For Piano Trio Composed 2017 Love In The Afternoon was composed by Britta Bystrom - for the Kungsbacka Piano Trio on their 20th Birthday in 2017.

Trumpet. Telemann Gp

The edition is part of the Trinity syllabus 2007 (grade 5)

for SATB and SATBB unaccompanied A collection of short simple chordal pieces from a range of periods to Latin texts suitable for the communion service. A collection of short simple chordal pieces from a range of periods to Latin texts suitable for the communion service.

for SA and piano four-hands or orchestra This lovely arrangement of the popular American folk song perfectly captures the sense of loss and longing in the words. From the gentle unison opening the music builds up through a range of textures and harmonies to a rich climax before gently relaxing for a quietly evocative close. There is also a version for SATB. Orchestral material is available on hire. This lovely arrangement of the popular American folk song perfectly captures the sense of loss and longing in the words. From the gentle unison opening the music builds up through a range of textures and harmonies to a rich climax before gently relaxing for a quietly evocative close. Ideal with either piano or orchestral accompaniment. There is also a version for SATB.

Carolina Moon by Benny Davis and Joe Burke with lyrics and Piano music.

Sommerstemning. BVN205 Sommerstemning. BVN205

4 Voix Mixtes - Chansons Francaises- SATB chorus

The viola part is suitable for pupils at the level of Viola Time Joggers. A CD containing full performances and backings is included. This exciting new series by the authors of Fiddle Time Viola Time and Cello Time provides great new ensemble material for all string groups whatever their size. String Time Joggers is a must-have for all those looking for imaginative and enjoyable ensemble repertoire.

The guitar studies of Fernando Sor (1778-1839) have long been valued highly among the indispensable elements of a guitarist's training. A number of prominent virtuosi attribute a large portion of their development to the diligent study of these works. Sor's studies address an impressive array of technical and musical topics including proper left-hand fingering training of the right hand interval and chord formations scales arpeggios repeated notes ligados barring natural harmonics control of note duration balance of melody versus accompaniment and the handling of contrapuntal voices. A careful study of these pieces will lay the groundwork for a solid technique andallow the guitarist to build the control necessary for the expression of his or her musical concepts. In preparing this edition David Grimes worked with Sor's original publications but incorporated some alterations that appear in those studies that Napoleon Coste chose to include in his Methode complete pour la Guitarre par Ferdinand Sor. Furthermore Mr. Grimes has corrected misprints modernized the notation and rectified some inconsistencies. Finally some developments in technique since Sor's day have been incorporated in this edition. The guitar studies of Fernando Sor (1778-1839) have long been valued highly among the indispensable elements of a guitarist's training. A number of prominent virtuosi attribute a large portion of their development to the diligentstudy of these works. Sor's studies address an impressive array of technical and musical topics including proper left-hand fingering training of the right hand interval and chord formations scales arpeggios repeated notes ligados barring natural harmonics control of note duration balance of melody versus accompaniment and the handling of contrapuntal voices. A careful study of these pieces will lay the groundwork for a solid technique andallow the guitarist to build the control necessary for the expression of his or her musical concepts. In preparing this edition David Grimes worked with Sor's original publications but incorporated some alterations that appear inthose studies that Napoleon Coste chose to include in his Methode complete pour la Guitarre par Ferdinand Sor. Furthermore Mr. Grimes has corrected misprints modernized the notation and rectified some inconsistencies. Finally some developments in technique since Sor's day have been incorporated in this edition.

It's Rudolph Frosty and the whole gang in this light-hearted yet nostalgic feature medley of the holiday's best music! Travel from the expressive opening of The Christmas Song into a jitterbuggin' look at Christmas '50s-style! Truly a memorable Christmas classic! Choreography by John Jacobson. Available: Unison/2-Part Score Unison/2-Part Singer's Edition ShowTrax CD. Performance Time: Approx. 21:00.

3rd movement of the 'F.A.E.-Sonata' composed by R. Schumann A. Dietrich and J. Brahms-In October 1853 Robert Schumann invited Joseph Joachim to take part in a Concert at Dusseldorf. In order to celebrate the arrival of the famous young violinst his friends in Dusseldorf prepared a jocular surprise for him. They composed together a Sonata for Violin and Piano and Joachim has to guess the composer of each movement. Dietrich wrote the Allegro in A Minor Schumann the Intermezzo in F Brahms the Scherzo In C Minor (the work printed here) and Brahms completed the Sonata with the Finale in A Minor .In October 1853 Robert Schumann invited Joseph Joachim to take part in a Concert at Dusseldorf. In order to celebrate the arrival of the famous young violinst his friends in Dusseldorf prepared a jocular surprise for him. They composed together a Sonata for Violin and Piano and Joachim has to guess the composer of each movement. Dietrich wrote the Allegro in A Minor Schumann the Intermezzo in F Brahms the Scherzo In C Minor (the work printed here) and Brahms completed the Sonata with the Finale in A Minor .

Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band with André Waignein as its composer. Early in 1979 the composer began his assignement and in October of the same year the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here the band can really show its capabilities to thefull. Based on a very precise rythm an idiom of sudden desperation and adversity develops which fused with a crushing agression culminates in a kind of eruption soom calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds interwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro a movement characterized by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte when speaking about Honneger harmonies d'intensités harmonies of the unmeasurable.

Organ composition dating from 1920.

A Collection of Songs in the Irish Language-A spectacular and inspiring collection of songs in the Irish Language. These traditional folk songs are evocative of Irish culture and represent the diversity of styles that make up Irish Folk music. All songs in Gaelic and arranged for Melody-line and Lyrics. Includes An Ciarraioch Mallaithe An Buachaill Caol Dubh agus Spailpin A Run .

for SATB double choir with tenor solo Written for the 25th anniversary concert of the Manchester Chorale in 2004 this setting of a poem by Paul Eluard (trans. Bowen) is both powerful and gentle and is ideal for concert use. Combining a highly expressive melody with rich sumptuous harmonies the music perfectly captures the poignant message of the poem. Written for the 25th anniversary concert of the Manchester Chorale in 2004 this setting of a poem by Paul Eluard (trans. Bowen) is both powerful and gentle and is ideal for concert use. Combining a highly expressive melody with rich sumptuous harmonies the music perfectly captures the poignant message of the poem.

20 Songs for High Voice and Piano by Ernest Chausson.

adapted from the Largo From the New World Symphony Db major- Goin' Home is a beautiful adaptation of Dvorak's Largo from the 'New World' Symphony for Medium Voice and Piano accompaniment as arranged with words by William Arms Fisher.

Flute/Piano reduction.

JS Bach’s Choral prelude for Organ Wachet Auf has become a favourite of wedding couples for processional or recessional music because of its joyous liveliness and beauty. The cantata Wachet Auf BWV 140 contains a Biblical warning to be alert for the arrival of salvation but Bach seems to have chosen to wake his sleepers with delightful sounds.The arranger Charles Macpherson was an Organist at St Paul’s Cathedral in London and a professor of composition at the Royal Academy of Music. He has made his interpolations clear by the use of brackets.JS Bach’s Choral prelude for Organ Wachet Auf has become a favourite of wedding couples for processional or recessional music because of its joyous liveliness and beauty. The cantata Wachet Auf BWV 140 contains a Biblical warning to be alert for the arrival of salvation but Bach seems to have chosen to wake his sleepers with delightful sounds.The arranger Charles Macpherson was an Organist at St Paul’s Cathedral in London and a professor of composition at the Royal Academy of Music. He has made his interpolations clear by the use of brackets.