Fanfare and Jubilation was commissioned by the Yahata Technical High School Band (Fukuoka Japan) to celebrate the 40th edition of their annual concert and is dedicated to its directors Mr. Satoru Yoshihara and Ms. Akane Morimoto. The premiere took place on June 14 2007 in Kitakyushu City Fukuoka Japan with Mr. Satoru Yoshihara conducting.The piece is comprised of two parts: a festive opening fanfare; and a scintillating melody that reflects the celebratory atmosphere. Its melodic character uplifting mood and punchy wit make Fanfare and Jubilation equally suitable as an opening piece or a concert work.

TTBB with Tenor solo

Born in Toulouse Marcel Bitsch (1921-2011) went on to study at the Paris Conservatoire before becoming a professor of counterpoint at the institution. As an exceptionally versatile composer Bitsch has composed orchestral works chamber works and numerous pieces and studies for wind instruments. Fifteen Rhythmical Studies comprise unique studies covering many technical aspects asked of Trombone players. Suited to advanced level trombonists Bitsch 's Fifteen Rhythmical Studies for Trombone covers a variety of musical aspects within the complex rhythmical exercises including articulation range time signatures scales and dynamics. The variety of rhythmic exercises as well as other musical elements included in this Marcel Bitsch study book is outstanding creating a necessary and progressive aid to Trombone player's rhythmical technique.

Le Banquet Celeste by Olivier Messiaen is one of his earliest compositions. Written for Organ this piece lasts 7 minutes because of its slow tempo that gives it a timeless feeling. This piece is quite challenging and would require an advanced technical level. Written in Octatonic mode Le Banquet Celeste used a theme that was transposed twice for less monotony Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music he had a very special way of composing andhis work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.

Volume 3- Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony melodies and his passion for ornithology his Catalogue D'Oiseaux for Piano is no exception to the composer's popular distinctive style. Messiaen became fascinated by birdsong from an early age however it wasn't until the 1950s that he took his passion to a new level incorporating birdsong into all of his compositions. Catalogue D'Oiseaux composed in 1958 comprises thirteen movements each depicting a specific bird. The third volume contains movements five and six; Tawny Owl and Woodlark. Catalogue D'Oiseaux is essential to all advanced pianists seeking to expand and vary their repertoire.

The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers it still stirs the soul to this day. A perfect opener for your concert performances.

Jazz Play-Along Vol.106-Lee Morgan is best remembered for his sassy super-hip trumpet style but he is also remembered for his compositional style that greatly influenced the sound of jazz in the late 50s and 60s. From the beautiful bossa nova Ceora to the exciting boogaloo Sidewinder Lee's impact on modern trumpet and contemporary jazz writing has been extraordinary. Jamey Aebersold Jazz Play Along: Volume 106 - Lee Morgan

Havelock Nelson's Dirty Work for Medium Voice.

Etudes pour Chant sériel

Work for Orchestra composed in 1961. Work for Orchestra composed in 1961.

This pocket sized book contains Humoresques III - VI Op.89 for Violin solo and Orchestra by Jean Sibelius. This handy study score can be easily referenced.

Ensemble (Nr. 5) RV 511A/B/C-5.A/BC-Instrumentation: 2 (2. auch Picc.) / 2 / 2 (B) / 2 • 4 (F) / 2 (F) / 3 / 0 • Pk. / Schlw. (kl. Tr.) • Streicher Instrumentation: 2 (2. auch Picc.) / 2 / 2 (B) / 2 • 4 (F) / 2 (F) / 3 / 0 • Pk. / Schlw. (kl. Tr.) • Streicher

L'étoile Inconnue by Armando Ghidoni for Flute B Flat Clarinet (or Alto Saxophone) and Piano (or Harp). This is the Score and Part .

Cantata for the 1st Easter Day- Der Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31 Cantata for the 1st Easter Day - Performance material (BA10031) vocal score (BA10031-90) and study score (TP1031) available for sale The text by Salomon Franck who was the librettist of some of Bach 's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus. Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach ’s output is aswide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.

Eleven Lieder On Texts By Friedrich Schlegel- Eleven Lieder on texts by Friedrich Schlegel for high voice and piano With their very accessible style and expressive interpretation of the words these contemporary works continue in the tradition of classical and romantic song cycles and will f

Caisse Claire - Ou Tambour- 5 Episodes (Le Divertissement des Baguettes; Rendez à Lenglet ce qui appartient à Lenglet!; Biper Marche; L'Accent chantant; Mystere et Boule de Gomme) for snare drum and bass drum

A Masterwork Method for the Developing Pianist-Bachus Nancy Exploring Piano Classics Repertoire Level 3 Book & Cd

(Vocal Score) SATB (Latin). Strawinsky I

Blue Hills March is a modern dynamic march that makes a big impression at the beginning or at the end of any concert programme. The melodious passages of the refreshing trio make this march a real must.

Instrumentation: Fl. Picc. / 1 / 2 (B) / 1 • 3 (F) / 2 (B) / 1 / 0 • Schlw. (gr. Tr. m. Bck. kl. Tr.) • Streicher Instrumentation: Fl. Picc. / 1 / 2 (B) / 1 • 3 (F) / 2 (B) / 1 / 0 • Schlw. (gr. Tr. m. Bck. kl. Tr.) • Streicher