Here is a collection of 2-Part a cappella arrangements that really work for the young choir. These 24 delightful songs can help build the young singer's sight-reading skills improve intonation and choral tone and developexpressive singing. The songs range in difficulty from easy to challenging and are composed in several different styles including folk songs spirituals rounds and canons holiday songs and original pieces. The Teacher'sEdition offers comprehensive suggestions including tips for adapting the songs to a Kodaly curriculum or adding Orff instruments. Ideal for classroom or concert! Available: Teacher's Edition and Singer's Edition 5-Pak. For gr.4-9.

SATB Guitar (Guitar part). Hartig Hf

The holograph of Gargoyle Bridge's last piano work and one of his most adventurous is part of a large collection of his manuscripts housed in the Parry Room Library of the Royal College of Music. The holograph of Gargoyle Bridge's last piano work and one of his most adventurous is part of a large collection of his manuscripts housed in the Parry Room Library of the Royal College of Music.

A humorous and engaging setting of a Chinese poem by Yan Li In Zhou Long's charactersistic style the music uses elements from traditional Chinese music.

Psalm 129 set to music by Oscar Espla for four soloists mixed chorus and piano reduction of the orchestral score.

The Cruel Mother for Voice Flute Clarinet Violin and Cello. Composed 2014 published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6) recorded by Dark Inventions. Duration: 6-7 minutes. The murderous tale of infanticide that is told in The Cruel Mother ballad is widely known in a number of forms. It has been performed and recorded by folk singers such as Martin Carthy Maddy Prior and Bella Hardy amongst many others and inspired Down by the Greenwood Side by Harrison Birtwistle. The particular melody used in this arrangement was collected by H.E.D. Hammond in Dorset in 1907. The matter-of-fact representation of the terrible tale thatcharacterizes the tune is augmented by the quintuple metre and cheerful instrumental refrain. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House Manchester. The Cruel Mother for Voice Flute Clarinet Violin and Cello. Composed 2014 published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6) recorded by Dark Inventions. Duration: 6-7 minutes. The murderous tale of infanticide that is told in The Cruel Mother ballad is widely known in a number of forms. It has been performed and recorded by folk singers such as Martin Carthy Maddy Prior and Bella Hardy amongst many others and inspired Down by the Greenwood Side by Harrison Birtwistle. The particular melody used in this arrangement was collected by H.E.D. Hammond in Dorset in 1907. Thematter-of-fact representation of the terrible tale that characterizes the tune is augmented by the quintuple metre and cheerful instrumental refrain. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House Manchester.

This is the Flute Part for Giles Swayne 's work Ophelia Drowning for Flute and SATB Chorus. The Flute in this work represents Ophelia and the voices are those of the horrified spectators of her death. This is a beautiful work and will provide an enjoyable challenge to the advancing and accomplished flautists alike. A performance lasts around 9 minutes. This is the Flute Part for Giles Swayne 's work Ophelia Drowning for Flute and SATB Chorus. The Flute in this work represents Ophelia and the voices are those of the horrified spectators of her death. This is a beautiful work and will provide an enjoyable challenge to the advancing and accomplished flautists alike. A performance lasts around 9 minutes.

For chamber woodwind ensemble. Flute Oboe Clarinet Bassoon Horn and Piano.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Another fantastic publication from Charles Herve and Jacqueline Pouillard. Piano Technic contains 101 first Piano studies for beginners.

Pasticcio On A Theme Of Mozart-Percy Turnbull born near Newcastle Upon Tyne in 1902 had his earliest musical training as a cathedral chorister. At the RCM in the 1920s Turnbull studied with Vaughan Williams Holst and John Ireland. Turnbull was a highly accomplished pianist and spent much of his life earning his living as an accompanist performer and teacher. His understandng of the instrument and his extremely wide knowledge of the piano repertoire led him to produce highly varied and colourful output. His interests were almost entirely for miniature forms: suites preludes studies variations and character pieces. All of these pieces be they athletically virtuoso or deftly simple show a flair forthe idiom and perhaps more importantly they lend an historically significant and stylistically interesting perspective to the literature of twentieth-century British piano music.

