A beautiful setting of the text by James Reeves this song for Medium Voice Flute and Piano is a superb concert piece composed by Betty Roe. The flute part is also included on a separate insert. A beautiful setting of the text by James Reeves this song for Medium Voice Flute and Piano is a superb concert piece composed by Betty Roe. The flute part is also included on a separate insert.

Kerry Andrew 's Lullaby For The Witching Hour for three voices (SSA). Duration: 4 minutes Composed: 2004 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. This piece was written as an introduction to a gig we did at the York Spring Festival in 2004. It sets my own text and is influenced by 'Our Prayer' heard on Brian Wilson's album Smile as well as the Belgian/Central African a cappella group Zap Mama and the soundtrack to the film Belleville Rendez-Vous. It was first performed by Juice at York Spring Festival in May 2004. Kerry Andrew 's Lullaby For The Witching Hour for three voices (SSA). Duration: 4 minutes Composed: 2004 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. This piece was written as an introduction to a gig we did at the York Spring Festival in 2004. It sets my own text and is influenced by 'Our Prayer' heard on Brian Wilson's album Smile as well as the Belgian/Central African a cappella group Zap Mama and the soundtrack to the film Belleville Rendez-Vous. It was first performed by Juice at York Spring Festival in May 2004.

10 Pieces- Recital Music publish music for every level of double bassist and in the past few years have concentrated on music for the younger player. This new and exciting series includes works with simple accessible technical and musical challenges for beginners and progressing bassists. Piano accompaniments are supportive and written with the bass teacher in mind creating a new repertoire which is ideal for concert and educational use.

For Soprano Mezzo Countertenor Tenor Baritone Ensemble and Electronics. Singers: Eurydice (Soprano) Princess (Mezzo) Loved One (Countertenor) Orpheus (Tenor) Poet (Baritone) Ensemble: Flute (doubling Piccolo/Alto Flute) Clarinet (doubling Bass Clarinet) Horn Trumpet Percussion (1 player: Timpani Bass Drum 4 x Toms Glockenspiel Vibraphone) Typewriter (to be performed by a member of the ensemble) Harp Piano Violin 1 Violin 2 Viola Cello Double Bass ElectronicsFor Soprano Mezzo Countertenor Tenor Baritone Ensemble and Electronics. Singers: Eurydice (Soprano) Princess (Mezzo) Loved One (Countertenor) Orpheus (Tenor) Poet(Baritone) Ensemble: Flute (doubling Piccolo/Alto Flute) Clarinet (doubling Bass Clarinet) Horn Trumpet Percussion (1 player: Timpani Bass Drum 4 x Toms Glockenspiel Vibraphone) Typewriter (to be performed by a member of the ensemble) Harp Piano Violin 1 Violin 2 Viola Cello Double Bass Electronics

Ten Catalan folksongs for guitar solo.

With the new Urtext Primo series Wiener Urtext Edition intends to bridge the gap between studying a piano method and taking additional lessons. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume in the series with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be usedcontinuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 1 contains both frequently played educational works by Bach and lesser known pieces by Handel and Scarlatti Volume 2 compositions by Haydn and Mozart as well as musically and educationally attractive pieces by Cimarosa. Volume 3 (scheduled for publication in summer 2013) contains pieces by Beethoven Schubert and Hummel Volume 4 (scheduled for publication in early 2014) works by Schumann Brahms and Theodor Kirchner. Further volumes are being planned. With the new Urtext Primo series Wiener Urtext Edition intends to bridge the gap between studying a Piano method and taking additional lessons. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume in the series with the aim of offering Piano pupils (or even adults who want to resume Piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relativelynarrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for Piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explan

The Fanfare For The Common Man came about in the summer of 1942 when Eugene Goosens approached eighteen American composers to contribute patriotic fanfares for performance by the Cincinnati Symphony Orchestra. Ten of these pieces were written for percussion and brass alone. The works do not only enrich the literature for brass and percussion but to pay tribute to all those involved in World War II.

Double Bass-More String Time Joggers is a welcome addition to the ensemble repertoire for beginner strings from the authors of the award-winning Fiddle Time series. This exciting collection provides inventive and enjoyable ensemble material for all string groups whatever their size. More String Time Joggers is a welcome addition to the ensemble repertoire for beginner strings from the authors of the award-winning Fiddle Time series. This exciting collection provides enjoyable and inventive ensemble material for all string groups whatever their size.

Fly Bold Rebellion is a work by English composer Henry Purcell for 2 Soprano 2 Countertenor Tenor and 2 Bass Soli as well as SSAATB Chorus with Strings and Continuo. The work was composed in 1683 and this edition of the score has been edited by Bruce Wood. Fly Bold Rebellion is a work by English composer Henry Purcell for 2 Soprano 2 Countertenor Tenor and 2 Bass Soli as well as SSAATB Chorus with Strings and Continuo. The work was composed in 1683 and this edition of the score has been edited by Bruce Wood.

for SATB unaccompanied This setting of the Song of Songs is a fine example of Skempton's distinctive ability to distil and express the emotional essence of a text. Beautifully understated and employing a straightforward tonal language with gorgeously refined harmony this is an exquisite piece of choral writing. This setting of the Song of Songs is a fine example of Skempton's distinctive ability to distil and express the emotional essence of a text. Beautifully understated and employing a straightforward tonal language with gorgeously refined harmony this is an exquisite piece of choral writing.

A work by Peter Jenkyns for unison voices and piano.

