This is the first publication of this early work for orchestra which was completed in November 1900 and first performed in March 1902. This four-movement work shows evidence of the composer's emerging musical style and sure grasp of orchestral techniques and publication will be welcomed by all aficionados of his music. This is the first publication of Ralph Vaughan Williams's early work for orchestra Bucolic Suite which was completed in November 1900 and first performed by the Bournemouth Municipal Orchestra in March 1902. This attractive work is cast in four movements - Allegro Andante Intermezzo Finale - and already shows evidence of the composer's emerging musical style and sure grasp of orchestral techniques. This new edition has been carefully prepared from the original manuscript by Julian Rushton and comes with full textual commentary. This publication will be welcomed by all aficionados of Vaughan Williams's music.

Sonate for Violoncello and Piano Op. 34 was composed by Poul Rovsing Olsen in 1955-56. Sonate for Violoncello and Piano Op. 34 was composed by Poul Rovsing Olsen in 1955-56.

para guitarra-Licks in standard notation and Tabs. Contains more that 100 licks/riffs in blues rock country and hard rock styles for live and studio performance. Essential finger patterns and scales for guitarists. Audio includes given examples and solos. Licks in standard notation and Tabs. Contains more that 100 licks/riffs in blues rock country and hard rock styles for live and studio performance. Essential finger patterns and scales for guitarists. Audio includes given examples and solos.

SATB chorus

Parts for World-Mothering Air for Woodwind Quintet by Peter Bruun (2015). Parts for World-Mothering Air for Woodwind Quintet by Peter Bruun (2015).

Piano. Tcherepnin A

8 Two-part Ricercare for Descant and Treble Recorders by de Antiquis.

Edvard Brink Melodier - 10 popular songs by Edvard Brink for Voice and Piano. Edvard Brink Melodier - 10 popular songs by Edvard Brink for Voice and Piano.

Toccato Op.6 for Piano by Einar Traeup Sark. Toccato Op.6 for Piano by Einar Traeup Sark.

Saxophone Alto Ou Tenor Et Piano- for E flat (or B flat) saxophone and piano

Transcribed for Baroque Harp- The Toccata con Fuga in D minor BWV 565 is a piece for organ composed by Johann Sebastian Bach between 1703 and 1707. It is one of the most famous classical pieces and has now been arranged for harp by Floraleda Sacchi.

Paperback-for SSAATTBB and organ This fine double choir setting published to celebrate the 200th anniversary of the composer's birth uses the two choirs to great effect with the Gloria starting with striding imitation between the soprano and tenor (later alto and bass) over a pedal point in the organ. Thomas Attwood Walmisley 's setting of Magnificat And Nunc Dimittis in B flat for SSAATTBB Choir and Organ. Organist of Trinity College St John's College and Professor of Music at Cambridge simultaneously Walmisley is known today for his Evening Canticles in D minor and a handful of anthems. This fine double Choir setting was written some ten years before the D minor set and is published to celebrate the 200th anniversary of the composer's birth. There are fewer contrasts of texture than in the later setting but the two choirs are used to great effect with the Gloria starting with striding imitation between Soprano and Tenor(later Alto and Bass) over a pedal point in the Organ.

16 easy pieces for descant rercorder and piano edited by Freda Dinn.

Dawning for Clarinet Violin Cello and Piano was composed by Niels Rosing-Schow in 2015. Written for the Northern Lights Ensemble (Ensemble Nordlys). Dawning Song for Clarinet Violin Cello and Piano was composed by Niels Rosing-Schow in 2015.Written for the Northern Lights Ensemble (Ensemble Nordlys).

Paperback-for SATB unaccompanied This vibrant setting of Isaiah 9:6 draws on the rhythms and textures of modern Nigerian art music. The predominantly homophonic texture is interspersed with solo lines in a setting full of dynamic contrast. Originally published in World Carols for Choirs (SATB). SATB a capella.