Laurence Roman 's Columba Canticles was composed in 2013 for Narrator SATB Chorus Uilleann pipes Harp and String Orchestra. This reduction is for Narrator SATB Choir and Piano. Duration: 41 minutes I. Kyrie – The Choir Vestry II. Gloria in Excelsis III. The Chapter House IV. The Nave – The Bell Tower V. Sanctus VI. Sunday School – Agnus Dei ' Columba Canticles seeks to explore the medium and tradition of devotional music in a fresh and contemporary way. All the movements embrace the convention of including a cantus firmus or plainsong. Several of these Gregorian chants date back to the 9th Century and have ever since provided the creative backbone to a vast body ofecclesiastical music. In Columba Canticles whenever you hear something sung in Latin you can be sure that somewhere in the background there also hovers one of these ancient chants.' - laurenceroman.com Laurence Roman 's Columba Canticles was composed in 2013 for Narrator SATB Chorus Uilleann pipes Harp and String Orchestra. This reduction is for Narrator SATB Choir and Piano. Duration: 41 minutes I. Kyrie – The Choir Vestry II. Gloria in Excelsis III. The Chapter House IV. The Nave – The Bell Tower V. Sanctus VI. Sunday School – Agnus Dei ' Columba Canticles seeks to explore the medium and tradition of devotional music in a fresh and contemporary way. All the movements embrace the convention of including a cantus firmus or plainsong. Several of these Gregorian chants date back to the 9thCentury and have ever since provided the creative backbone to a vast body of ecclesiastical music. In Columba Canticles whenever you hear something sung in Latin you can be sure that somewhere in the background there also hovers one of these ancient chants.' - laurenceroman.com

for SATB unaccompanied Philip Ledger's setting of this 15th Century text for SATB unaccompanied.

Work for Organ

Spielend for two violins was written during the summer and early autumn of 2003 and is based on the idea of the two instruments not only playing the instruments but also playing in the sense of sport i.e. playing their themes off against each other and playing with the musical material. There are times for instance when they seem to be having a contest to see who can finish the themes first or who can divert the other’s attention to a new texture or rhythm. The title the German word for 'playing' also refers in a way to the composer himself exploring the themes harmonies and rhythms - particularly notable in this respect is the large central slow section which contraststwo altered reminiscences of the Violin Sonata of Poulenc (a composer whose music is very dear to me) with the gradual expansion of a fugue from two parts to eight (four in each violin). Fugue after all is in a sense an example of a composer making sport however seriously with the themes. So the work is a kind of extended musical pun lasting about fifteen minutes in all and being performed without a break. Though the central section is slow the outer ones are quick and energetic emphasizing especially the idea of activity and vigour - the ending however may catch the unwary listener by surprise. The first performance was given by Philippa Mo and Peter Sheppard Skærved in Leighton House London on 7th May 2004. 'John McCabe's new 'Spielend' strikes me as a miniature masterpiece: a highly charged 15-minute piece in which the violins chase or echo each other in a thousand different ways including a fugure in which as with Bach two instruments seemed to suggest a dozen voices.' - Richard Morrison The Times 11/05/2004

for SATB (with divisions) cello and piano This five-movement work celebrates the long Canadian winter setting texts by the composer Sara Teasdale Lucy Maud Montgomery (of 'Anne of Green Gables' fame) and Melville Cane. The music conjures up vivid images of a cold and crisp winter and of swirling dancing snowflakes. Sarah Quartel 's A Winter Day for SATB (with divisions) Cello and Piano. This five-movement work celebrates the long Canadian winter setting texts by the composer Sara Teasdale Lucy Maud Montgomery (of 'Anne of Green Gables' fame) and Melville Cane. Each movement depicts a different time of day beginning with the cold darkness before dawn ('Timid Star') and concluding with the evening turning into dusk and then darkness ('Snow Toward Evening'). The music conjures up vivid images of a cold and crisp winter and of swirling dancing snowflakes.

Make it a very special holiday season for your students with this unique multiculltural musical trip around the world. Perfect for the classroom and on stage thiis collection provides songs script and background information andactivities ffor a variety of international holidays. Available: Teacher's Edition Singer's Edition 10-Pak and ShowTrax CD (full performance/accompaniment only. Performance Time: 45 minutes. For Gr. 1-6.Make it a very special holiday season for your students with this unique multiculltural musical trip around the world. Perfect for the classroom and on stage thiis collection provides songs script and background information andactivities ffor a variety of international holidays. Available: Teacher's Edition Singer's Edition 10-Pak and ShowTrax CD (full performance/accompaniment only. Performance Time: 45 minutes. For Gr. 1-6.

Jesus and his disciples-Soli SATB Orchestra (Choral Score). Herrmann H

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

Altazor was commissioned by Festival D'Autumne a Paris 2011 computer designed realised at IRCAM-Centre Pompidou Studios by Lorenzo Bianchi comuter designer. On completion of this work the composer is a member of Sistema. Altazor is composed for Baritone Voice Flute Clarinet Oboe Percussion Piano Violin Viola Cello and live electronics. Altazor was commissioned by Festival D'Autumne a Paris 2011 computer designed realised at IRCAM-Centre Pompidou Studios by Lorenzo Bianchi comuter designer. On completion of this work the composer is a member ofSistema. Altazor is composed for Baritone Voice Flute Clarinet Oboe Percussion Piano Violin Viola Cello and live electronics.