Arranged for 2-part choir by Andrew Balent.

The Allschwil music school in Switzerland commissioned this composition to appeal to young people and awaken in them an enthusiasm for music. Sven Van Calster who is known for his graceful melodies and for his colourful - and also varied - instrumentation has fulfilled this commission with bravura. Truly a musical experience!

Cello Piano. Werner Gj

Work first published in 1952.

Kleine Orgelmesse.- Study score format 22.5 x 16.5cm Haydn presumably wrote his “Missa brevis” in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname the ‘Little Organ Mass’ from the Organ solo in the “Benedictus”. - Urtext based on the Henle Complete Edition of the Works of “Joseph Haydn” - Full score and parts (BA4653) vocal score (BA4653-90) and study score (TP95) available for sale

Waves Under Water - Version For Orchestra by Henrik Hellstenius (2015). Commissioned by Statoil and Stavanger Symphony Orchestra. Premiere by Stavanger Symphony Orchestra June 3 2015. Waves Under Water - Version For Orchestra by Henrik Hellstenius (2015). Commissioned by Statoil and Stavanger Symphony Orchestra. Premiered by Stavanger Symphony Orchestra June 3 2015.

Per Nørgård's Aftonland is scored for SATB Choir a cappella. Based on a text by Par Lagerkvist. Per Nørgård's Aftonland is scored for SATB Choir a cappella. Based on a text by Par Lagerkvist.

Composed by Theobald Boehm these 24 Studies For The Flute Op.37 were arranged by F. Caratgé. Written for advanced players they feature commentary in French English and German and last approximately over 2 pages. All in G key they are up to 5 flats or 5 sharps and are using high scales very fast rhythms and accidental alterations. These studies are perfect for mastering technique and endurance Theobald Boehm was a German inventor and musician. He conceived the Boehm system for Flute and was an inspiration for many other composers and musicians including Hyacinthe Klosé.

As written by Gerry Rafferty-Baker Street is a stop on the London underground also known as the Tube. Scottish guitarist Gerry Rafferty started his musical career deep underneath London’s streets busking at various stops. He finally made it big on the international scene with his song Baker Street. This hit also helped his album City to City sell over 4.5 million copies. Hans Thijssen has created an arrangement that captures the sounds of the subway and includes an optional solo for electric or bass guitar (also playable by the alto saxophone).

Music from the Caribbean is instantly recognisable. It somehow conveys sunshine and lazy summers and is full of the ‘feel-good’ factor. It is this infectious happiness that composer Philip Sparke has tried to capture in Clarinet Calypso.

Leonard Cohen 's Hallelujah for Piano Voice and Guitar. Leonard Cohen 's Hallelujah for Piano Voice and Guitar.

Elgar’s five Pomp and Circumstance Marches were written between 1901 and 1930 with number 1 undoubtedly being the most popular of the five. King Edward VII told Elgar that the tune would ‘go round the world’ if words were fitted to it. Elgar took the hint and included it (with slight rhythmic changes) in his Coronation Ode of 1902 with words by A. C. Benson. Thus was born Land of Hope and Glory which is now of course an integral part of the annual Last Night of the Proms when the audience (with varying degrees of success!) sing the words along to the original march. Now your fanfare band can enjoy all the pomp and ceremony of the proms with this arrangement by Philip Sparke.

Paul and Barry Ryan were identical twin sons of 1950’s pop singer Marion Ryan and were born on 24th October 1948. They were groomed for stardom and had started singing as a duo before their fifteenth birthday. They were signed by Decca in 1965 and brilliantly marketed as clean-cut fashion icons. Their first single ‘Don’t Bring Me Your Heartaches’ reached the UK top twenty but their success as twin performers lasted only three years. In 1968 Barry embarked on a solo career while Paul concentrated on writing and producing. Eloise with its melodramatic vocal style and heavily orchestrated backing was an early success of this new collaboration and went on to be covered by a variety ofartists including punk legends The Damned.

Juri Briat has made a daring arrangement of this spectacular film score. Through his skilful instrumentation the sound of this work closely resembles that of the original version for a symphony orchestra. In this arrangement Juri Briat has combined dazzling brass passages with virtuoso woodwinds and saxophones. A challenge for any band with ambition.

Francis Jackson's Audi Filia arranged for SATB.

from 'Soupers du Roi' (for flute (or oboe or violin) and bass continuo)

Ravel’s “Valses nobles et sentimentales” created a stir when they were anonymously premiered in Paris’s Société nationale indépendante in 1911: many listeners thought they were by Satie or even Kodály!For our new Urtext edition of this work the famed musicologist Nicolas Southon a co-editor of the “Œuvres Complètes de Gabriel Fauré” has examined a large body of sources to present a musical text with many new readings.The edition contains fingering and performance notes by the French pianist Alexandre Tharaud one of today’s leading interpreters of Ravel’s music. Commentaries by pianists closely associated with Ravel such as Lucian Garban Vlado Perlemuter Robert Casadesus and Jacques Février are also included.• Detailed trilingual preface (Fr/Eng/Ger) and Critical Commentary (Eng)• Optimum page turns• Includes a glossary (Fr/Ger/Eng) Detailed trilingual preface (Fr/Eng/Ger) and Critical Commentary (Eng). Optimum page turns. Includes a glossary (Fr/Ger/Eng). Ravel ’s Valses Nobles Et Sentimentales created a stir when they were anonymously premiered in Paris’s Société nationale indépendante in 1911: many listeners thought they were by Satie or even Kodály! For our new Urtext edition of this work the famed musicologist Nicolas Southon a co-editor of the Œuvres Complètes de Gabriel Fauré has examined a large body of sources to present a musical text with many new readings. The edition contains fingering and performance notes by the French pianistAlexandre Tharaud one of today’s leading interpreters of Ravel ’s music. Commentaries by pianists closely associated with Ravel such as Lucian Garban Vlado Perlemuter Robert Casadesus and Jacques Février are also included.

Pichnette (1'20) (cycle 1) pour flûte et piano. Par Sichler aux éditions Leduc. Partition / Livre de chansons pour Flûte

Piano Sonata No.7 was written in 1985 namely around the time of the film opera Eternal Faust and ten years after Piano Sonata No.6. Like Fiser ´s masterpieces from the 1960s this work is also modal (modes B flat-B-C-C sharp-E-F-F sharp-G in three places extended to include the note E flat). The piece is divided into short sections with highly contrasting rhythms dynamics and tempos; thematically however it is closely integrated and unified. The harmony almost exclusively comprises two or three note chords with emphasis on the use of seconds tritones and fourths within a broad position with the endeavour to achieve maximum dramatic effect.Nevertheless this sonata betrays a certain loosening of the strict dramatic abbreviation which occured in works from the 1960s particularly where the melody is concerned: the composer uses broad lyrical themes as an effective contrast to the dramatic short ostinato melodies. This tendency already apparent in Piano Sonata No. 5 was fully developed during the 1990s. The premiere of Piano Sonata No.7 was held in Munich in 1987. It was first published in 1997 by Bärenreiter Editio Supraphon Prague in a re-print of a transcription provided by the Czech Music Fund (Ceský hudební fond) in whose preparation the composer was also involved at the time. The new edition consistently adheres to this authorised copy of the work while confining itself to the correction of several apparent omissions and errors.

A Masterwork Method for the Developing Pianist-Bachus Nancy Exploring Piano Classics Technique Level 4 Book