Triptykon / Triptych for Organ solo by Niels Rosing-Schow. Triptych is written for the celebration of the 500th anniversary of the Reformation in 2017 commissioned by The Danish Society of Organists and Cantors. From the preface: The three movements of the work are musical images or situations with the middle one Toccata as its axis. The latter is intended as an image of the dispute between Luther and the ecclesiastical authorities which is the origin of the Reformation. Two of Luther's Reformation Hymns are more or less palpably present in the music. The other two movements can be regarded as 'before' and 'after'. The first Exordíum is a 'fluid' situation but also a preparation which gradually accumulates a suspense pointing towards the discharge of energy of the Toccata. The third movement Hymn represents a serene situation where a wealth of hymnal fragments grows out of an underlying structure repeated several times (technically speaking a passacaglia). There are also elements however which are derived from the previous movements. Niels Rosing-Schow (2016) Triptykon / Triptych for Organ solo by Niels Rosing-Schow. Triptych is written for the celebration of the 500th anniversary of the Reformation in 2017 commissioned by The Danish Society of Organists and Cantors. From the preface: The three movements of the work are musical images or situations with the middle one Toccata as its axis. The latter is intended as an image of the dispute between Luther and the ecclesiastical authorities which is the origin of the Reformation. Two of Luther's Reformation Hymns are more or less palpably present in the music. Theother two movements can be regarded as 'before' and 'after'. The first Exordíum is a 'fluid' situation but also a preparation which gradually accumulates a suspense pointing towards the discharge of energy of the Toccata. The third movement Hymn represents a serene situation where a wealth of hymnal fragments grows out of an underlying structure repeated several times (technically speaking a passacaglia). There are also elements however which are derived from the previous movements. Niels Rosing-Schow (2016)

June 1914. Nadia Boulanger is at the height of her composing career which she pursues alongside her other musical activities – concert performance and teaching – though only a few years later she will deliberately give it up. Right now however she has gone to meet her sister Lili in Rome where the two young musicians united by a deep affection will put their study trip to good use in the gentle Italian spring. Dated June 5th these Little Piano Pieces shine with a lighthearted charm – and that’s not the least of their appeal. These three sparkling miniatures published here for the rst time will delight all pianists curious to explore this little-known repertoire. June 1914. Nadia Boulanger is at the height of her composing career which she pursues alongside her other musical activities - concert performance and teaching - though only a few years later she will deliberately give it up. Right now however she has gone to meet her sister Lili in Rome where the two young musicians united by a deep affection will put their study trip to good use in the gentle Italian spring. Dated June 5th these Little Piano Pieces shine with a lighthearted charm - and that's not the least of their appeal. These three sparkling miniatures published here for the _x001D_ rst time will delight all pianists curious toexplore this little-known repertoire.

Causton explores the various timbres of the violin in this unaccompanied work. The improvisatory fantasy of the opening gives way to a virtuosic Double and then a lyrical pensive Air which closes the work.

Arranged for SSSAAATTTBBB the lyrics are from an anonymous writer of the fourteenth century and have been adapted by the composer. The composer says: ' Woefully arrayed is a supreme choral setting by William Cornysh Junior who died in 1523 of a text usually regarded as of anonymous composition though there have been some attributions to John Skelton. It is a thoughtful powerful meditation on Christ on the Cross and though Cornysh’s setting has remarkable intensity and contrapuntal artistry I felt a strong wish to add my own response to this fine text. The different versions of it have different verses – that used by Cornysh has three verses (plus therefrain) while there are others with four or even five (one attributed to Skelton has five). I have chosen to restrict myself to the three used by Cornysh using my own adaptation of the modernised words which yet incorporates some archaisms – a deliberate choice for reasons of rhythm and verbal sound. This setting was commissioned by the Three Choirs Festival 2009 for Stile Antico to whom it is dedicated. ' 'Difficult to perform but not difficult to listen to this 2009 Three Choirs Festival commission was first performed by Stile Antico who have since toured it. It is a heartfelt response to the fourteenth-century text – passionate and anguished Christ is on the cross ‘woefully arrayed’. Although written for a secular choir it is a piece that could be sung by many cathedral and collegiate choirs: there is considerable doubling between the sixteen lines and a keyboard reduction to help the initial sorting out. Above all it is dramatic and would communicate directly to audiences if given a chance to hear it. ' - James L Montgomer RSCM review

Ab Major-String Quartet (Ab Major) by Rued Langgaard dating from 1918. BVN 155 String Quartet (Ab Major) (Strygekvartet As-dur) by Rued Langgaard dating from 1918. BVN 155