Arranged for Organ by John E. West.

Sonatas Wq 75-78 Arioso Wq 79 Fantasie Wq 80-Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but also the arrangements of the trios Wq143–145 for violin and harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. Carl Philipp Emanuel Bach 's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach 's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but alsothe arrangements of the trios Wq 143-145 for Violin and Harpsichord most of which are included in C. P. E. Bach 's autographs as well as a - previously ignored - early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].

A useful arrangement of this wonderful piece for 4 Bb clarinets and bass clarinet. Duration: 5 mins.

Koanga - La Calinda-The Creole Dance La Calinda from Koanga arranged for Cello and Piano by Christopher Palmer. Delius’ romantic third opera Koanga produced a number of interesting pieces infused with sensuality and notable for its nostalgic and folkish languor. Fenby’s orchestral arrangement was a stripped down affair and it is this version that is most performed and recorded and forms the basis of Palmer’s arrangement.

Lessons for Lent-Once again the writers of Song of the Shadows and The Winter Rose give churches a work rich with musical and spiritual potential. Utilizing simple symbols of worship with sensitive and expressive music the Martinshave crafted an unforgettable experience for Holy Week. This short 30-minute work is easily learned and with the gentle yet dramatic orchestrations by Brant Adams Colors of Grace - Lessons for Lent will become atreasured part of your Holy Week commemoration. Includes: A Servant's Song; A Shadow Fell on Sharon's Rose; Take My Yoke to the Cross; and more.

Arranged as a round for three or four voices with a ground bass for two voices Summer Is Icumen In is believed to be one of the oldest known English part songs and was transcribed originally by John of Fornsete a monk of the Monastery of Reading in around 1226.

Two Anthems For Remembrance by Paul Edwards and Douglas Guest for SATB.

Unbefugten ist der Eintritt verboten!-SATB (Choral Score). Ziems H

Jo Kondo 's Caccia for Toy Piano. Duration: 4 minutes. Composed and published in 2016. Commissioned by Phyllis Chen with funds provided by New Music America. Jo Kondo 's Caccia for Toy Piano. Duration: 4 minutes. Composed and published in 2016. Commissioned by Phyllis Chen with funds provided by New Music America.

Melodie was originally written for Violin and Piano in 1878 as the third of the three Memories that made up the composer’s opus 47. It was dedicated to Brailovo the Ukrainian Country estate where it was finished. Since then it has been re-arranged many times most famously for Violin with Orchestra. This arrangement for Viola and Piano by Alan Arnold is part of the popular Viola World series. Pyotr Ilyich Tchaikovsky (1840 - 1893) is one of the best-known Russian composers in the west. He was the first Russian composer to write in the European style generating criticism from his peers for abandoning the Russian culturalheritage but enjoying acclaim across both Europe and America.

Music for Sleep is among the very earliest stage works by Birtwistle composed when he taught music at schools in Wiltshire and Dorset.The performing notes say that Music for Sleep was designed to be played and sung by children. Choices are offered among wind instruments but instructions for Percussion instruments are very specific. It is a poetically evocative work in which Birtwistle is already playing with formal structures.The lullabye texts are extremely varied. Cradle Song uses text from the 16th century poet brothers James John and Robert Wedderburn. Lullabye on a Ground was written by poet A P Graves father of poet and classicist Robert Graves. Nocturne waswritten by Wordsworth.

Velocity Agility And Concen Drill-This speed-reading book employs the standard techniques of language speed-reading converted to music reading. The key ingredients are mental focus physical eye focus and quick fingers. The virtuoso or the elementary player can benefit from practicing these procedures. In 60 pages one will drill in all possible finger patterns including half steps whole steps augmented seconds and brief repetitions. This speed-reading book employs the standard techniques of language speed-reading converted to music reading. The key ingredients are mental focus physical eye focus and quick fingers. The virtuoso or the elementary player can benefit from practicing these procedures. In 60 pages one will drill in all possible finger patterns including half steps whole steps augmented seconds and brief repetitions.

3 Contrapuntal Songs and 2 Interludes for baritone and tuba in F. 3 Contrapuntal Songs and 2 Interludes for baritone and tuba in F.

Novello Voices Show Singles (From Les Miserables.) Fabulous SATB arrangements of popular modern songs from West End shows and the worlds of jazz and pop music.

for SATB and piano or organ or strings Also in 100 Carols for Choirs. Material is available on hire. This carol is a setting of John Rutter's lyrics to an old sixteenth-century French melody arranged by Rutter for SATB Choir and Organ accompaniment.

Betty Roe: All The Day - The Chorus Line Part for Betty roe and Leonard Clarks's musical All The Day .

This is Mel Bay's landmark system for playing guitar solos in chord style using popular sheet music. This method is accessible to the intermediate level student and is applicable for pick or fingerstyle performance. In notation and tablature. This is Mel Bay's 'landmark' system for playing guitar solos in chord style using popular sheet music. This method is accessible to the intermediate level student and is applicable for pick or fingerstyle performance. In notationand tablature.

Flute oboe and piano. Written in June 1940. This is the first published edition. Sir Malcolm at his most entertaining. Audiences will love this. An alternative clarinet part (replacing the oboe part) is included.

This mini-musical began life as a workshop project commissioned by June Keyte for late-teenage children at Kingsmead School Enfield. The three main characters are a contented boy an uncertain girl and a disillusioned person who can be a boy or a girl. The chorus can be any size. The part of the porter is a solo voice taken from the chorus. The staging and costumes can be as simple or elaborate as you wish but the opening and closing scenes must in some way represent a railway carriage with the three main characters sitting side by side. The piece offers some scope for the insertion of other songs about London to extend the performance in appropriate circumstances. Destination London is ideal for a school or youth group looking for a substantial item in a mixed programme or a group not yet ready to tackle a full-scale musical. The accompaniment can be piano alone but the addition of double bass percussion or any other instruments would add to the overall effect.

Rosita a Polka and Marieta a Mazurka are presented here as a pair of short but challenging pieces for the solo classical guitar. Castellon-born composer Francisco Terrega was a highly important figure in the revival of the guitar as a solo instrument at the start of the 20th century and these two dances form part of nearly 100 original works for the instrument.