An imaginative and funny song cycle composed in 1948 containing four recipes for voice and piano.

In the summer of 1913 Satie once more poked fun at himself and the world of music with a set of parodic piano pieces on various marine animals giving it the grotesque title “Embryons desséchés” (Dessicated Embryos)(BA 10811). The atmospheric cycle “Avant-dernières Pensées” (Next-to-last Thoughts) (BA 10849) of 1915 with its underlaid words likewise belongs to Satie’s ‘story pieces’. The notation without barlines the ‘stories’ beneath the music and the spoofsof well-known pieces of music most strikingly the Funeral March from Chopin’s Piano Sonata in B minor make the work a barrel of musical fun. The curious performance instructions in these three miniatures all based onostinato figures amusingly lampoon the ideal of Romantic expressiveness. These two Urtext editions faithfully adhere to the sources and reflect the latest findings of Satie scholarship. They contain translations of all of Satie’s French texts practical page-turns notes on performance practice by Satie specialist Steffen Schleiermacher and informative Forewords. The pieces range from an easy to moderate level of difficulty and provide an ideal additional varied repertoire for teaching purposes. In the summer of 1913 Satie once more poked fun at himself and the world of music with a set of parodic Piano pieces on various marine animals giving it the grotesque title “Embryons desséchés” (Desiccated Embryos). The notation without barlines the ‘stories’ beneath the music and the spoofsof well-known pieces of music most strikingly the Funeral March from Chopin’s Piano “Sonata in B-flat minor” make the work a barrel of musical fun. This Urtext edition faithfully adheres to the sources and reflects the latest findings of Satie scholarship. It contains translations of all of Satie ’s French texts practical page-turns noteson performance practice by Satie specialist Steffen Schleiermacher and an informative Foreword. The pieces range from an easy to moderate level of difficulty and provide an ideal additional varied repertoire for teaching purposes. • Urtext edition based on all the sources and latest research findings • Easy to moderately difficult pieces • Ideal for teaching purposes • Optimum page-turns • Translations of all of Satie’s French texts (Ger/Eng) • Notes on performance practice (Ger/Eng) • Informative Forewords (Ger/Eng) and Critical Commentaries (Eng)

Anon. - Desciende al Valle (AAT recorders); Encina - Una Sañosa porfia (ATTB recorders); Gabriel - De la Dulce (AATB recorders)

For C/Bb Bar.-Euph. and Band-This piece was commissioned by Swiss euphonium virtuoso Erich Schmidli. Bert Appermont dug deep into Celtic music for inspiration and created a fantasy that shows off the incredible but often overlooked versatility of the euphonium. Charminglyrical melodies virtuosic runs and exciting colourful tuttis create plenty of contrast in this exciting work. The difficulty level for the soloist and band means almost any band to perform this piece and showcase their euphonium player.This piece was commissioned by Swiss Euphonium virtuoso Erich Schmidli. Bert Appermont dug deep into Celtic music for inspiration and created a fantasy that shows off the incredible but often overlooked versatility of the Euphonium. Charming lyrical melodies virtuosic runs and exciting colourful tuttis create plenty of contrast in this exciting work. The difficulty level for the soloist and band means almost any band to perform this piece and showcase their Euphonium player.

Heliopolis. Instrumentation: Concert Band. BVN187 Heliopolis. Instrumentation: Concert Band. BVN187

Daily Exercises - Tägliche Übungen- Daily Exercises after Terschack for all Saxophones by Marcel Mule (1901-2001) is a set of twenty six exercises each one lasting a page and a half. Initially composed by the flautist Adolph Terschak these Daily Exercises after Terschack would fit the skills of advanced-intermediate and advanced players with keys from 5 flats to 7 sharps. Marcel Mule (1901-2001) is one of the greatest French Saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure the emission themastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as '18 Exercises or Studies' 'Varied Studies in all keys' or '30 Great Exercises or Studies after Soussmann' (in two books) among others.

