warlock has such a way with words phrasing and melody that these songs are sure to delight singers players and audiences.

This is the Full Score for composer Patrick Hawes' beautiful work The Angel Of Mons featuring all six movements. This work is arranged for solo Soprano SATB Chorus Harp and Strings and was composed in memory of the British soldiers who supposedly witnessed an apparition of an angel during World War I. The premiere of The Angel Of Mons was on 23rd August 2014 in St Michael and All Angels Church Edenham Lincolnshire and conducted by Patrick Hawes himself on the exact centenary of the apparition of the angel. The inspiration comes from a mythical story around the Battle of Mons during World War One where a group of soldiers supposedly received divine help from'angels'. The story arose from a fictional short story by a writer that came to be known as fact despite the author's desperate pleas otherwise. The work lasts approximately 25 minutes and therefore would make for a hugely enjoyable concert especially a World War I memorial concert. The Vocal Score can also be purchased separately here. This is the Full Score for composer Patrick Hawes' beautiful work The Angel Of Mons featuring all six movements. This work is arranged for solo Soprano SATB Chorus Harp and Strings and was composed in memory of the British soldiers who supposedly witnessed an apparition of an angel during World War I. The premiere of The Angel Of Mons was on 23rd August 2014 in St Michael and All Angels Church Edenham Lincolnshire and conducted by Patrick Hawes himself on the exact centenary of the apparition of the angel. The inspiration comes from a mythical story around the Battle of Monsduring World War One where a group of soldiers supposedly received divine help from 'angels'. The story arose from a fictional short story by a writer that came to be known as fact despite the author's desperate pleas otherwise. The work lasts approximately 25 minutes and therefore would make for a hugely enjoyable concert especially a World War I memorial concert. The Vocal Score can also be purchased separately here.

Score for Choir 5 and Choir 6 only from this work for Cello and 8 Choirs.

Direct from the master of guitar clinics this 96-page book contains a plethora of topics based on Richard Gilewitz's experience of conducting fingerstyle guitar and sound seminars for nearly a decade in a variety of settings worldwide. Sections are built around the most frequently asked questions from players of all ages and skill level with topics supported by written explanations exercises original music tablature and notation pieces charts and photographs.Recommended for players and teachers of both 6 and 12-string guitar this book provides encouragement and new avenues for growth for all students wishing to improve upon their life-long craft. The companion CD and83-minute DVD provide a guide to discussion on learning slide how to select a guitar capos metronomes tuners strings composition hand positions practice methods touring and recording tips standard and open tunings picking patterns and more. Original compositions offered in tablature and notation include Dirt To Dust with the new Gypsy Minor introduction Bilingual Fantasy Jamaicalina Pre Dawn Mourning Echoing Gilewitz Mrs. Firecracker's Place and The Maison Blanche Exit Song.- 96-page book contains topics based on author's experience of conducting fingerstyle guitar seminars for nearly a decade- Sections are built around the most frequently asked questions from students- Topics supported by companion CD DVD written explanations exercises original music tablature and notation pieces and charts Direct from the master of guitar clinics this 96-page book contains a plethora of topics based on Richard Gilewitz's experience of conducting fingerstyle guitar and sound seminars for nearly a decade in a variety of settingsworldwide. Sections are built around the most frequently asked questions from players of all ages and skill level with topics supported by written explanations exercises original music tablature and notation pieces charts andphotographs. Recommended for players and teachers of both 6 and 12-string guitar this book provides encouragement and new avenues for growth for all students wishing to improve upon their life-long craft. The companion CDand 83-minute DVD provide a guide to discussion on learning slide how to select a guitar capos metronomes tuners strings composition hand positions practice methods touring and recording tips standard and open tunings picking patterns and more. Original compositions offered in tablature and notation include 'Dirt To Dust' with the new 'Gypsy Minor' introduction 'Bilingual Fantasy' 'Jamaicalina' 'Pre Dawn Mourning' 'Echoing Gilewitz' 'Mrs.Firecracker's Place' and 'The Maison Blanche Exit Song' . •

Scherzo in e flat minor op. 4-The Scherzo op. 4 was written in 1851 – Brahms was not even 20 years old – and was a kind of calling card with which the young composer and pianist introduced himself to influential musicians. He also played the Scherzo to the Schumanns several times in 1853 and thus might have inspired his older colleague to write the famous article “Neue Bahnen” (New Ways). In it Schumann praised “single piano pieces some of them turbulent in spirit while graceful in form”. We are publishing the work that has until now only been available in the volume HN 38 in a single edition. It has recently been revised following the musical text of the new Brahms Complete Edition and now also containsnew fingerings by Andreas Boyde. Johannes Brahms was not even 20 years old when he wrote The Scherzo Op.4 in 1851. The young composer and pianist used it as a kind of 'calling card' to introduce himself to influentialmusicians. He also played the Scherzo to the Schumanns several times in 1853 and thus might have inspired his older colleague to write the famous article “Neue Bahnen” (New Ways). In it Schumann praised “singlepiano pieces some of them turbulent in spirit while graceful in form”.