For alto saxophone.

Théorie 1 (sans portees)- Le voyage magique (traduction et adaptation par Stéphane Blet) niveau 1 (sans portées) - découvreur / théorie. Par Bates aux éditions Leduc. Méthode instrumentale et théorie musicale

New Technique for the Double Bass part 5- Bass player François Rabbath born in 1931 in Aleppo is a real character in the world of music. He settled in Paris in 1955 where he played with the stars (Barbara Aznavour…) while continuing as a classical instrumentalist. Throughout the four preceding volumes Rabbath's Nouvelle technique de la contrebasse presented in a four-language version (French English German and Spanish) endeavours to free the pupil from the shackles of traditional teaching. Always guided by the same conviction -that there is no need to torture one's body to become an instrumentalist - Rabbath rounds off his educational epic with this fifth book which will offer great musical pleasure to the trainee bass player who can take pride in having overcome the technical difficulties covered in the first four books. This collection includes real concert pieces - works of great charm such as the nostalgic Cri de Venise for double bass and piano and the Troisième Concerto with its enveloping lyricism as well as short pieces such as Souviens-tu des douze peupliers and the irresistible Mama Bahija for bass drum and organ.

Drum Superior Technique- Le Tambour Technique Supérieure by Guy Lefèvre is a great method to master all the techniques of the Drum. Written in French and in English this book is a must-have for those who want to really master all the aspects of their instruments at a superior level. It includes numerous exercises to work on flam taps paradiddle/ double-paradiddle single stroke as well as some rolling exercises some combination of roll and single stroke and some rhythms such as quintuplets and sextuplets. Guy Lefèvre (1931-2004) was a Conservatoire professor who contributed to the creation of the EmmanuelBoursault school of Drums.

From two of the most prolific flautists of all time Claude-Paul Taffanel and Philippe Gaubert 's Méthode Complète de Flûte provides an essential and well-informed aid to Flute studies. With notes in French English German and Spanish this volume is highly accessible and versatile. The first volume of Méthode Complète de Flûte addresses a huge number of musical elements including tone articulation syncopation key signatures scales breath control ornaments and tonguing among many other aspects. Having been outstanding performers on the Flute as well as providingsignificant contributions to teaching of the instrument the pair saw the need for their detailed Méthode Complète de Flûte compiling it with their combined invaluable expertise. Considering that two great names are associated and that the compilation is packed full of technical exercises this study book makes for an irresistable purchase for aspiring flautists.

Méthode théorique et pratique

French and English Text.

3. Le Méchanisme supérieur 4. Grand duos et grandes études 5. Traits difficiles- This Complete Method For Clarinet - Volume 2 by Hyacinthe Klosé (1808-1880) is the second volume of a method for Clarinet beginners written in 5 books and is an absolute essential to develop your speed technique and articulations. This Complete Method For Clarinet - Volume 2 contains the following elements: - Advanced Technique - Fifteen 'Grand Duos' and Five 'Grandes Etudes' - Difficult Passages This series of books includes studies and exercises for beginners intermediate and advanced level players with comments and advice. It also has some duets tobe played by the student and the professor. Hyacinthe Klosé (1808-1880) is a French Clarinet player composer and professor at the Conservatoire de Paris. He took part in the conception of the Boehm system of Clarinet playing. He became solo Clarinet at the Théatre Italien in 1847.

In three books Lucien Thévet (1914-2007) a virtuoso Horn player of his day provides 148 pages of detailed and progressive studies and exercises for the Horn. The first volume of Méthode Complète de Cor is essential to all Horn players seeking to improve their technique on the instrument. Thévet 's book focuses on elements including timbre fingering breathing sound production holding the instrument intervals articulation and notes values among other musical aspects. Moreover Méthode Complète de Cor also contains 125 exercises and suggestions on how to organise practice. Significantly Méthode Complète de Cor first seeks to address tube-lengths fingering combinationsand tuning-slides so that when the student progresses to Horn notation the sound is not lost. With notes in French English German and Spanish this Thévet book is versatile and crucial to the progress of any Horn player. In three books Lucien Thévet (1914-2007) a virtuoso Horn player of his day provides 148 pages of detailed and progressive studies and exercises for the Horn. The first volume of Méthode Complète de Cor is essential to all Horn players seeking to improve their technique on the instrument. Thévet 's book focuses on elements including timbre fingering breathing sound production holding the instrument intervals articulation and notes values among other musical aspects. Moreover Méthode Complète de Cor also contains 125 exercises and suggestions on how toorganise practice. Significantly Méthode Complète de Cor first seeks to address tube-lengths fingering combinations and tuning-slides so that when the student progresses to Horn notation the sound is not lost. With notes in French English German and Spanish this Thévet book is versatile and crucial to the progress of any Horn player.