Featuring seasonal duets with lively rhythms and contemporary harmonies in jazz style for early intermediate pianists. A perfect way to give students the opportunity to play with someone else.

für Violine und Klavier- Jaroslav Kocian (1883-1950). The present edition is the first complete printed edition of Three Compositions For Violin And Piano Op.19 of which only the Spring Song and Lullaby have appeared in print before (New York 1911). The majority of compositions by Jaroslav Kocian (1883-1950) - an internationally known Violin virtuoso and a distinguished teacher who trained a whole generation of Czech Violin players - were written for Violin. Due to their brilliant character the pieces can serve as suitable encores to round out the concert recitals. This edition was published jointly betweenEditio Barenreiter Praha and the Jaroslav Kocian International Violin Competition in Usti nad Orlici. Contents: Melody Spring Song Lullaby

A Tribute To Alan Spedding- Few musicians have been regarded with esteem and affection in equal measure. Dr. Alan Spedding's contribution to British musical life was whole-hearted and selfless. A number of his friends have contributed to this Organ album to honour his memory.

Ouverture for Percussion Quartet and Brass Quintet by Anders Koppel . Commissioned as set piece for the finals of'The International Percussion Competition Luxembourg 2015' for percussion quartet. Ouverture for Percussion Quartet and Brass Quintet by Anders Koppel . Commissioned as set piece for the finals of'The International Percussion Competition Luxembourg 2015' for percussion quartet.

Work for Flute Violin Cello and Piano. Work for Flute Violin Cello and Piano.

Tonerne by Carl Leopold Sjöberg arranged for Voice and Piano by Josef Jonsson (1951). Tonerne by Carl Leopold Sjöberg arranged for Voice and Piano by Josef Jonsson (1951).

Handel's Fireworks Music freely arranged in a suite for the Organ by E. Power Biggs.

Tuba & Piano-When writing his tuba concerto Philip Sparke wanted to create a work which explored the many aspects of the instrument’s technical and vocal qualities but without resorting to caricature. The result is a concerto in two joined movements which can both be programmed individually that contains both many lyrical lines together with stunning virtuosic passages. An outstanding concerto that tuba players and brass band audiences alike will enjoy and applaud.

The music from the Cheltenham & Gloucester TV commercial. This piece is perhaps more commonly known as the theme tune from the Cheltenham and Gloucester TV Commercial. It is arranged here for SSA Chorus and Piano Accompaniment with an optional Recorder part.

Folk music plays an important role in the life of the Ukrainian people. Their country covers an area of over 600.000 square kilometres and has more than fifty million inhabitants. In the north there are vast woods in the west one finds the picturesque Carpatian mountains and valleys and in the centre and the south Ukraine has its famous steppes with fertile black soil. The river Dnjepr divides the country in two forming a natural frontier between the western and eastern regions which each have their own distinctively different musical folklore. This diversity forms the musical basis for Ukrainian Rhapsody. The work consists of three movements: the first one in a moderatetempo without a pause flows into a slow but very expressive middle movement resulting in a powerful climax. The composition ends with the Gopak: a rousing dance.

as performed by Camila Cabello ft. Young Thug-With its contagious beat catchy lyrics and great Latin feel ‘Havana’ has become one of the biggest YouTube hits ever!

SCORE AND PARTS- Repertoire for Brass Ensemble and Organ. Suitable for amateur ensembles and non-professional church musicians. A variety of instrumental parts allow many performance options. The Organ plus Brass series presents original works and arrangements for Organ and Brass choir specially tailored to meet the needs of amateur ensembles and non-professional organists. The pieces may be played by any constellation of Brass Ensemble. Volume IV contains arrangements of church music by Charles Villiers Stanford both chorale-based and freely composed. The original works for Choir and Organ can be appropriately transferred to the festive scoring for Brass ensembleand Organ. Stanford (1852 - 1924) was an Irish born composer teacher and conductor. Following studies at the University of Cambridge he studied music in Leipzig and Berlin before returning to England where he was one of the founding professors of the Royal College of Music in London. He taught composition there until the end of his life.

Dating from the first decades of the 20th century and originating in vaudeville and the music hall the soft-shoe shuffle was danced by tap dancers wearing soft-shoes instead of their normal tap shoes. In this usually comic dance the shoes were rubbed on the surface of the stage producing a characteristic ‘swish’. Soft-shoe Shuffle can be made into a percussion feature by bringing the sandpaper blocks to the front of the stage - with added choreography if required! A wonderful piece of musical humour for your concerts.

Quarter Military Band QMB 355-Symphonic Band (score & parts). Grundman C