Aerobics & Warm–Ups for Fiddlers & Violinists is not for the sophisticated violinist with years of classical training. It has been created especially for the more casual player who is sincerely interested in getting maximum benefit from a minimum of effort. Aerobics & Warm–Ups for Fiddlers & Violinists helps to fill this need for technical studies applicable to both the worlds of classical violin and fiddling. I first tested these scales and exercises on myself for six months faithfully using them for about 20 minutes as warm–ups to my daily practice. I was rewarded with a definite improvement in my technique. I was actually surprised to see my dexterity grow as Icharted my metronomic progress on a calendar. I remember thinking I will never be able to play faster than this. But then a couple of weeks later I would indeed climb a notch higher! Through the years I have used these exercises in countless fiddle workshops and with private students. The letters of thanks and positive feedback from students who were thrilled with improved fiddle technique have brought me great satisfaction. I sincerely believe that these exercises when faithfully practiced will help violinists improve their playing skills. The exercises will help develop and strengthen muscles used for finger dexterity clarity of notes tone bowing–arm control intonation double stops and a flexible bowing arm wrist. Companion free Audio Tracks available online. Aerobics & Warm–Ups for Fiddlers & Violinists is not for the sophisticated violinist with years of classical training. It has been created especially for the more casual player who is sincerely interested in getting maximumbenefit from a minimum of effort. Aerobics & Warm–Ups for Fiddlers & Violinists helps to fill this need for technical studies applicable to both the worlds of classical violin and fiddling. I first tested these scales andexercises on myself for six months faithfully using them for about 20 minutes as warm–ups to my daily practice. I was rewarded with a definite improvement in my technique. I was actually surprised to see my dexterity grow as Icharted my metronomic progress on a calendar. I remember thinking 'I will never be able to play faster than this.' But then a couple of weeks later I would indeed climb a notch higher! Through the years I have used theseexercises in countless fiddle workshops and with private students. The letters of thanks and positive feedback from students who were thrilled with improved fiddle technique have brought me great satisfaction. I sincerely believethat these exercises when faithfully practiced will help violinists improve their playing skills. The exercises will help develop and strengthen muscles used for finger dexterity clarity of notes tone bowing–arm control intonation double stops and a flexible bowing arm wrist. Companion free Audio Tracks available online.

Harp-for upper voices SATB and harp My Perfect Stranger is a captivating setting of Kevin Crossley-Holland's retelling of the Christmas story. The artful harp writing makes for a vibrant accompaniment and a successful alternative to the more common accompaniment for keyboard. My Perfect Stranger is a captivating setting of Kevin Crossley-Holland's retelling of the Christmas story. The artful Harp writing makes for a vibrant accompaniment and a successful alternative to the more common accompaniment for Keyboard.

SSAATTBB Soli Organ (Choral Score) 1. Mendelssohn A

A3 Size Score of the Opera in 3 Acts with libretto by the composer based on the 13th Century Chinese drama The Chao Family Orphan.

New classical guitar edition of the world leading Mel Bay Modern Guitar Method written by well-known concert guitarist and teacher Stanley Yates. The beginning classical guitarist will learn music reading hand and sitting positions practice techniques arpeggio and scale technique chordal and melodic playing and solo and duet playing in the first position. Many of the exercises and study pieces include accompaniments that can be played along with a teacher during lessons or with the included online audio (the student and teacher parts are presented on separate stereo channels allowing either part to be turned off if desired). The audio also contains all of theexercises studies and solos presented in the book. An instructional online video containing demonstrations practice tips and performances of many of the exercises studies and solos contained in the book is also available. Includes access to online audio and video. New classical Guitar edition of the world leading Mel Bay Modern Guitar Method written by well-known concert guitarist and teacher Stanley Yates. The beginner classical guitarist will learn music reading handand sitting positions practice techniques arpeggio and scale technique chordal and melodic playing and solo and duet playing in the first position. Many of the exercises and study pieces include accompaniments that canbe played along with a teacher during lessons or with the included online audio (the student and teacher parts are presented on separate stereo channels allowing either part to be turned off if desired). The audio also containsall of the exercises studies and solos presented in the book. An instructional online video containing demonstrations practice tips and performances of many of the exercises studies and solos contained in the book isalso available. Includes access to online audio and video.

One of Berkeley's earliest published compositions Three Songs to Children sets texts by W B Yeats Wilfred Owen and Walter de la Mare. The direct simplicity of Yeats and Owen settings contrast with a central more ambitious setting of a poem by Wilfred Owen.

These five part-songs were composed over ten years from 1903 to 1913 but only the first was published in the composer’s lifetime. Bridge’s early works – those written before the first World War – were more late Romantic in style warmly expansive than his mature works. These songs display Bridge’s skill and craftsmanship.British composer Frank Bridge was active in the early decades of the 20th century and was a highly respected conductor violist and teacher – his sole composition student having been Benjamin Britten. Britten honoured his former teacher in his work Variations on a Theme of Frank Bridge based on a theme from one of Bridge’s pieces for String quartet.These five part-songs were composed over ten years from 1903 to 1913 but only the first was published in the composer’s lifetime. Bridge’s early works – those written before the first World War – were more late Romantic in style warmly expansive than his mature works. These songs display Bridge’s skill and craftsmanship.British composer Frank Bridge was active in the early decades of the 20th century and was a highly respected conductor violist and teacher – his sole composition student having been Benjamin Britten. Britten honoured his former teacher in his work Variations on a Theme of Frank Bridge based on a theme from one of Bridge’s pieces for String quartet.

Six Shakespearean Sketches arranged for String Trio.

A fascinating work from the end of Malcolm Arnold's composing life written at the same time as his 9th Symphony. Opus 129. Grade: 3-6 A fascinating work from the end of Malcolm Arnold's composing life written at the same time as his 9th Symphony. Opus 129. Grade: 3-6