Le Cor Méthode Universelle - Vol.2 is the second volume of a method for French Horn by Daniel Bourgue . Following the knowledge and technique acquired in the first volume this book will help the young players to progress further with the help of comments to ensure they maintain their good reflexes. This second volume focuses on chords alterations rhythms ternary mode and paired slurs among other aspects. Revisions are also part of this book. Daniel Bourgue is a French musician who plays the Cello and the Horn and who studied harmonies and chamber music. He played around the world as a soloist andworked as a great pedagogue too.

etendues Du Saxophone- Espaces sonores (livre avec cd) 7 études pour les techniques étendues du saxophone (alto ou ténor) - le livre. Par Gies aux éditions Leduc. Méthode instrumentale pour Saxophone

Maurice Hauchard (1870-1957) was a French violinist and composer. As a minor composer often in the shadow of his contemporary Maurice Ravel much of Hauchard 's music is not widely known. However his Methodical Study of Positions for Violin remains popular to improve violinist's technique. As an excellent versatile musician Hauchard loved his art and remains one of the greatest contributors to music education. The fourth volume of Methodical Study of Positions addresses the sixth and seventh positions in detail through exercises which enable progression using intervals scales arpeggios chromaticism and varying rhythms. All violinists should seek to purchase this Hauchard study series to ensure technical progression to a high level.

English text

In French German English and Spanish.

30 petites pièces mélodiques et rythmiques p violon/ 30 Short Melodic and Rhythmic Pieces For Violin- Valérie Bime-Apparailly 's My First Studies To Play Together for Violin. Published by the Editions Leduc Valérie Bime-Apparailly 's instrumental beginner books - such as Je débute le violon' and Mes premières doubles cordes en chansons' - have enjoyed overwhelming popularity since the day they were published. This excellent educator here turns her attention to the delicate matter of studies: how can these pieces be made less tedious for young violinists? With a crisp clear design enhanced by drawings and carefully crafted explanatory notes the MyFirst Studies To Play Together collection for Violin takes away the dreariness of these pieces giving them beyond their technical importance a musical charm that appeals to 2nd and 3rd year students. The adaptation of the Marche en rondeau which opens Marc-Antoine Charpentier's Te Deum' allows players to discover the subtleties of the dal segno; the author also reminds us that this tune gained fame as the Eurovision credits song. These pieces some of which are original some of which borrow from the classical repertoire (Mozart Spohr Beethoven) or from works of great teachers like Charles de Bériot and Frédéric Berr familiarise violinists with musical concepts as basic as syncopation or bowing indications without sacrificing the pleasure of playing music.

This well-written ABC for Accordion is an initiation method by André Astier and Max Bonnay . Written in French it offers a descriptive method and a set of studies to work on Chromatic basses scales the Bellow Shake and a small concert repertoire. There are 23 studies and the concert pieces include some by: Haydn Mozart Corelli Telemann Diabelli Haendel among others. This is a must-have method for all Accordion upper-beginners. André Astier and Max Bonnay are both professional accordionists who have won numerous prizes.

French and English text.

Méthode progressive-Pédagogue reconnue Valérie Bime-Apparailly a signé un grand nombre de méthodes d’initiation aux instruments à cordes qui font l’unanimité. Je débute le violon s’adresse à des enfants ayant entre 5 et 12 ans. Conçu à partir de séquences très courtes l’enseignement cherche à développer chez le jeune musicien un gestuelle naturelle qui fasse fi des tensions et des contraintes liées à lalecture de la partition. L’album est soigneusement illustré et enrichi d’un CD grace auquel l’élève pourra éprouver le plaisir de jouer avec un orchestre une guitare ou un big-band – rien de mieux pour stimuler la qualité d’écoute si nécéssaire à la pratique de la musiqued’ensemble !

In two volumes Hyacinthe Klosé (1808-1880) a virtuoso wind player of his day provides detailed progressive exercises and studies for the Saxophone. Complete Method for all Saxophones is essential to all saxophonists seeking to improve their technique on the instrument. Klosé 's second volume gives focus to the technique of the instrument including phrasing intervals scales chromaticism ornamentation accidentals breath control articulation dynamics and performance directions among other musical aspects. Moreover Complete Method for all Saxophones contains technicalstudies to ensure adequate comprehension of a range of techniques. It is stated in the introduction that this Klosé series was compiled as a response to the considerable evolution of the instrument at the time. With detailed notes in French and English and with the book being adaptable to any Saxophone Complete Method for all Saxophones is versatile and crucial to the progress of any Saxophone player.

Volume 2- French organist and composer Marcel Dupré (1886-1971) is also remembered as a significant pedagogue. His Complete Course in Organ Improvisation is for beginners of Organ improvisation who have previously acquired some Organ technique. The second volume gives focus to organ technique basics of natural harmony elements of theme counterpoint and chorale the suite the fugue the variation and the triptych symphonic forms and free forms among other musical aspects. Dupré studied at the Paris Conservatoire with Louis Vierne and Charles-Marie Widor where he won prizes for Piano Organ and fugue as well as the GrandPrix de Rome. He was a famous Organ virtuoso and was able to perform the entire works composed for the instrument by J. S. Bach from memory. Dupré 's compositions and didactic works remain important to organists today and his Complete Course in Organ Improvisation is no exception.